• links for 2006-12-29


    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/simpsons">simpsons</a>)
      </div>
      
  • links for 2006-12-28


    • <div class="delicious-extended">
        New York magazine goes to the people
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/media">media</a> <a href="http://del.icio.us/andrewraff/socialmedia">socialmedia</a>)
      </div>
      
  • Fox v. FCC Oral Arguments


    C-SPAN has video of the Fox Television v. FCC Oral Arguments (Second Circuit Court of Appeals, Dec. 20, 2006).
    More tomorrow.

  • Scary Technology and Virtual Taxes


    Eriq Gardner , The Hollywood Reporter, Esq: High-Tech, High Anxiety: Innovations Likely to Rattle Nerves: “It doesn’t take long for a hot new technology to become the talk of Hollywood. Witness YouTube: Lawyers in the entertainment community hardly had time to register their copyright complaints before the company was sold to Google for $1.65 billion in October.”
    The Washington Post has an article introducing readers to the law and property implications of virtual virtual worlds: Where Real Money Meets Virtual Reality, The Jury Is Still Out: “As virtual worlds proliferate across the Web, software designers and lawyers are straining to define property rights in this emerging digital realm. The debate over these rights extends far beyond the early computer games that pioneered virtual reality into the new frontiers of commerce.”

  • Deep Linking to Webcasts


    In Live Nation Motor Sports, Inc. v. Davis, a federal district judge in Texas ruled that deep-linking to streaming media is copyright infringement. The plaintiff streams webcasts of its racing events via its web site. The defendant was providing links to these streams from his web site.
    The court finds that “the unauthorized ‘link’ to the live webcasts that Davis provides on his website would likely qualify as a copied display or performance of SFX’s copyrightable material.”
    William Patry Gentlemen Stop Your Linking (includes full text of the opinion): “This is a deeply disturbing opinion.”
    Declan McCullagh, News.com: <a href=“http://news.com.com/Judge+Cant+link+to+Webcast+if+copyright+owner+objects/2100-1030_3-6145744.html?tag=st_l”>Judge: Can’t link to Webcast if copyright owner objects
    Evan Brown, InternetCases.com Enthusiast website owner enjoined from streaming webcasts of racing events: “Perhaps the court would have come to a different conclusion on the question of whether the defendant’s “transfer” of the audio webcast was a public performance had it compared it instead to in-line linking.”
    Matthew Saunders, Legal Fixation: Hitting the Links “Live Nation/SFX claims Supercross is the second most popular motorsport in the U.S., surpassed only by Nascar.”
    Colette Vogele: Supercross Opinion Leaves Many Open Questions: “Sometimes, when your case isn’t particularly strong, it may be better to employ a vagueness strategy and hope the court won’t notice (or won’t want to get bogged down in the details). This might be especially effective when your opponent is representing him/herself. Not having seen the rest of the record, I don’t know for sure if that’s what happened here, but I suspect this is the case because the opinion, as Patry points out, leaves so many factual questions open.”

  • links for 2006-12-23


  • links for 2006-12-21


    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/photography">photography</a> <a href="http://del.icio.us/andrewraff/law">law</a>)
      </div>
      
    • <div class="delicious-extended">
        Can you be friends with a brand?
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/brands">brands</a> <a href="http://del.icio.us/andrewraff/marketing">marketing</a>)
      </div>
      
  • links for 2006-12-19


    • <div class="delicious-extended">
        (from 2003)
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/parody">parody</a> <a href="http://del.icio.us/andrewraff/satire">satire</a>)
      </div>
      
    • <div class="delicious-extended">
        Paparazzi v. blogger
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/copyright">copyright</a> <a href="http://del.icio.us/andrewraff/photography">photography</a> <a href="http://del.icio.us/andrewraff/celebritystalking">celebritystalking</a>)
      </div>
      
  • CBS gets (back) into the record business


    It’s apparently cheaper for a television network to run a record label than to license recordings.
    Variety reports: CBS spins digital record label: “CBS will launch a digital record label in January, signing artists with the goal of breaking them via television show placement, iTunes and the Eye web’s broadband channel. CBS Records will be launched primarily utilizing the existing infrastructure of CBS Entertainment and CBS Interactive. It will operate as a newly created unit within the entertainment division based in Los Angeles. The label will debut with three artists — Boston rock act Senor Happy; Will Dailey, a John Mayer-ish singer-songwriter, also from Boston; and P.J. Olsson, an established indie-rock artist — and is looking to sign another five acts in the first year.”
    With music licensing costs increasing and the costs of recording and distributing albums dropping, it may make more sense to sign an artist to a recording contract instead of paying a license fee for placing a song into a television show (particularly a recurring use, such as for a theme song.)
    Television shows are now distributed across multiple platforms– broadcast, cable, DVD, video on demand, iTunes, Xbox, streaming on the web– and more. From the perspective of the studios, it may make more sense to just buy the recordings instead of licensing particular uses. This way, the studio sees a piece of the record sales generated by the promotional value of a television placement.

  • links for 2006-12-16


  • links for 2006-12-15


    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/weird">weird</a>)
      </div>
      
    • <div class="delicious-extended">
        The law professor method
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/funny">funny</a> <a href="http://del.icio.us/andrewraff/lawschool">lawschool</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/internet">internet</a> <a href="http://del.icio.us/andrewraff/etiquette">etiquette</a>)
      </div>
      
  • links for 2006-12-14


  • Unexpected Consequences


    One of the unintended consequences of law can be its effect on culture and humor.
    NY Times: So This Manatee Walks Into the Internet: “In a pre-emptive strike inspired as much by the regulations of the Federal Communications Commission as by the laws of comedy, NBC bought the license to hornymanatee.com, for $159, after the taping of the Dec. 4 show but before it was broadcast.”
    Previously: Frack

  • links for 2006-12-09


    • <div class="delicious-extended">
        Compare apartment rental rates in your neighborhood
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/maps">maps</a> <a href="http://del.icio.us/andrewraff/economics">economics</a> <a href="http://del.icio.us/andrewraff/apartments">apartments</a>)
      </div>
      
  • Is Apple’s success causing labels to go DRM-free?


    The internets are abuzz with the news that EMI is going to release a Norah Jones single for sale in the MP3 format without DRM. Feel free to gasp audibly. A major label is digitally releasing a new single from a major artist without copy protection.
    Why are the labels experimenting with unprotected files?
    It probably has to do with Apple’s dominance of the digital music market. The iPod acounts for the vast majority of the digital audio players. Apple’s Fairplay DRM software is proprietary and not licensed to other digital music vendors. So, the only source for DRM-protected files that will play on the iPod is Apple itself.
    So, the labels can choose to play by on Apple’s turn by Apple’s rules. And, it has been long-established that the labels would like to have more pricing flexibility for individual tracks than Apple’s strict $0.99/song structure. So, how can the labels circumvent Apple’s monopoly? Working with iTunes competitors that use Microsoft’s widely-licensed Windows Media DRM? That hasn’t worked out too well, yet. The various Windows Media compatible players and stores are used bby many fewer listeners than the iPod experience. More importantly, they are not a competitor to iTunes for the iPod platform.
    The only way to get to the iPod platform without using Apple’s DRM is to sell unprotected files. Going DRM-free is not a statement about the awful restrictiveness of DRM. Rather, it is simply an attempt to challenge Apple’s hegemony over digital downloads for the iPod. If these experiments are successful and labels start selling large amounts of their catalog in download stores that do not use DRM, it would be a direct result of Apple’s overwhelming success in the digital music market.
    DRM promotes vendor lock-in more than it protects against copyright infringement. By relying on third-party DRM technology, copyright owners could be more effectively shackling themselves to their new alien overlords instead of protecting their copyrighted works from infringement.

  • links for 2006-12-08


    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/government">government</a> <a href="http://del.icio.us/andrewraff/foreignpolicy">foreignpolicy</a>)
      </div>
      
    • <div class="delicious-extended">
        The neurological effect of brands
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/brands">brands</a> <a href="http://del.icio.us/andrewraff/trademark">trademark</a>)
      </div>
      
  • Brady v. Yahoo


    TEB Capital Management, “the owner of the publicity and endorsement rights to the likeness, image and identity of [Patriots quarterback] Tom Brady,” is suing Yahoo! for “knowing and intentional unauthorized use” of Brady’s “likeness, image and identity” in advertising for Yahoo Fantasy Football. TSG has the complaint. The plaintiff claims false endorsement under the Lanham Act (43(a)), violation of California’s right of publicity statute, common law right of publicity and unjust enrichment.
    Speaking of Yahoo fantasy football, my team (which starred Brady as the starting QB) failed to make the Blawger Bowl playoffs this year, after two heartbreaking 2-point losses in weeks 11 and 12. I blame Brady. (Though it would be more reasonable to blame the team GM for playing the wrong Denver running back named Bell. Oh well.)
    Previously: Baseball stats in the fact-based community

  • links for 2006-12-07


    • <div class="delicious-extended">
        Eric Goldman revisits his prediction from last year
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/wikipedia">wikipedia</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/spying">spying</a> <a href="http://del.icio.us/andrewraff/privacy">privacy</a> <a href="http://del.icio.us/andrewraff/internets">internets</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/lawyers">lawyers</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/tv">tv</a>)
      </div>
      
  • Wednesday Miscellany


    David Isenberg, Framing Network Neutrality Right: “The unifying element is the prohibition of deliberate discrimination.”
    NY Times: Spam Doubles, Finding New Ways to Deliver Itself: “Spam is back — in e-mail in-boxes and on everyone’s minds. In the last six months, the problem has gotten measurably worse. Worldwide spam volumes have doubled from last year, according to Ironport, a spam filtering firm, and unsolicited junk mail now accounts for more than 9 of every 10 e-mail messages sent over the Internet.”
    Eric Goldman: Wikipedia Will Fail in Four Years: “Wikipedia will enter a death spiral where the rate of junkiness will increase rapidly until the site becomes a wasteland. Alternatively, to prevent this death spiral, Wikipedia will change its core open-access architecture, increasing the database’s vitality by changing its mission somewhat.”
    Previously: Info Literacy posts
    And, in the UK, the government released the Gowers Review of Intellectual Property: “In December 2005, the Chancellor of the Exchequer asked Andrew Gowers to conduct an independent review into the UK Intellectual Property Framework. The Review was published on 6th December 2006” The Final Report

  • links for 2006-12-06


    • <div class="delicious-extended">
        A blog about the subway
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/nyc">nyc</a> <a href="http://del.icio.us/andrewraff/subway">subway</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/nyc">nyc</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/radio">radio</a> <a href="http://del.icio.us/andrewraff/maps">maps</a>)
      </div>
      
    • <div class="delicious-extended">
        The law of the office holiday party
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/law">law</a>)
      </div>
      
  • links for 2006-12-05


    • <div class="delicious-extended">
        new york concert notifications
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/music">music</a> <a href="http://del.icio.us/andrewraff/nyc">nyc</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/internet">internet</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/copy">copy</a>)
      </div>
      
    • <div class="delicious-extended">
        Attempting to build one that doesn&#8217;t suck
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/internet">internet</a> <a href="http://del.icio.us/andrewraff/music">music</a>)
      </div>
      
    • <div class="delicious-extended">
        Designing for Second Life
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/virtualworlds">virtualworlds</a> <a href="http://del.icio.us/andrewraff/secondlife">secondlife</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/copyright">copyright</a> <a href="http://del.icio.us/andrewraff/contract">contract</a>)
      </div>
      
    • <div class="delicious-extended">
        Link together internet profiles
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/internet">internet</a> <a href="http://del.icio.us/andrewraff/identity">identity</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/musictheory">musictheory</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/internet">internet</a> <a href="http://del.icio.us/andrewraff/netneutrality">netneutrality</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/47usc230">47usc230</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/funny">funny</a>)
      </div>
      
    • <div class="delicious-extended">
        Let me explain how this is awesome
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/funny">funny</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/bsg">bsg</a> <a href="http://del.icio.us/andrewraff/tv">tv</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/baseballcard">baseballcard</a>)
      </div>
      
  • Video in the walled garden


    Last week Verizon and YouTube announced a deal that will allow Verizon V-Cast subscribers to stream YouTube videos to their mobile phones: YouTube in deal with Verizon: “Only pre-selected high-quality videos will be available for viewing on Verizon’s YouTube channel. Users are also be able to upload to the YouTube Web site after shooting video on a Verizon phone. YouTube, which was founded in February 2005, reports 100 million video views a day.”
    So Verizon customers will be able to watch only selected and pre-approved YouTube videos, not their friends’ latest video, but the ones intended for mainstream audiences. (But also, presumably, not the ones that are copyrighted works or those excerpted from copyrighted works.) A non-neutral internet service would probably look something like this kind of mobile phone internet service– a pre-approved medium that shares little in common with the freewheeling public internet.
    On the other hand, the good news is that the deal seems to be good for individual creators who are using their phone videocameras. It would seem to make it easy for individuals to upload video directly from a phone camera to YouTube. It would make phone video creators able to contribute directly to the freewheeling public internet from their phone. That could make primary source video of newsworthy and interesting events available worldwide almost immediately. That could be impressive.
    Does a closed service that lets only selected video into the walled garden but lets everything out into the rest of the world promote free speech or hinder free speech?

  • links for 2006-12-02


  • Links of Interest


    Steve Gordon, The Register: Zune means zilch for artists: “Although this pattern of not paying artists for digital music sales is dreadful, the chances of artists seeing anything from the royalty placed on Zune is even worse. There is nothing in the standard recording agreement that says the labels must share income derived from licensing digital devices.”
    David Weinberger: The safe harbor theory of media literacy – and two discussions about the Net and teaching: “I came away realizing why media literacy programs often bother me. Frequently, the idea even is that we have to teach our children how to recognize the Internet sites that are as reliable and safe as what they’ll find in a library. That’s a useful skill, but the overall picture is wrong.”
    William Patry: A Novelty Claim: “On November 17th, in Conwest Resources, Inc. v. Playtime Novelties, 2006 WL 3346226 (N.D. Cal.), Judge Saundra Brown Armstrong denied a motion for a preliminary injunction in a case which should immediately make its way into copyright casebooks. Plaintiff is in the business of producing adult entertainment, including what it claimed to be 12 copyrightable ‘sculptures’ of male genitalia sold as ‘novelty items.’ A dispute arose with a licensee, whom plaintiff asserted had distributed copies after termination of the license.”
    NY Times: To Web Fans, Peter Jackson Is the One True Director. Wingnut Films, Peter Jackson’s company, is in a legal dispute with New Line over accounting of royalties and revenues from the “Lord of the Rings.” The film rights to “The Hobbit” revert from New Line to Tolkein Enterprises next year, and New Line is highly motivated to begin production before then.
    New World Notes: Judge Richard Posner comes to Second Life
    Tomorrow in NYC: State of Play/Terra Nova Symposium on virtual worlds: “This is a very small event that picks up on the mission of Terra Nova: it is going to engage in the serious study of virtual worlds by getting researchers to inquire into the nature of research into these worlds.”
    AskMefi: Who is the anti-Lawrence Lessig in relation to US copyright?
    Tiny firm wins ‘Chewy Vuiton’ suit, but still feels a bite: “The fact that the real Vuitton name, marks and dress are strong and recognizable makes it unlikely that a parody — particularly one involving a pet chew toy and bed — will be confused with the real product.”

  • links for 2006-12-01


    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/lawyers">lawyers</a> <a href="http://del.icio.us/andrewraff/blogging">blogging</a>)
      </div>
      
  • Internet access and monopoly power


    FTC Commission Jon Leibowitz briefly touched on the competition law aspects of network neutrality and last-mile access in a speech at the FTC “Protecting Consumers in the Next Tech-ade” Hearing earlier this month: The Changing Internet: Hips Don’t Lie

    Some of the most important issues regarding Net Neutrality involve transparency and disclosure. Will carriers block, slow, or interfere with applications or services? If so, will consumers be told all of this before they sign up? To my mind, failure to disclose these limitations would be “unfair or deceptive” in violation of the FTC Act.
    Net Neutrality also invokes complicated competition issues. The last mile of the Internet is its least competitive. Nearly all homes in the US – upwards of 98 percent – that receive broadband get it either from their cable or telephone company. Up until now, the relative neutrality of the Internet has meant that competition and innovation elsewhere in cyberspace has not been affected by the market power of the telephone and cable companies. But if these companies are able to discriminate, treating some bits better than others, there is a danger that their market power in the last mile can interfere with the growth, character, and development of the Internet.
    To be sure, there is another side to the debate. The ability of providers to charge more for time sensitive applications and content that takes up more broadband may encourage them to make necessary investments. That’s a goal that all of us should support.

    Taking a step back from the framework of competition law or even telecommunications law, Susan Crawford is thinking about the big picture of communications policy: Searching for a principle “At the moment, federal telecommunications policy seems to have no coherent set of goals. We have complex and separate regulatory structures covering telephony (wired and wireless), broadcasting, cable television and satellites. Although there is no express delegation by Congress to the FCC to regulate the internet, the FCC sometimes imposes heavy-handed rules (E911 and CALEA for VoIP) and sometimes claims that its chief goal is to be deregulatory.”

  • links for 2006-11-30


    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/music">music</a> <a href="http://del.icio.us/andrewraff/promotion">promotion</a>)
      </div>
      
    • <div class="delicious-extended">
        My blog was one of a few alumni blogs excerpted into a sidebar in the alumni magazine. That&#8217;s what they chose?
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/blogging">blogging</a> <a href="http://del.icio.us/andrewraff/tufts">tufts</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/music">music</a>)
      </div>
      
  • links for 2006-11-29


  • links for 2006-11-28


    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/cheap">cheap</a> <a href="http://del.icio.us/andrewraff/shopping">shopping</a> <a href="http://del.icio.us/andrewraff/mobile">mobile</a>)
      </div>
      
    • <div class="delicious-extended">
        Is the notion of success changing? Are we becoming a more stratified society?
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/money">money</a>)
      </div>
      
    • <div class="delicious-extended">
        Who&#8217;s going to be the next Williamsburg?
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/cities">cities</a> <a href="http://del.icio.us/andrewraff/hipsters">hipsters</a> <a href="http://del.icio.us/andrewraff/demographics">demographics</a>)
      </div>
      
    • <div class="delicious-extended">
        &#8220;Mr. President, we must not allow a mineshaft gap!&#8221;
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/bunker">bunker</a> <a href="http://del.icio.us/andrewraff/coldwar">coldwar</a> <a href="http://del.icio.us/andrewraff/germany">germany</a>)
      </div>
      
    • <div class="delicious-extended">
        Videogames as exercise? What a concept
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/videogames">videogames</a> <a href="http://del.icio.us/andrewraff/wii">wii</a>)
      </div>
      
    • <div class="delicious-extended">
        Sweatshops inside games. How should an ethical player interact with these &#8220;pros&#8221;?
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/economics">economics</a> <a href="http://del.icio.us/andrewraff/virtualworlds">virtualworlds</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/itunes">itunes</a> <a href="http://del.icio.us/andrewraff/music">music</a>)
      </div>
      
    • <div class="delicious-extended">
        An Apple on Apple deal?
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/beatles">beatles</a> <a href="http://del.icio.us/andrewraff/ipod">ipod</a>)
      </div>
      
  • links for 2006-11-23


  • Appelations of Origin and Brooklyn-style Pizza


    Brooklyn Law School professors Tony Sebok and Sam Murumba, Findlaw: Should the Law Regulate Whether and When Corporations Use Locality-Based Food Designations Such as “Brooklyn Style Pizza”?: “In the case of Domino’s ‘Brooklyn Style Pizza,’ we think that the lesson is particularly clear: Local flavor or authenticity should not be manufactured along with a homogenized, national product. Even if consumers are not fooled–they know, in the end, they are just getting a Domino’s pizza–Brooklyn and the dignity of its local culture have been cheapened as a result.”
    Slice NY tried Domino’s Brooklyn Style Pizza so we don’t have to. As did The Brooklyn Paper (with a direct comparison to Front Street Pizza in Dumbo) and The New York Times (compared to Totonno’s in Coney Island.)
    (via Concurring Opinions)

  • links for 2006-11-22


    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/tv">tv</a> <a href="http://del.icio.us/andrewraff/mythbusters">mythbusters</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/video">video</a> <a href="http://del.icio.us/andrewraff/videoblog">videoblog</a>)
      </div>
      
    • <div class="delicious-extended">
        Summing up internet defamation law
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/blog">blog</a> <a href="http://del.icio.us/andrewraff/law">law</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/nyc">nyc</a> <a href="http://del.icio.us/andrewraff/music">music</a> <a href="http://del.icio.us/andrewraff/restaurants">restaurants</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/bestof">bestof</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/shakespeare">shakespeare</a> <a href="http://del.icio.us/andrewraff/hollywood">hollywood</a>)
      </div>
      
    • <div class="delicious-extended">
        Ben Folds and Improv Everywhere plotting together
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/funny">funny</a> <a href="http://del.icio.us/andrewraff/benfolds">benfolds</a> <a href="http://del.icio.us/andrewraff/improveverywhere">improveverywhere</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/borat">borat</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/lawsuit">lawsuit</a> <a href="http://del.icio.us/andrewraff/socialnetworking">socialnetworking</a> <a href="http://del.icio.us/andrewraff/myspace">myspace</a> <a href="http://del.icio.us/andrewraff/copyright">copyright</a>)
      </div>
      
  • links for 2006-11-21


    • <div class="delicious-extended">
        Nintendo &#8211; Les Paul mashup
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/guitar">guitar</a> <a href="http://del.icio.us/andrewraff/hack">hack</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/nyc">nyc</a> <a href="http://del.icio.us/andrewraff/subway">subway</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/skiing">skiing</a> <a href="http://del.icio.us/andrewraff/hunter">hunter</a>)
      </div>
      
    • <div class="delicious-extended">
        &#8220;Musicians all have a hard enough time, regardless of their level, just trying to play good and don&#8217;t really benefit from public criticism, particularly from their fellow players. but, this is different.&#8221;
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/jazz">jazz</a> <a href="http://del.icio.us/andrewraff/music">music</a> <a href="http://del.icio.us/andrewraff/saxophone">saxophone</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/music">music</a> <a href="http://del.icio.us/andrewraff/funk">funk</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/music">music</a> <a href="http://del.icio.us/andrewraff/collegeradio">collegeradio</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/cities">cities</a> <a href="http://del.icio.us/andrewraff/economics">economics</a>)
      </div>
      
    • <div class="delicious-extended">
        The complaint
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/copyright">copyright</a> <a href="http://del.icio.us/andrewraff/music">music</a> <a href="http://del.icio.us/andrewraff/myspace">myspace</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/virtualworlds">virtualworlds</a> <a href="http://del.icio.us/andrewraff/copyright">copyright</a>)
      </div>
      
    • <div class="delicious-extended">
        The story of Bridgeport Music (the company, not the 6th Circuit case)
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/copyright">copyright</a> <a href="http://del.icio.us/andrewraff/law">law</a> <a href="http://del.icio.us/andrewraff/music">music</a>)
      </div>
      
  • Programming Note


    It has come to my attention that this blog and Internet Explorer for Windows don’t get along. The individual post pages (with comments) will only display about the first 250 words of an entry. On the front page, however, the text does not get cut off.
    Use Firefox or Safari if you have the overwhelming desire to post comments– particularly if you have a quick and easy fix for this problem.

  • links for 2006-11-17


    • <div class="delicious-extended">
        Are stage directions protected by copyright?
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/copyright">copyright</a> <a href="http://del.icio.us/andrewraff/theater">theater</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/virtualworlds">virtualworlds</a> <a href="http://del.icio.us/andrewraff/governance">governance</a>)
      </div>
      
    • <div class="delicious-extended">
        Videobloggers and the drive for fame
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/web2.0">web2.0</a> <a href="http://del.icio.us/andrewraff/videoblog">videoblog</a> <a href="http://del.icio.us/andrewraff/zefrank">zefrank</a>)
      </div>
      
  • Copyright infringement and the collapse of virtual economies


    I just finished reading Play Money, Julian Dibbell’s book about his experiment in earning a living by selling virtual goods in Ultima Online. Not only does the book get into the details of the nature of the virtual economy, it is a fascinating read about the blurring of lines between play and work and the challenges of turning a hobby into a career. And while there are plenty of people who play MMORPGs simply as games, there are others whose online life is very serious. They watch the market indicators and exchange rates of the in-game economy with the same diligence as traders on Wall Street. Issues like bot farming are treated with the same seriousness that the WSJ covers corporate news. Gamers have spent time and/or money to acquire virtual assets which have value based on scarcity. Virtual Worlds demonstrate basic economic principle– on both the micro and macro levels. Players are concerned with not only the price of goods, but also issues of money supply and inflation.
    Yet to some extent, all scarcity within virtual worlds is artificial. With digital goods, once an object is created, it can be cloned at little to no marginal cost. It’s the same reason why piracy of digital files is easier than of analog media. But, in order to make the game worth playing and keep the virtual economies from collapsing, the game universe needs to enforce the principles of scarcity.
    Without some kind of regime to enforce the scarcity of intagible property, then intangible and intellectual property becomes essentially valueless to the creator. At least, that’s one of the ways to frame the justifications for intellectual property laws here in the “real world.” Copyrights and patents secure the economic interest in a work for authors/publishers and inventors. Because the law states that copyrights have value– and there is a significant public interest in recognizing that value– copyrights and patents are valuable intangible assets.
    Virtual worlds are entirely based on intangible assets and are governed mainly by private contracts. The terms of use agreements of the services act as the constitutions of those virtual worlds.
    In Second Life, Copybot– a recently developed software program– allows users of that program to clone any object. Creators of Second Life objects that are for sale object, because it ends the artificial scarcity that makes those objects valuable. You bought a virtual shirt from the virtual American Apparel store? Copybot could give you an entire wardrobe of counterfeit virtual shirts that are indistinguishable from the legitimate shirt.
    While Second Life denizens could use US Copyright law to go after the infringing copies, that could be prohibitively expensive
    Linden Labs intends to develop a way to identify assets and perhaps copy-protect them. But until that system is in place, Linden Labs will penalize infringers by exile: Use of CopyBot and Similar Tools a ToS Violation

    Second Life needs features to provide more information about assets and the results of copying them. Unfortunately, these are not yet in place. Until they are, the use of CopyBot or any other external application to make unauthorized duplicates within Second Life will be treated as a violation of Section 4.2 of the Second Life Terms of Service and may result in your account(s) being banned from Second Life. If you feel that someone has used CopyBot to make an infringing copy of your content, please file an abuse report. Note that this is completely separate from any copyright infringement claim you may wish to pursue via the DMCA.

    Daniel Terdiman, News.com: ‘Second Life’ faces threat to its virtual economy: “Second Life is an open-ended, 3D, digital virtual world in which members can create nearly anything they can imagine, and in which anyone owns the intellectual property rights to what they create. As a result, there are hundreds of businesses selling clothing, vehicles, furniture and the like, all for Linden dollars. A complex and stable economy has sprung up around such commerce.”
    Wagner James Au, New World Notes: Copying a Controversy

    The fallout, of course, continues. And in its way of being a parallel, alternate world history of the Internet, Second Life has finally reached a place that’s more or less on a par with the Net as it is now, where arguments over digital rights management and file trading still rage. On the larger Internet, those debates generally pit larger corporations against their consumers, the RIAA and the MPAA versus, well, everyone else. But in a world where everyone by definition can, with a few clicks, become a content-creating entrepreneur, the debate has become egalitarian, pitting creator against creator, each with their own personal view of what constitutes theft and fair use, and the degree of faith they place in having their IP rights kept sacrosanct in Second Life.

    Cory Doctorow, BoingBoing: Second Life struggles with copying

    As a practical matter, it’s just not feasible to control copying in an environment like Second Life, which means that SL entrepreneurs are going to need businesses that don’t collapse when copying takes place. But there are much gnarlier problems here — for example, in real life, questions of copyright infringement are adjudicated on the basis of law passed by elected lawmakers, while in Second Life, these questions are adjudicated by a company based on its non-negotiable terms of service. You can fire law-makers who make bad copyright, but you can’t fire companies that make bad terms of service. You can take your business elsewhere, but if all your “assets” live in a proprietary virtual world, you have to go away empty handed, without any of your “copyrighted works.”

    Martin Schwimmer, The Trademark Blog: CopyBot Terrorizing Residents Of SecondLife, Caught On Video

    However, to the extent that [Second Life] wishes to continue to be the host to an exchange, it will find that successful exchanges must offer security not only to buyers but to sellers. If copyrightable material is going to be bought and sold on Second Life, then I’m not sure that the real world copyright regime is fast enough to solve problems like CopyBot. I think that SecondLife is going to have to get into the copyright enforcement business.

    Denise Howell, Lawgarithms: In Second Life, those on ‘Candid Copybot’ aren’t smiling

    In the real world, economies thrive in part because copying technologies exist — in other words, because those technologies themselves are economic engines. Deciding that such technologies are bad per se and must be squelched or hobbled isn’t good policy in the real world, and I’m not sure why Second Life, which is in the enviable position of creating in-world copyright policies from scratch, should adopt a different approach.

    Unlike some other MMORPGs that had cracked down on the sale of virtual goods for real money, Linden Labs encourages the market in virtual goods and currency exchange between its own Linden dollars and US dollars. So in terms of macroeconomic policy, allowing rampant copying of in-game items may be bad policy. Because in the game, the copyrighted works are not necessarily cultural and artistic items as protected by copyright in the real world, but instead are stand-ins for scarce physical goods. Second Life could be a veritable utopia, where goods spring forth without effort, but that would change the fundamental nature of the Linden economy and at the very least lead to rampant inflation, if not a complete devaluation of the Linden dollar. And it would prove disastrous to Second Life landowners and merchants who have invested time and money in the universe.

  • TWiL


    Denise Howell and Co’s This Week in Law is very good and highly recommended. Episode 2 features Denise Howell, Cathy Kirkman, and Ernie Svenson with guest Michael Arrington.
    The overall concept is very similar to the plan I had but never worked on for the IPtelligentsia podcast (to make it a panel discussion type podcast with people smarter than me), except that it’s good. Add this to another of the good blog-related ideas that I’ve had early but never managed to execute before someone else.

  • links for 2006-11-16


  • links for 2006-11-15


    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/music">music</a> <a href="http://del.icio.us/andrewraff/copyright">copyright</a> <a href="http://del.icio.us/andrewraff/lawsuit">lawsuit</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/lawyers">lawyers</a> <a href="http://del.icio.us/andrewraff/lawfirm">lawfirm</a> <a href="http://del.icio.us/andrewraff/billablehours">billablehours</a>)
      </div>
      
  • links for 2006-11-10


    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/startup">startup</a> <a href="http://del.icio.us/andrewraff/funding">funding</a>)
      </div>
      
  • links for 2006-11-08


    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/voting">voting</a> <a href="http://del.icio.us/andrewraff/law">law</a>)
      </div>
      
    • <div class="delicious-extended">
        Is nice
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/borat">borat</a>)
      </div>
      
    • <div class="delicious-extended">
        I can get behind these ideas
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/sports">sports</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/copyright">copyright</a> <a href="http://del.icio.us/andrewraff/music">music</a>)
      </div>
      
  • links for 2006-11-07


    • <div class="delicious-extended">
        acronyms explained
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/funny">funny</a> <a href="http://del.icio.us/andrewraff/web">web</a>)
      </div>
      
    • <div class="delicious-extended">
        P&G will lose its lease
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/nyc">nyc</a> <a href="http://del.icio.us/andrewraff/bar">bar</a>)
      </div>
      
    • <div class="delicious-extended">
        The world foosball championships
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/foosball">foosball</a> <a href="http://del.icio.us/andrewraff/sports">sports</a>)
      </div>
      
  • links for 2006-11-04


  • links for 2006-11-03


  • links for 2006-11-02


    • <div class="delicious-extended">
        Useful
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/trademark">trademark</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/trademark">trademark</a>)
      </div>
      
  • links for 2006-11-01


  • The next MySpace?


    Today, the AP reports that MySpace is licensing technology from Gracenote to prevent users from uploading third-party copyrighted music: MySpace Music Move.
    Yesterday, the Washington Post reported that teens are already over MySpace and ready to move on to the next big thing. In Teens’ Web World, MySpace Is So Last Year.
    As someone who uses MySpace as a music discovery site, I’d love to see something that combines the streaming music and social networking aspects of MySpace with better playlist creation features.
    If you go to a MySpace music page and enjoy the first track, you have to then click on each subsequent track in order to listen. Instead, imagine a service where you can queue up a playlist of all of the tracks posted by all the musicians who are your friends and listen through. Or, you can create a playlist of one of your friend’s musician friends or on all of the musicians connected to you within 2 degrees. Add in podcast-type delivery and notification of updated songlists, and you’ve got a great music discovery service. Throw in a way to convert listening into purchases and you’ve got a winning service right there.
    Let’s see who is already doing this.
    Last.fm is probably the most popular music recommendation service, but it looks more to peer recommendations than to explicit social connections. Pandora looks at qualities of the music, rather than the social aspect.
    Mog is a music-focused social networking site, but it seems to only lean in the direction of playlisting. For example, here’s David Lowery on Mog.
    MyStrands combines listening histories and peer recommendations. They seem to be doing a lot with recommendation technology and look worth taking a closer look at…

  • links for 2006-10-31


    • <div class="delicious-extended">
        Teens are already over MySpace. What&#8217;s next?
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/Socialnetworking">Socialnetworking</a> <a href="http://del.icio.us/andrewraff/myspace">myspace</a>)
      </div>
      
  • Quick Links


    WSJ Law Blog: Jimi Hendrix Steals the Show At Intellectual Property Auction: “Whoever bought this bought themselves the right to be a litigant.”
    Google offers a handy guide on how to non-generically verbify the Google mark. Yes, that last sentence is really in English. Really. Do you “Google?”: “While we’re pleased that so many people think of us when they think of searching the web, let’s face it, we do have a brand to protect, so we’d like to make clear that you should please only use “Google” when you’re actually referring to Google Inc. and our services.”
    Here’s the archive of the sessions from the Future of Music Conference.
    Public Knowledge: Copyright Office delays triennial DMCA ruling: “The US Copyright Office has delayed its ruling in the triennial rulemaking to determine exemptions to the DMCA’s ban on circumventing technological protection measures, instead extending the current set of exemptions for the near future.”
    Reuters: MySpace to Block Illegal Use of Copyrighted Music: “News Corp.’s MySpace.com on Monday said it had licensed a new technology to stop users from posting unauthorized copyrighted music on the social networking Web site and oust frequent violators of its policy.”
    David Giacalone, Self-Help Law Blog: whaddayaknow about Fair Use and Copyright?: “The e-publication that caught my eye proclaims at the foot of each article (even when it copies someone else’s press release verbatim without attribution) that no reproduction of any sort is allowed because the ‘This article is copyright protected and Fair Use is not applicable.’ The site’s SideBar has a similar warning against any reproduction ‘in accordance with Fair Use of copyright.'”
    Also from Giacalone, some additional thoughts on copy permission and copyfraud.

  • links for 2006-10-28


    • <div class="delicious-extended">
        Downtown-Heights-Slope checks in at 20%
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/nyc">nyc</a> <a href="http://del.icio.us/andrewraff/maps">maps</a> <a href="http://del.icio.us/andrewraff/drinking">drinking</a>)
      </div>
      
    • <div class="delicious-extended">
        The US is tied with Botswana, Croatia and Tonga&#8211; far below Finland, Ireland and the Netherlands.
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/press">press</a> <a href="http://del.icio.us/andrewraff/media">media</a> <a href="http://del.icio.us/andrewraff/clampdown">clampdown</a>)
      </div>
      
    • <div class="delicious-extended">
        Skip through wireless voicemail instructions
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/phone">phone</a>)
      </div>
      
    • <div class="delicious-extended">
        Will Ratnerville become the anti-Kelo?
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/eminentdomain">eminentdomain</a>)
      </div>
      
  • links for 2006-10-27


    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/politics">politics</a> <a href="http://del.icio.us/andrewraff/campaign">campaign</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/copyright">copyright</a> <a href="http://del.icio.us/andrewraff/music">music</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/film">film</a> <a href="http://del.icio.us/andrewraff/law">law</a> <a href="http://del.icio.us/andrewraff/borat">borat</a>)
      </div>
      
  • links for 2006-10-26


    • <div class="delicious-extended">
        An automated newscast. Very cool. And probably with more substance than the CBS/NBC/ABC evening news&#8230;
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/news">news</a>)
      </div>
      
    • <div class="delicious-extended">
        Getting local
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/blogs">blogs</a> <a href="http://del.icio.us/andrewraff/web2.0">web2.0</a>)
      </div>
      
  • links for 2006-10-25


    • <div class="delicious-extended">
        Excuses for not blogging
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/blogging">blogging</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/apple">apple</a> <a href="http://del.icio.us/andrewraff/ipod">ipod</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/copyright">copyright</a> <a href="http://del.icio.us/andrewraff/fairuse">fairuse</a>)
      </div>
      
  • links for 2006-10-24


  • links for 2006-10-21


    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/secondlife">secondlife</a> <a href="http://del.icio.us/andrewraff/virtualworlds">virtualworlds</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/webisodes">webisodes</a> <a href="http://del.icio.us/andrewraff/royalties">royalties</a>)
      </div>
      
  • links for 2006-10-20


    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/fcc">fcc</a>)
      </div>
      
    • <div class="delicious-extended">
        Do you expect the guy on the $3000 scooter to bid? Come on!
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/arresteddevelopment">arresteddevelopment</a>)
      </div>
      
  • Gnarls Barkley goes to court


    The Hollywood Reporter, Esq: Gnarls Barkley Seeks Court Order on Song Authorship: “In a complaint filed Oct. 17, Brian ‘Danger Mouse’ Burton and Thomas ‘Cee-Lo’ Callaway are asking the U.S. District Court to determine they are the sole songwriters for their copyrighted works, including ‘Crazy,’ ‘Necromancer,’ ‘Go-Go Gadget Gospel,’ ‘Just a Thought’ and ‘Transformer,’ all of which are featured on their successful album ‘St. Elsewhere.'”

  • links for 2006-10-19


    • <div class="delicious-extended">
        How standards become standard
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/standards">standards</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/hockey">hockey</a>)
      </div>
      
    • <div class="delicious-extended">
        Unfortuantely, Montreal is a bit far from NYC&#8230;
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/futureofmusic">futureofmusic</a>)
      </div>
      
  • Will NY lawyers lose blogging privlieges?


    NY Sun: Proposed Attorney Advertising Rules Could Place Restrictions on Web Logs “The proposed rules, announced in June, are intended to protect consumers from misleading advertisements and to sanction unseemly and aggressive forms of advertising such as the solicitation of plaintiffs in the wake of major disasters.Among other things, the rules would require attorneys to submit advertisements for review by a court disciplinary committee.”
    Julie Hilden, Findlaw’s Writ: Are Lawyers’ Blogs Protected by the First Amendment? “It would be a grave mistake, however, for bars to begin equating blogs with advertisements, and treating them the same. Rules regulating attorney advertising are pernicious and elitist to begin with; they shouldn’t be expanded. And characterizing blogs as merely advertising for the attorney who writes them is so reductive as to be absurd.”

  • links for 2006-10-18


    • <div class="delicious-extended">
        The genius that is AskMefi
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/mefi">mefi</a>)
      </div>
      
    • <div class="delicious-extended">
        Businesses, not just zombies, propser in cities where the highly educated congregate
      </div>
      
    • <div class="delicious-extended">
        Ben Folds will promote his new album in Second Life
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/secondlife">secondlife</a> <a href="http://del.icio.us/andrewraff/benfolds">benfolds</a> <a href="http://del.icio.us/andrewraff/music">music</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/ipod">ipod</a> <a href="http://del.icio.us/andrewraff/apple">apple</a>)
      </div>
      
    • <div class="delicious-extended">
        Look at clauses in license agreements. Also a handy reference source for drafting licenses
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/contract">contract</a> <a href="http://del.icio.us/andrewraff/law">law</a> <a href="http://del.icio.us/andrewraff/EULA">EULA</a>)
      </div>
      
    • <div class="delicious-extended">
        The distilled lessons from Friendster
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/friendster">friendster</a> <a href="http://del.icio.us/andrewraff/failure">failure</a>)
      </div>
      
  • Calling Elvis’s Ringtone


    The Copyright Office ruled that ringtones– including monophonic versions– are subject to the section 115 statutory license: In re: Mechanical and Digital Phonorecord Digital Delivery Rate Adjustment Proceeding.
    The short result:
    Labels (RIAA) = 🙂
    Publishers (NMPA) = 🙁
    Billboard: Compulsory Licenses Cover Ringtones: “The Copyright Office has decided that compositions used for ringtones may be subject to a compulsory license. The decision is a victory for record labels that want to offer ringtone operators the master rights and publishing rights as one package.”
    Patry: Ringtone Ruling “Since the amount paid for ringtones may be substantially less than the free market rate, the cost to consumers may go down as to payments to music publishers decrease. I imagine not just RIAA, but celllphone providers are rejoicing.”

  • links for 2006-10-17


  • Let’s Go: Virtual Worlds


    Reuters opened a virtual bureau in Second Life today.
    The NY Times reports: The Reporter Is Real, but the World He Covers Isn’t: “Mr. Pasick, a Reuters technology reporter who was formerly earthbound with the news agency, is heading up Reuters’ first virtual news bureau inside the online role-playing game Second Life. While many independent journalists and bloggers have published inside such virtual worlds, Reuters is the first established news agency to dispatch a full-time reporter to do so.”
    Among the early stories is one on the Central Bank of Second Life: <a href=‘http://secondlife.reuters.com/stories/2006/10/15/greenspanning-sl-linden-keeps-the-economy-humming/">Greenspanning SL: Linden keeps the economy humming: “With the Second Life economy growing by a red-hot 10 to 15 percent a month, roughly in line with its overall population, Linden Lab is keen to avoid the hyperinflation that has often tainted both real economies and virtual ones.”
    US Congress launches probe into virtual economies: “‘Right now we’re at the preliminary stages of looking at the issue and what kind of public policy questions virtual economies raise — taxes, barter exchanges, property and wealth,’ said Dan Miller, senior economist for the Joint Economic Committee. ‘You could argue that to a certain degree the law has fallen (behind) because you can have a virtual asset and virtual capital gains, but there’s no mechanism by which you’re taxed on this stuff,’ he said.”
    Earlier this year, Julian Dibbell released a book about his attempt to earn a living selling virtual goods in Ultima Online: Play Money: Or, How I Quit My Day Job and Made Millions Trading Virtual Loot. The book grew out of a blog.
    And going back to the title of this post– is anyone publishing guidebooks for virtual worlds, ala Let’s Go, Time Out or the Rough Guide? Wired magazine created one for Second Life in the October 2006 issue. If not, um, here’s the book pitch: a travel guide to Second Life.

  • $1.65 billion of reverse confusion


    Universal Tube & Rollform Equipment, whose website lives at Utube.com has been deluged with YouTube seekers since the Google purchase.

  • $1.65 billion of reverse confusion


    Universal Tube & Rollform Equipment, whose website lives at Utube.com has been deluged with YouTube seekers since the Google purchase.

  • links for 2006-10-13


    • <div class="delicious-extended">
        This blog post gets a 5.5
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/pitchfork">pitchfork</a>)
      </div>
      
  • links for 2006-10-12


    • <div class="delicious-extended">
        Does anyone write in cursive anymore?
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/handwriting">handwriting</a> <a href="http://del.icio.us/andrewraff/education">education</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/test">test</a>)
      </div>
      
    • <div class="delicious-extended">
        Is inter-party gridlock replacing separation of powers as the checks and balances in the federal government?
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/government">government</a> <a href="http://del.icio.us/andrewraff/voting">voting</a> <a href="http://del.icio.us/andrewraff/politics">politics</a>)
      </div>
      
  • PBS looks at neutrality


    On PBS, Bill Moyers looks at net neutrality, The Net at Risk: “The future of the Internet is up for grabs. Last year, the Federal Communications Commission (FCC) effectively eliminated net neutrality rules, which ensured that every content creator on the Internet-from big-time media concerns to backroom bloggers-had equal opportunity to make their voice heard. Now, large and powerful corporations are lobbying Washington to turn the World Wide Web into what critics call a “toll road,” threatening the equitability that has come to define global democracy’s newest forum. Yet the public knows little about what’s happening behind closed doors on Capitol Hill.”

  • Educating fair use


    Brett Frischmann: Taking Back Educational Fair Use: “Educational fair use is shrinking. By virtue of significant improvements in the administration of copyright licensing and persistent pressure by publishers and copyright owners to license virtually all uses of works, many educators have been corralled into seeking permission and paying for licenses through institutions such as the Copyright Clearance Center. To make matters worse, there is a circular feedback loop in fair use analysis that ties fair use to market effects (or market failure) such that the availability of licensing revenues undercuts arguments for fair use and gradually leads to its demise.”
    Previously: Thoughts on Fair Use

  • The facts


    James Grimmelman delves into the details of the facts that led to Google v. Parker, 422 F. Supp. 2d 492 (E.D. Pa. 2006). A Little Lawsuit Backstory: “In short, this was not a suit against Google because Google seemed like a rich defendant. It was not a suit trying to stop search engine caching. It was a highly personal dispute that spilled out of USENET and is more about ego, reputation, and attribution than about any more rarified legal matters.”

  • Trademark Dilution Act


    The Trademark Dilution Act was signed into law</a. last week. The bill overturns the Supreme Court’s requirement from Moseley v. V. Secret Catalogue, Inc. that in order to prevail on a trademark dilution claim, the plaintiff must establish the existence of actual dilution, not simply the likelihood of dilution. But the bill reshapes trademark dilution law
    Eric Goldman, Trademark Dilution Revision Act of 2006: “Ostensibly, this law was intended to overturn the Moseley case’s requirement that plaintiffs show ‘actual dilution’ instead of a ‘likelihood of dilution.’ However, the act morphed into an omnibus dilution revision effort that reshapes dilution law on a number of fronts. The result is a mixed bag–there is a little good news mixed in with the bad.”
    Attorney(s) at Kaye Scholer: The Trademark Dilution Revision Act of 2006: A Major Overhaul of Federal Trademark Dilution Law: “On October 6, 2006, the President signed the Trademark Dilution Revision Act (“TDRA”), a significant revision of federal trademark law intended to clarify and amend the scope of protection afforded to “famous” marks under Section 43(c) of the Lanham Act, 15 U.S.C. §1125(c). While it addresses and resolves a number of issues that have arisen since the introduction of dilution protection to federal law in 1995, the TDRA, nonetheless, has the potential to create numerous other issues, thereby making it likely that dilution will remain a controversial and evolving aspect of trademark law for many years to come.”
    William McGeveran, Info/Law, Trademark Dilution Revision Act Becomes Law: “The dilution concept has long been criticized for separating a trademark claim from its conceptual moorings: in theory, the principal interest protected by trademark law has been to prevent consumers from being confused. But that theory has been highly attenuated for a long time, so maybe it is better to admit that trademark law now protects big companies’ brand names for their own sake.”

  • links for 2006-10-11


    • <div class="delicious-extended">
        Step 1. Live in New York
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/genius">genius</a> <a href="http://del.icio.us/andrewraff/freemoney">freemoney</a>)
      </div>
      
  • Copy-protecting food and pets


    In Food and Wine Magazine, Pete Wells looks at chefs securing copyright and patent protection for their culinary creations: New Era of the Recipe Burglar: “Copyrighting recipes may be the most radical idea to hit the food world since the invention of the menu. Such a system would apply to all chefs, not just those in the avant-garde; to qualify for a copyright, a dish would have to be original, but it wouldn’t have to redefine the very notion of food.”
    On her blog, Wendy Seltzer reports on pets that come with restrictive purchase agreements: Coming Soon: Kitten with a EULA?

  • links for 2006-10-10


    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/hunter">hunter</a>)
      </div>
      
  • links for 2006-10-07


  • links for 2006-10-06


    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/politics">politics</a> <a href="http://del.icio.us/andrewraff/satire">satire</a>)
      </div>
      
    • <div class="delicious-extended">
        Not in the metric McDonalds sense
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/burgers">burgers</a> <a href="http://del.icio.us/andrewraff/food">food</a> <a href="http://del.icio.us/andrewraff/nyc">nyc</a>)
      </div>
      
    • <div class="delicious-extended">
        Inside the Masons&#8217; Lodge
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/stonecutters">stonecutters</a>)
      </div>
      
    • <div class="delicious-extended">
        A competitive intelligence research tool
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/Web2.0">Web2.0</a> <a href="http://del.icio.us/andrewraff/research">research</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/ny">ny</a> <a href="http://del.icio.us/andrewraff/lawyers">lawyers</a> <a href="http://del.icio.us/andrewraff/blogging">blogging</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/trademark">trademark</a> <a href="http://del.icio.us/andrewraff/keywords">keywords</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/copyright">copyright</a> <a href="http://del.icio.us/andrewraff/fairuse">fairuse</a> <a href="http://del.icio.us/andrewraff/injunctions">injunctions</a>)
      </div>
      
    • <div class="delicious-extended">
        with discussion
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/grokster">grokster</a> <a href="http://del.icio.us/andrewraff/copyright">copyright</a>)
      </div>
      
  • Weezer to Bud: Say It Ain’t So


    Weezer Alleges Miller Violated Trademarks, Right of Publicity: “The rock group Weezer has sued Miller Brewing Co. for allegedly using the band’s name without permission to sell beer in advertisements featured in three issues of Rolling Stone magazine two years ago.”

  • Democracy, Shmerocracy


    Ariel J. Feldman, J. Alex Halderman, and Edward W. Felten, Princeton University Center for Information Technology Policy: Security Analysis of the Diebold AccuVote-TS Voting Machine: “Analysis of the machine, in light of real election procedures, shows that it is vulnerable to extremely serious attacks. For example, an attacker who gets physical access to a machine or its removable memory card for as little as one minute could install malicious code; malicious code on a machine could steal votes undetectably, modifying all records, logs, and counters to be consistent with the fraudulent vote count it creates. An attacker could also create malicious code that spreads automatically and silently from machine to machine during normal election activities — a voting-machine virus. We have constructed working demonstrations of these attacks in our lab. Mitigating these threats will require changes to the voting machine’s hardware and software and the adoption of more rigorous election procedures.”
    Robert F. Kennedy, Jr, Rolling Stone: Will The Next Election Be Hacked?: “The debacle of the 2000 presidential election made it all too apparent to most Americans that our electoral system is broken. And private-sector entrepreneurs were quick to offer a fix: Touch-screen voting machines, promised the industry and its lobbyists, would make voting as easy and reliable as withdrawing cash from an ATM. Congress, always ready with funds for needy industries, swiftly authorized $3.9 billion to upgrade the nation’s election systems – with much of the money devoted to installing electronic voting machines in each of America’s 180,000 precincts. But as midterm elections approach this November, electronic voting machines are making things worse instead of better.”

  • Just for one day


    The Hollywood Reporter, Esq.: Hand Mangling on NBC’s ‘Heroes’ Leads to Trademark Claim

    The maker of a garbage disposal device depicted shredding a character’s hand on the pilot episode of the NBC series “Heroes” has sued the studio for trademark infringement and defamation stemming from the broadcast.
    The seven-count complaint, filed Monday in federal court in St. Louis on behalf of Emerson Electric Co., manufacturer of the In-Sink-Erator garbage disposal, alleges the show “implies an incorrect and dangerous design for a food waste disposer” and paints the device “in an unsavory light, irreparably tarnishing the product, Emerson’s In-Sink-Erator trademarks, and the associated goodwill.”

    The NY Post reports: Heroes cuts: “NBC officials said they did not think there were any legal problems with the show, but will change the offending scene anyway.”

  • links for 2006-10-05


    • <div class="delicious-extended">
        The Woz himself answers the ask.mefi question
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/woz">woz</a> <a href="http://del.icio.us/andrewraff/apple">apple</a> <a href="http://del.icio.us/andrewraff/mefi">mefi</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/visualization">visualization</a> <a href="http://del.icio.us/andrewraff/subway">subway</a> <a href="http://del.icio.us/andrewraff/craigslist">craigslist</a>)
      </div>
      
  • links for 2006-10-04


    • <div class="delicious-extended">
        Ahh, irony
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/literature">literature</a> <a href="http://del.icio.us/andrewraff/bannedbooks">bannedbooks</a>)
      </div>
      
    • <div class="delicious-extended">
        How many social networking sites do we really need?
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/socialnetworking">socialnetworking</a>)
      </div>
      
    • <div class="delicious-extended">
        Looking at world data through maps
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/maps">maps</a> <a href="http://del.icio.us/andrewraff/demographics">demographics</a> <a href="http://del.icio.us/andrewraff/visualization">visualization</a>)
      </div>
      
  • Second Life


    Scholars have been thinking seriously about the legal and social implications of virtual worlds for a number of years. Because virtual worlds allow for nearly complete abstraction from society, they are a wonderful environment for theorists. Now these virtual world issues are beginning to break into the mainstream.
    Ilya Vedrashko, Games Brands Play: “This paper suggests advertisers should experiment with in-game advertising to gain skills that could become vital in the near future. It compiles, arranges and analyzes the existing body of academic and industry knowledge on advertising and product placement in computer game environments. The medium’s characteristics are compared to other channels’ in terms of their attractiveness to marketers, and the business environment is analyzed to offer recommendations on the relative advantages of in-game advertising. The paper also contains a brief historical review of in-game advertising, and descriptions of currently available and emerging advertising formats.”
    Henry Jenkins, Experimenting with Brands in Second Life: “We might think of Second Life as a platform for thought experiments — a place where we can test ideas that might not be ready for prime time, where we can experiment with new ways of being on both a personal and communal level. If you can think it, you can build it on Second Life, and so far, if you build it, they will come.”
    Terra Nova: Second Life: “There’s apparently all this enthusiasm about Second Life today, as opposed to other VWs, in the mass media and among the digerati.”
    MIT Advertising Lab: Two Ad Agencies Announce Second Life Branches: “Following hot on the heels of Adidas, which recently became one of the first global brands to create a presence in the online virtual reality world, Leo Burnett has now set up shop in Second Life with a virtual agency – the Leo Ideas Hub. The idea is to create a global creative community where creative ideas can be shared and briefs honed. It’s a neat alternative to the usual company intranet and gives Burnett the option to leverage any commercial opportunities that might come out of the Second Life economy.”
    This month’s Wired magazine has a long feature on Second Life (which is not yet online) which discusses the Second Life economy and culture.
    Last night, South Park’s residents visited the World of Warcraft:

  • Protest DRM?


    Boing Boing: Protest DRM in NYC this Saturday!: “On Saturday, at 3pm Free Culture @ NYU in collaboration with DefectiveByDesign.org will be protesting DRM and the iTunes Music Store at the Apple Store in Midtown Manhattan, which is at 59th St. and 5th Ave.”
    If you’re going to spend time and energy protesting, is Apple DRM really the most protest-worthy issue in the world today? Does the fact that Congress is happy to give the President unchecked power to detain and torture? But compared to Congress giving the green light to totalitarianism, is a business decision is such an egregious problem?
    New York Times: Antiterrorism Bill on Detainees, Geneva Conventions – Rushing Off a Cliff:

    Here’s what happens when this irresponsible Congress railroads a profoundly important bill to serve the mindless politics of a midterm election: The Bush administration uses Republicans’ fear of losing their majority to push through ghastly ideas about antiterrorism that will make American troops less safe and do lasting damage to our 217-year-old nation of laws — while actually doing nothing to protect the nation from terrorists. Democrats betray their principles to avoid last-minute attack ads. Our democracy is the big loser.

    Law Professors’ Letter Against the Bush-McCain Torture Bill

    Taken together, the bill’s provisions rewrite American law to evade the fundamental principles of separation of powers, due process, habeas corpus, fair trials, and the rule of law, principles that, together, prohibit state-sanctioned violence. If there is any fixed point in the historical understandings of constitutional freedom that help to define us as a people, it is that no one may be picked up and locked up by the American state in secret or at an unknown location, or without opportunity to petition an independent court for inspection of the lawfulness of the lockup and of the treatment handed out by the state to the person locked up, under legal standards from time to time defined by Congress. This core principle should apply with full force to all detentions by the American state, regardless of the citizenship of detainees.

    Steve Vladeck, National Security Advisors, Is the Analogy to the Alien and Sedition Acts Too Generous?

    The MCA, in its current form, would preclude federal jurisdiction over virtually any habeas petition filed by a non-citizen detainee in the war on terrorism. That is, Congress is, for lack of a better word, too scared that the courts might just take issue with such a blatant assault on long-held, well-established conceptions both of individual rights and limitations on governmental power. And so, in one fell swoop, Congress is showing its arrogance all while arrogating what may well be the most important check in our system of checks and balances — the countermajoritarian role of the courts in checking the excesses of the political branches.

    Michael Froomkin, Dear Senator Reid, “History will judge you cruelly. The best outcome will be that this is a long bad blip, like the Alien and Sedition Acts, or the Japanese Internment; but the worst outcome is that this becomes emblematic of a turning point in which our Senate, like the Roman Senate before it, presided over a great society’s moral and then political decline.”
    Bruce Ackerman, LA Times: The White House Warden – Los Angeles Times:

    This dangerous compromise not only authorizes the president to seize and hold terrorists who have fought against our troops ‘during an armed conflict,’ it also allows him to seize anybody who has ‘purposefully and materially supported hostilities against the United States.’ This grants the president enormous power over citizens and legal residents. They can be designated as enemy combatants if they have contributed money to a Middle Eastern charity, and they can be held indefinitely in a military prison.

    Dahlia Lithwick, Slate: The Blind Leading the Willing

    Passage of the new detainee legislation will be a different sort of watershed. Now we are affirmatively asking to be left in the dark. Instead of torture we were unaware of, we are sanctioning torture we’ll never hear about. Instead of detainees we didn’t care about, we are authorizing detentions we’ll never know about. Instead of being misled by the president, we will be blind and powerless by our own choice. And that is a shame on us all.

    Jack Balkin: What Hamdan Hath Wrought: “The MCA continues to recognize that certain conduct is illegal, but attempts to eliminate all judicial remedies for such violations.”
    Aziz Huq, Findlaw Writ: How The Military Commissions Act of 2006 Threatens Judicial Independence

    The MCA’s triple assault doesn’t just assail Hamdan, harm the courts, and undercut the abstract principle of judicial independence. It also inflicts collateral damage by degrading America’s reputation for decency and fairness among friends and foes at a time when we need all the allies we can muster. The MCA should not become law – and if it does become law, its patent due process violations should doom it to be struck down as unconstitutional.

    Politically easy and correct are not always the same thing. Senate Vote.
    The Show with Ze Frank: Obituary: “Habeas Corpus was found dead in his Washington apartment today having been stabbed 65 times in the back. Mr. Corpus leaves behind Mrs. Corpus and three hundred million children. Please send condolences and flowers to yourself.”

  • links for 2006-09-29


    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/web2.0">web2.0</a> <a href="http://del.icio.us/andrewraff/blogs">blogs</a> <a href="http://del.icio.us/andrewraff/socialnetworking">socialnetworking</a>)
      </div>
      
  • links for 2006-09-22


    • <div class="delicious-extended">
        10 years ago, pundits predicted Apple&#8217;s imminent demise
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/apple">apple</a> <a href="http://del.icio.us/andrewraff/punditry">punditry</a>)
      </div>
      
    • <div class="delicious-extended">
        Was the Islanders fisherman #11?
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/hockey">hockey</a>)
      </div>
      
  • Unfortunately, the lawsuit is more entertaining than the band


    A quick follow-up to last week’s post about the Supernova injunction. The junior user– the band made up of Tommy Lee, Jason Newsted, Gilby Clarke and winning Rock Star: Supernova contestant Lukas Rossi– will record and tour under the name “Rock Star Supernova.”
    (Trademark litigation, reality TV and rock music together in a single story. How can I not blog this to the full extent possible?)

  • links for 2006-09-16


    • <div class="delicious-extended">
        Who like corporate welfare?
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/economics">economics</a> <a href="http://del.icio.us/andrewraff/walmart">walmart</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/clerkships">clerkships</a> <a href="http://del.icio.us/andrewraff/law">law</a>)
      </div>
      
  • links for 2006-09-14


    • <div class="delicious-extended">
        Around here, not much
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/blogging">blogging</a> <a href="http://del.icio.us/andrewraff/vacation">vacation</a>)
      </div>
      
  • Like two stars colliding… in a courtroom


    US District Judge John A. Houston ruled yesterday in favor of Supernova from CyNot3 and granted a preliminary injunction against Mark Burnett and Rockstar Entertainment from “using the mark SUPERNOVA in conjunction with performing rock and roll music, or recording or selling rock and roll music recordings.” Supernova from CyNot3 LLC v. Mark Burnett Productions, Inc., 06-CV-1334, (S.D.Cal., Sep. 12, 2006) (Order Granting Plaintiff’s Preliminary Injunction Motion).
    Plaintiff has a valid trademark in SUPERNOVA.
    The mark SUPERNOVA is arbitrary with regards to rock music. It requires imagination by the consumer in order to associate with a rock and roll group. The plaintiff does not need to establish secondary meaning in an arbitrary mark to show the validity of the mark.
    However, the senior mark user can only assert trademark use in which it has legally sufficient market penetration and a zone of natural expansion. The court found that the plaintiff established substantial evidence of nationwide use of their mark in commerce- nationwide and Canadiian tours in 94, 95, 96, 99 and availability of records on the internet.
    Abandonment
    The defendants argued that the plaintiffs abandoned the mark by failing to perform live or record new music between 1999 and 2006. The court found that argument unpersuasive, noting that the plaintiffs earned royalties as songwriters, made their records available for sale online and in retail outlets, and took a break to start families, finish educations and catch up on life.
    License
    The defendant licensed a Supernova mark from Nasar Abadey, owner of Trademark Reg No. 1,699,491 (the “491 Mark”). The 491 Mark is a work for the phrase “Supernova Multi-Directional Music Ensemble Nasar Abadey.” The court agrees with the Plaintiff’s argument that Defendants have not established any rights outside of the “multi-directional musical ensemble” field (generally known as avant-garde jazz.) The court cites a number of Ninth Circuit cases that found no likelihood of confusion where the music genres differ between the mark holders, including M2 Software, Inc. v. Madacy Entertainment, 421 F.3d 1073 (9th Cir. 2005) (no likelihood of confusion between sports music and interactive music distributors); M2 Software, Inc. v. M2 Communications, L.L.C., 149 Fed.Appx. 612 (9th Cir. 2005) (no likelihood of confusion between interactive music and Christian music distributors) and Echo Drain v. Newsted, 307 F.Supp.2d 1116 (C.D. Cal.2003) (no likelihood of confusion, in part, because of
    difference between “funk and groove” and pop music genres. And yes, Jason Newsted was a defendant in that case, too.)
    Because the 491 Mark only covers the rights to the Supernova name for the performance of avant-garde music, Abadey could license rights to the mark for the performance of rock and roll music, since those are outside the scope of the rights he holds in the 491 Mark.
    Likelihood of Confusion
    In order to establish the likelihood of success on the merits for a preliminary injunction, the plaintiffs must establish a likelihood of confusion using the 9th Circuit’s Sleekcraft multi-factor test.

    Defendants assert that the marks are “distinctly different” because the band “Supernova from Cynot 3 uses the ‘Supernova’ name exclusively in connection with a band that is from outer space that performs dressed in silver space suits.” Doc. No. 37 at 19 (emphasis in original). In contrast, Defendants’ SUPERNOVA mark is used “exclusively in connection with the Rock Star: Supernova TV series and famous rock musicians Tommy Lee, Jason Newsted, and Gilby Clarke.”

    Gilby Clarke is famous?
    The court finds that the marks are identical in sight and sound. SUPERNOVA = SUPERNOVA.
    The parties’ goods and services are identical or closely related. The defendants assert that space punk music is distinct from “old school rock and roll” and that performing in large arenas and stadiums is distinctly different from playing in small pubs and bars. The court does not buy the argument, finding that a reasonable music consumer treats “space punk” and “old school rock and roll” to be fungible and that both bands draw their customer base from the same pool of consumers. The court finds it reasonable that the defendants will market their SUPERNOVA band through “the internet, commercial venues, such as music stores, as well as through performances at live venues that will advertise its concerts.”
    Because Supernova is an arbitrary mark when applied to rock music, the court finds that this factor weighs in favor of the plaintiffs, but it is not a particular significant factor in the Ninth’s Circuit’s likelihood of confusion analysis.
    The plaintiff introduced evidence of nine instances of actual reverse confusion among consumers. Venues that booked the plaintiff’s band Supernova received calls and emails inquiring if the Supernova performing at those venues would include Tommy Lee, Jason Newsted and Gilby Clarke. The defendants argue that this indicates that consumers are aware that there are multiple Supernova rock bands and are exercising due care to make sure that they do in fact see (or avoid) the Supernova from TV. The court finds that this evidence of actual confusion weighs heavily in favor of the plaintiffs.
    When evaluating the level of consumer care, the court attempts to balance the fact that compact discs are relatively inexpensive (which typically establishes low level of consumer care) against the fact that music consumers are “nonetheless highly knowledgeable about different bands.” This factor weighs slightly in favor of the plaintiffs.
    The court finds a likelihood of confusion, and therefore a likelihood of the plaintiff’s success on the merits at trial. Once a senior user has demonstrated a likelihood of success on the merits on a trademark infringement claim, irreparable injury is presumed. A likelihood of success on the merits and irreparable injury? Sounds like the recipe for a preliminary injunction.

    Plaintiff’s motion for preliminary injunction is GRANTED. Defendants are enjoined from using the mark SUPERNOVA in conjunction with performing rock and roll music, or recording or selling rock and roll music recordings under the same pending a trial of this action on its merits, or until otherwise ordered by the Court.

    The finale of Rock Star: Supernova airs tonight. (The plaintiff and CBS stipulated that the preliminary injunction is not targeted against the production, broadcast or promotion of the Rock Star: Supernova TV series.) Not good timing for Mark Burnett and the members of the band fronted by the winner of the Rock Star: Supernova series.
    Previously: Reality TV and the Law.
    Elsewehere: Are we there yet?, Penultimate Performances.

  • links for 2006-09-13


    • <div class="delicious-extended">
        Worst. President. Ever.
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/politics">politics</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/politics">politics</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/jazz">jazz</a> <a href="http://del.icio.us/andrewraff/music">music</a> <a href="http://del.icio.us/andrewraff/saxophone">saxophone</a>)
      </div>
      
    • <div class="delicious-extended">
        Notes from the legal underbelly
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/lawfirm">lawfirm</a>)
      </div>
      
  • Monemvasia


    In Sunday’s travel section, the NY Times visited Monemvasia, Greece:

    MONEMVASIA means “single entrance” and as you cross the narrow bridge separating this fortified fist of land from the southeast tip of the Peloponnesus, you can see why.
    Distanced from the ancient glories that unite much of Greece in a dream life of classical antiquity, the cyclamen-swept milelong rock at first looks wild. But follow the thin road edging along Monemvasia’s cliffs, past a sienna-tinged stone hotel and the small cemetery holding the bones of one of Greece’s most popular poets, Yannis Ritsos, born in the town in the early 20th century. Soon you will come to a spiked door of a fortress wall, behind which is a resilient town, rich with remnants of its reign as a main port during the Byzantine, Venetian and Ottoman empires.

    Hey, I’ve been there! Last month, in fact. Monemvasia was as fascinating to visit as it is photogenic:
    Sailing Away
    Vertical
    Wind Star from the summit
    DSCF0333.JPG
    View
    Silhouette
    More photos from Monemvasia

  • Why so many law students?


    These two articles followed one another on the NY Times’ most emailed stories list this morning:
    Many Entry-Level Workers Find a Rough Market
    For New Lawyers, the Going Rate Has Gone Up
    Is it any surprise that law school remains so popular, even while there are fewer biglaw opportunities than graduates?

  • links for 2006-09-02


    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/wiki">wiki</a> <a href="http://del.icio.us/andrewraff/muppets">muppets</a>)
      </div>
      
  • Tracking Transit

















    Got at b3co.com!

    Metros and subways that I have used.
    (via Frankenstein)

  • links for 2006-09-01


    • <div class="delicious-extended">
        legal gossip from David &#8220;A3G&#8221; Lat and Elizabeth &#8220;The original Gawker&#8221; Spiers
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/blog">blog</a> <a href="http://del.icio.us/andrewraff/law">law</a>)
      </div>
      
  • Everything Old is New Again, in Bb


    In her typically thoughtful column in Wired, Jennifer Granick makes a surprisingly inaccurate statement: “I had just read an article in The New York Times reporting that the Recording Industry Association of America was threatening to sue websites that publish guitar music tablature, or tabs, alleging copyright infringement.” [What’s Next, Ramen Noodles?][1]
    It’s not the RIAA that is threatening to sue guitar tab web sites. It’s the NMPA, the National Music Publishers Association. Granick is not the first writer to make this error– and it’s not entirely inaccurate. There is definitely a large overlap between the NMPA and RIAA constituencies, especially because of consolidation. For example, Warner Music Group is the parent company of music publisher Warner Chapell and the Warner Brothers, Atlantic and Elektra music labels.
    The RIAA is not force behind all anti-sharing actions concerning the internet. Only those concerning recorded music. Traditionally, the record labels and publishers are at odds with each other, since each are competing for slices of the music revenue pie.
    NY Times: [Now the Music Industry Wants Guitarists to Stop Sharing][2]: “In the last few months, trade groups representing music publishers have used the threat of copyright lawsuits to shut down guitar tablature sites, where users exchange tips on how to play songs like “Knockin’ on Heaven’s Door,” “Highway to Hell” and thousands of others.”
    This all sounds very familiar. Joe Gratz (before leaving on a triparoundtheworld) [dug up][3] this Times article from 1996: [Tablature Erasa: Guitar Archive Closed by Lawyers][4]: “The University of Nevada at Las Vegas permanently pulled the plug on the central OLGA site on April 25, after suspending it in early February to review assertions by EMI Music Publishing that some of the tablatures electronically available there were an unlicensed usage of the company’s songs.”
    Most guitar tabs are cheat sheets that let musicians know what chord changes form the underlying basis for a song. Sometimes the tabs include graphical instructions on how to play certain melodies on the guitar (but not actual notation.) Tab is incredibly frustrating to read if you know how to read music, because it is an awful medium for conveying rhythm. It is, however, an eminently useful medium for learning guitarists, as it provides more direction on how to play the song than sheet music alone.
    Whereas sheet music contains precise notations of the melody of a piece of music, guitar tab contains either a bare sketch of the underlying chord changes or directions on what notes constitute the melody. It is generally possible to play a song based on the sheet music. It is incredibly difficult to recreate the song from even the most detailed guitar tab without listening to a recording of that song.
    Guitar tab sites provide a way for community members to help each other figure out how to play songs. They are similar to [fake books][5] and the [Real Book][6], which jazz musicians use to learn the standards. (The original Real Book circulated from Berklee College of Music in the 1970s and a licensed version was first released by Hal Leonard last year.) Penn State’s Barry Kernfeld writes about [Pop Song Piracy, Fake Books, and a Pre-History of Sampling][7].
    Even though guitar tab sites offer reconstructions of songs, rather than copies, guitar tab generally does substitute for sheet music. While not a perfect substitute, for most rock and pop musicians, unlicensed tab is an acceptable substitute for sheet music.
    Do guitar tab sites recast the original songs in a new light by simplifying the songs to their barest essence? Are tabs transformative?

    [1]: What’s Next, Ramen Noodles? [2]: http://www.nytimes.com/2006/08/21/technology/21ecom.html?ex=1313812800&en=ea101e9e884ddd86&ei=5088&partner=rssnyt&emc=rss [3]: http://www.joegratz.net/archives/2006/08/21/olga-shut-down-again/ [4]: http://partners.nytimes.com/library/cyber/mirapaul/0606mirapaul.html [5]: http://en.wikipedia.org/wiki/Fakebook [6]: http://en.wikipedia.org/wiki/Real_Book [7]: http://www.personal.psu.edu/bdk4/PREHISTORY.pdf

  • links for 2006-08-30


    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/mets">mets</a>)
      </div>
      
    • <div class="delicious-extended">
        The Stephen Colbert &#8220;On Notice Board&#8221; Generator
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/colbert">colbert</a> <a href="http://del.icio.us/andrewraff/onnotice">onnotice</a> <a href="http://del.icio.us/andrewraff/truthiness">truthiness</a> <a href="http://del.icio.us/andrewraff/tv">tv</a> <a href="http://del.icio.us/andrewraff/bears">bears</a>)
      </div>
      
  • Class of 1984


    The Beloit College mindset list puts Beloit College on the radar for about 10 seconds every fall. Via the Legal Theory blog, Larry Solum notes that this year’s college freshman start as >Undergraduates this year; law students in Fall 2010..
    In the classes entering law school this fall, those students who went strainght thorugh from undergrad were born in 1984. For them,

    • Oceania always been at war with Eastasia.
  • links for 2006-08-27


  • links for 2006-08-26


    • <div class="delicious-extended">
        4 to 6 weeks with the potential for a big boom?
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/apple">apple</a> <a href="http://del.icio.us/andrewraff/powerbook">powerbook</a>)
      </div>
      
    • <div class="delicious-extended">
        Everything old is new again
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/web">web</a> <a href="http://del.icio.us/andrewraff/funny">funny</a>)
      </div>
      
  • Answer: B. Copyright Infringement


    And here I thought I was forever done with anything involving the bar exam. But, the National Conference of Bar Examiners won a copyright case against bar exam prep company PMBR: National Conference of Bar Examiners v. Multistate Legal Studies, Inc., 04-03282-JF (PAED Aug. 22, 2006).
    The NCBE administers a little exam twice a year called the MBE. Perhaps you’ve heard of it? That’s right, it is part of the bar exam throughout the US. It is a 200 question multiple choice exam administered over 6 hours in one day.

    Each question comprises a brief fact pattern, a lead-in asking the test-taker about a particular legal issue, and four answer choices. Drafting these questions is a lengthy process for which NCBE retains panels of professors, judges, and practitioners. Each MBE contains approximately 60 questions from earlier tests to provide a basis for comparing the performance of applicants on one MBE with that of previous groups. Using these data, plaintiff corrects for variations in the degree of difficulty of the examination when computing individual scores. Questions may appear on several MBEs before being retired.

    The bar examiners work diligently to make sure that the MBE is a secure exam. The NCBE requires that proctors read a long warning before the test is administered reminding test takers that the MBE is a “secure exam” and that copying any questions or discussing the content of the exam is a copyright infringement.
    PMBR is a company that prepares students for the MBE. It offers 3 and 7 day classes where students show up to learn the law and test-taking skills necessary to do well on the MBE from a videotaped version of PMBR’s founder Robert Feinberg. PMBR also sells review books and lectures on CD. In order to best prepare his students for the exam, Feinberg attempted to create practice exams that would be very similar to the actual MBE. So, PMBR needs to be sure that its practice tests are similar enough to the real MBE to be useful study materials. The company’s founders have taken a larger number of bar exams than usual.

    Given that these individuals are highly paid to prepare students to take (and presumably to pass) the bar exam, their failure rate is strikingly high. Mr. Feinberg, for example, failed five consecutive bar examinations in Alaska before barely passing in February 2004. Once an applicant passes the bar in a given jurisdiction, he may not take it there again. Perhaps even more startling, Ms. Zimmerman twice failed the Kentucky Bar Examination despite passing the essay portion, because her scores on the MBE were so low. Her testimony that she failed because the MBE “is quite a difficult examination” speaks poorly of either her professional qualifications or her credibility as a witness.

    In prior orders, the court upheld the validity of the NCBE’s copyright. As such, to establish copyright infringement, the defendant must have actually copied from the plaintiff’s copyrighted works.

    Plaintiff has proven copying both with direct evidence and by demonstrating that there is substantial similarity between the MBE and PMBE questions.
    This is the rare case in which there is direct evidence that defendants copied plaintiff’s work. Mr. Feinberg and other PMBR employees regularly write down information about the fact patterns, prompts, and answer choices appearing on MBE examinations that they have taken. Mr. Feinberg admitted that he uses these notes when writing PMBE questions. In order to facilitate this process, PMBR employees sought out the only jurisdiction that allowed test-takers to use scratch paper, taking (and in all but one case failing) the Alaska Bar Exam eight times from 2001 through 2003. In February 2003, Mr. Feinberg was caught leaving the examination room with his scratch paper. In addition, PMBR advertisements brag about how close its
    questions are to those on the actual MBE, and Mr. Feinberg has made similar statements. Finally, many PMBE questions reproduce MBE questions nearly verbatim, and others contain trivial variations that suggest awareness of copying.1

    The court goes on to cite examples of the substantial similarity between NCBE questions and PMBR questions.
    Does copyright prohibit test prep services from creating their own questions that are similar enough to the actual exam to be useful?
    This sentence from the court’s calculation of damages serves as an interesting aside for those of us who took the July 2005 bar exam: “The July 2005 MBE had to be reprinted at a cost of $59,000 because defendants’ copyright infringement had compromised the initial version.”
    (via How Appealing)
    More:
    Concurring Opinions: Copyright and Bar Exam Questions: “The court concluded that many of the questions in PMBR’s materials are similar to those on the Multistate Bar Exam.”
    Frank Pasquale, madisonian.net: The Trouble With Copyrighting Test Questions (and Test Prep Materials): “I hope to criticize the doctrine it’s based on at some point this week. But I’d like first to look at how the exclusionary nature of ‘copy rights’ creates unique problems in the test setting.”

  • links for 2006-08-25


    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/music">music</a> <a href="http://del.icio.us/andrewraff/funny">funny</a> <a href="http://del.icio.us/andrewraff/p2p">p2p</a>)
      </div>
      
  • Pluto


    The International Astronomical Union’s (IAU) General Assembly is voting on whether Pluto should be classified as a planet.
    As far as I’m concerned Pluto IS a planet. Why am I so sure? I rely on the infinite wisdom of 2 Skinnee J’s, who sang in Pluto, “Pluto. It’s a planet!” Case closed.
    The J’s finale concert in 2003 was recorded for a 3 CD set.
    Update: Plutonians must regard this as the saddest day since the Eddie Murphy movie “Nash Pluto” was named after their trans-neptunian body: Pluto loses status as a planet: “Astronomers meeting in the Czech capital have voted to strip Pluto of its status as a planet.”
    And, at ALOTT5MA, Pluto’s concession speech. It’s Plutomentum!

  • 7th Circuit Adds RSS Feeds


    The 7th Circuit is the first Federal circuit court to publish its own RSS feed of decisions and oral argument (as a podcast): Access As Easy As Tuning In: “The next time you see someone pop on the headphones and get that faraway look in his or her eyes, don’t be so sure it’s a tune that’s beguiling them. It just may be the latest oral arguments from the Seventh Circuit. The circuit is the first federal court of appeals to make RSS feeds of opinions and audio recordings of oral arguments available from its Web site (www.ca7.uscourts.gov/ca7_rss.htm).”
    (Via beSpacific.)

  • links for 2006-08-24


    • <div class="delicious-extended">
        All your base + snakes on a plane? This is why the web exists
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/allyourbase">allyourbase</a> <a href="http://del.icio.us/andrewraff/snakesonaplane">snakesonaplane</a> <a href="http://del.icio.us/andrewraff/memes">memes</a> <a href="http://del.icio.us/andrewraff/humor">humor</a>)
      </div>
      
  • 2012


    Information addiction overload! How does one deal with a week’s worth of more than 2000 unread news items in one’s newsreader? Ignore everything? Read everything?

  • Miscellaneous miscellany


    Nexus: How are Blogs Affecting the Legal World?
    Dahlia Lithwick, Slate: “Private I’s? Should the law protect us from kiss-and-tell bloggers?: ”
    Ken Adams: Who Owns the Copyright?: “Under U.S. law, who owns the copyright in a contract that a law firm drafts for its client?”
    SJ Mercury News: Mercury News wins federal copyright lawsuit against photographer: “The photographer, Christopher Harris, sued the newspaper in 2004, alleging copyright infringement over its use of a photograph from the book “The Life You Save May Be Your Own: An American Pilgrimage” by Paul Elie. The photograph was of Walker Percy, one of four 20th-century writers profiled in the book.”
    NY Times: Apple Gets French Support in Music Compatibility Case: “The French constitutional council, the country’s highest judicial body, has declared major aspects of the so-called iPod law unconstitutional, undermining some controversial aspects of the legislation.”
    Search the AOL Search Database.
    New York Times: A Face Is Exposed for AOL Searcher No. 4417749: “The detailed records of searches conducted by Ms. Arnold and 657,000 other Americans, copies of which continue to circulate online, underscore how much people unintentionally reveal about themselves when they use search engines — and how risky it can be for companies like AOL, Google and Yahoo to compile such data.”
    Orin Kerr: How to Read a Judicial Opinion: A Guide for New Law Students
    Georgetown Law Faculty Blog: <a href=“http://gulcfac.typepad.com/georget News.com: Google Scholar trademark case ends: “The case was quietly settled out of court in Washington, D.C., earlier this month, with Google and ACS submitting a joint two-page document that says each side will pay its own attorney fees.”
    Frank Ahrens, Washington Post: So Google Is No Brand X, but What Is ‘Genericide’?: “Last month, we noted that ‘google’ had entered Merriam-Webster’s Collegiate Dictionary. It was a landmark for the search engine — going from nonentity to common usage in only eight years. One would think that a company that existed only in the minds of two college dudes a few years ago would be happy that a major publication such as The Washington Post prominently marked the occasion. One would, that is, until one got a letter from Google’s trademark lawyer.”
    Stephen Nipper: Trademark tips for your web app: “Choosing a good name for your web app is one of the most important things to get right. But without an understanding of the way that trademark regulations work, you could fall at the first hurdle.”

  • Entertainment miscellany


    Links presented without comment:
    Wall Street Journal: Moguls of New Media: “As videos, blogs and Web pages created by amateurs remake the entertainment landscape, unknown directors, writers and producers are being catapulted into positions of enormous influence.”
    Jeff Pulver: Jeff’s Quick Guide to TV on the Net (TV/IP): “During the past twelve months, as the momentum for Broadband TV has snowballed, an increasing number of media companies have decided to take their content and make it available for viewing on the Internet. In some cases, the content offered is “re-runs” of prime time content, in other cases the Internet is being used to channel “vintage” programming (re-runs of old programs) and there is an increasing number of cases in which new content is being developed by media companies for just the broadband Internet.”
    Paul Boutin, Slate: The myth of the living-room PC. By : “Computer makers have been trying to find space next to the couch for years, but so far all of these attacks have been repulsed.”
    New York Times: Internet Is Seizing the Spotlight in the Live-Music Business
    The Hollywood Reporter, Esq.: Audioslave’s Cornell Claims Negligence Against Attorney, Accountant: “Audioslave frontman Chris Cornell has filed suit in Seattle against his former divorce lawyer and accountant, claiming they negligently allowed his ex-wife to co-own his musical works rather than simply have the right to half of the royalties.”
    Ray Beckerman, How the RIAA Litigation Process Works
    The Future of Music Coalition will hold its: 2006 Policy Summit 2006 on October 5-7 in Montreal.
    Coolfer: Hawthorne Heights Sues Victory Records: “In March of this year Victory Records was chest-thumping all the way to a a #3 and controversial debut on the album chart with Hawthorne Heights’ album If Only You Were Lonely. Now, as reported by Billboard.com, Hawthorne Heights has sued Victory Records and label head Tony Brummel, claiming Brummel and Victory of ‘taking advantage’ of the band and ‘severely damaging the band’s reputation and relationship with its fans.'” (Complaint)

  • Awwwww. Thanks Andrew,


    Though I’m not sure if that’s sweet or sad. Surely you must know more people than you let on.
    But Andrew is right – I do loves my blogs. And since he’s left it up to me to introduce myself, I’ll tell you about some of my other loves…
    I like artsy things:
    lichtenlove.jpg
    And furry things:
    alpacalove2.jpg
    And shooting things:
    targetpractice.jpg
    I’m currently spending some time south of the Mason-Dixon, thinking about copyright maybe a little too much. But I’ll save that for another post.

  • Telecom and tech regulation reading


    BusinessWeek: The Phone Companies Still Don’t Get It: ” Welcome to Telco Land, a strange country where the biggest players talk more and more about innovation yet approach new ideas with baby steps, build little themselves, and when they think about technology are apt to believe it’s a threat they have to fight.”
    Timothy B. Lee in the New York Times: Entangling the Web: “It’s tempting to believe that government regulation of the Internet would be more consumer-friendly; history and economics suggest otherwise. The reason is simple: a regulated industry has a far larger stake in regulatory decisions than any other group in society. As a result, regulated companies spend lavishly on lobbyists and lawyers and, over time, turn the regulatory process to their advantage.”
    LA Times: Weighing High-Tech Bills in Analog – Los Angeles Times: “Almost daily when Congress is in session, lawmakers are struggling to comprehend new technology and the government’s role in shaping its future. In the biggest spurt of legislative activity since the dot-com boom, advocacy groups and businesses are seeking new laws to shape the fast-evolving digital landscape.… The task is all the more difficult because few in Congress understand what those engineers in Silicon Valley actually do.”

  • Google and Fair Use


    News.com’s Declan McCullogh looks at the copyright suits where Google is a defendant: Copyright tussles for Google: “As Google becomes more deeply interested in books and video, and expands its search domain beyond Web pages, it has found itself increasingly at odds with established copyright industries including book publishers, journalists, and professional photographers.”
    Frank Pasquale, Madisonian: <Would Google Go Out of Business Without Fair Use?>: “I’ve also thought that the worst outcome in these cases would be Google’s decision to use its massive cash reserves to settle all the cases. For that would help set a precedent that might seal its (and perhaps a few other high-market-capped search engines) dominance over the field. Who else would have the cash reserves to compete in the search engine market, given the huge barriers to entry created by licensing fees?”
    William McGeveran, Info/Law: Google, Fair Use, and Settlement: “So, not only would settlements lock in Google as the super-dominant player as Pasquale says (and as many techies have begun to fear anyway), it also would short-circuit the movement of the law to a reasonable accommodation of search technology. To be sure, that movement is slow, indirect, and sometimes fumbling, but it is happening.”
    McGeveran goes on to discuss the analogy of academic fair uses settlements between publishers and universities. The end result being that the actual practices of fair use are constrained to a much smaller set of actions that the law proscribes.
    Previously: Thoughts on Fair Use

  • Program Notes


    As I will be on the internets less than usual next week, I’ve asked Caitlin to come by and be a guest blogger. I’ll let her introduce herself, but will note that she is the most blog-savvy person I know who does not blog. Her take on some of these issues may diverge from mine. We’ll see.
    On another note, I can’t express just how thrilled I am to be getting on a plane today after hearing this morning’s news from London.

  • Oh boy


    This is not necessarily the piece of news you want to wake up to on a day that you’re going to get on a flight to Europe: Aircraft Bomb Plot Thwarted in Britain: “British authorities said Thursday that they had thwarted a terrorist plot to blow up multiple airliners traveling between Britain and the United States, creating ‘mass murder on an unimaginable scale.'”

  • Baseball stats in the fact-based community


    In C.B.C. Distribution and Marketing, Inc. v. Major League Baseball Advanced Media, the US District Court for the Eastern Dist. of Missouri ruled that baseball statistics connected with players’ names are facts that can not be protected by copyright or the right of publicity. The court dismissed MLB Advanced Media and the MLB Players’ Association motions for summary judgment and granted CBC’s request for a declaratory judgment.

    1. Right of publicity
      The court finds that players do not have a marketable and protectable interest in their playing statistics and that linking a player’s name with his statistics does not violate the right of publicity:

    Unlike cases where the commercial advantage element of the right of publicity has been found, there is nothing about CBC’s fantasy games which suggests that any Major League baseball player
    is associated with CBC’s games or that any player endorses or sponsors the games in any way. The use of names and playing records of Major League baseball players in CBC’s games, moreover, is not intended to attract customers away from any other fantasy game provider because all fantasy game providers necessarily use names and playing records. Indeed, there is no evidence to create a triable
    issue as to whether CBC intended to create an impression that Major League baseball players are associated with its fantasy baseball games or as to whether a reasonable person would be under the impression that the baseball players are associated with CBC’s fantasy games any more than the players are associated with a newspaper boxscore. As such, there is no triable issue of fact as to whether CBC uses Major League baseball players’ names in its fantasy baseball games with the intent of obtaining a commercial advantage.

    The court distinguishes this case from Palmer v. Schonhorn Enterprises, Inc., 232 A.2d 458 (N.J. Super. 1967), where a fantasy Golf board game used photos of the players. That involved appropriation of a likeness. While the Tony Twist and Here’s Johnny cases were based on the defendants’ use of key elements of an individual’s public persona and likeness, fantasy baseball relies on fact-based statistics, not any individual’s likeness.

    CBC’s mere use of Major League baseball players’ names in conjunction with their playing records does not establish a violation of the players’ right of publicity. CBC’s use of the baseball players’ names and playing records in the circumstances of this case, moreover, does not involve the character, personality, reputation, or physical appearance of the players; it simply involves historical facts about the baseball players such as their batting averages, home runs, doubles, triples, etc. CBC’s use of players’ names in conjunction with their playing records, therefore, does not involve the persona or identity of any player. Indeed, under the facts of this case there is no triable issue as to whether the persona or identity element of the right of publicity is present.

    The court finds that the policy considerations underlying right of publicity law do not preclude these use of statistics:

    the policy considerations are aimed at preventing harmful or excessive commercial use of one’s celebrity in a manner which could dilute the value of a person’s identity However, CBC’s use of Major League baseball players’ names and playing records in fantasy
    baseball games does not go to the heart of the players’ ability to earn a living as baseball players; the baseball players earn a living playing baseball and endorsing products; they do not earn a living by the publication of their playing records.

    Publishing a fantasy baseball game is protected speech under the First Amendment.

    Courts have found that First Amendment freedom of expression is applicable in cases where the subject matter at issue involved factual data and historical facts. The names and playing records of the baseball players as used by CBC are, in fact, “bits of baseball history” which educate the public about baseball. Most importantly, the statistical information about Major League baseball players, including their hits, runs, doubles, etc., which CBC disseminates, represents historical facts about baseball players.
    The fact that the social commentary is humorous, rather than serious, does not preclude First Amendment protection.
    In the context of the matter under consideration, CBC communicates information about Major League baseball players; CBC does not use players’ names and playing records for the purpose of advertising a product or services. As such, the court finds that CBC’s use of the players’ names and playing records is not commercial speech.

    Also, it is significant in the matter before this court that if the players’ right of publicity were to prevail over CBC’s First Amendment right of freedom of expression, CBC’s First Amendment right of freedom of expression would be totally extinguished; CBC would be unable to create and operate its fantasy games as the games cannot operate without the players’ names and playing records. To the extent that Advanced Media and the Players’ Association contend that they do not object to the use of players’ playing records but rather only to their names, such use by CBC is not realistic; the records mean nothing without the names. For example, it would be meaningless and useless to its game participants for CBC to report that there were five home runs or ten singles in a baseball game without identifying the players who hit the home runs or singles. As such, CBC would be out of business if it were precluded from using in its fantasy games either players’ names or their names in conjunction with their playing records.
    After balancing the interests at issue regarding CBC’s First Amendment right to freedom of expression and those involved in the players’ claimed right of publicity the court finds, in the circumstances of this case, that CBC’s First Amendment right to freedom of expression prevails over the players’ claimed right of publicity; none of the justifications for the right of publicity compel a finding that the First Amendment should not trump the right of publicity. See Cardtoons, 95 F.3d at 972-76; Gionfriddo, 94 Cal. App.4th at 410. The
    policy considerations and interests at risk upon restricting CBC’s First Amendment right to freedom of expression outweigh the policy considerations and interests at risk in the players’ claimed right of publicity.

    1. Copyright
      Relying on National Basketball Ass’n v. Motorola, 105 F.3d 841 (2d Cir. 1997), the court finds that the scores and statistics resulting from a baseball game can not be protected by copyright.

    This court has found above that the names and playing records of Major League Baseball players in the context of CBC’s fantasy games are factual information which is otherwise available in the public domain
    Indeed, CBC’s fantasy games rely upon “only facts” which result from the playing of baseball games, “not the expression or description of the game.”

    1. Contract

    The court, therefore, finds that in the circumstances of this case “the strong federal policy
    favoring the full and free use of ideas in the public domain” as manifested in the laws of intellectual
    property prevails over the challenged contractual provisions in the 2002 Agreement.

  • Perestroika by Piracy?


    The New York Times reports on Chinese groups distributing subtitled versions of Western shows in China, by piracy: Chinese Tech Buffs Slake Thirst for U.S. TV Shows: “What is most remarkable about the effort, which involves dozens of people working in teams all over China, is that it is entirely voluntary. Mr. Ding’s group, which goes by the name Fengruan, is locked in fierce competition with a handful of similar outfits that share the same ambition: making American popular culture available in near-real time free to Chinese audiences, dodging Chinese censors and American copyright lawyers.”
    Can widespread piracy of copyrighted western works in China be a force for democracy?

  • links for 2006-08-10


    • <div class="delicious-extended">
        A free e-book telling the story of the Beatles 1966 album Revolver.
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/music">music</a> <a href="http://del.icio.us/andrewraff/beatles">beatles</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/photography">photography</a> <a href="http://del.icio.us/andrewraff/photoshop">photoshop</a>)
      </div>
      
    • <div class="delicious-extended">
        First back are The Simpsons on 9/10…BSG doesn&#8217;t start until 10/6
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/tv">tv</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/airconditioning">airconditioning</a>)
      </div>
      
    • <div class="delicious-extended">
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/books">books</a>)
      </div>
      
  • Long Tail, Decline of Filters, Information Literacy


    In Salon today, Farhad Manjoo applies Chris Anderson’s “Long Tail” theory to news: Chasing tail. While Anderson’s book is concerned only with the business implications that come from the ability to sell lots of niche products, Manjoo considers the web’s ability to connect citizens with niche newspapers, magazines and partisan blogs to be part of the same phenomenon.

    Unlimited choice and easy access shake the world in unpredictable ways, causing people to splinter along the lines of niches they enjoy, and sometimes to lose touch with the world beyond. Today it’s possible to stop reading newspapers and instead get all your news from the Fox News channel — indeed, this is something many millions have done.… To put it another way, I worry about the filters. Because the long tail has everything in it, the only way to find anything useful there is by using some kind of filter.

    The web allows for a democratization of information, which, in turn, creates the need for more information literacy. In other (less annoyingly pretentious) terms, the fact that it’s cheap to publish on the internet puts a great deal of biased, incomplete or simply wrong information on the same level as balanced, thorough and authoritative information. Individual citizens, students and researchers need to be more attentive to sources and details when sifting through such information and spend more time verifying and fact checking claims.
    Where in pre-internet environment, a number of filters sat between crackpot theories and a researcher. Those filters (reporters, publishers, librarians) still help to judge accuracy and reliability, but the unfiltered internet makes it easy to find the unfiltered and unreliable and individuals now need to have the skills to determine what is credible and what is not.
    On the other hand, sometimes more filters can distort the truth. Salon.com editor Scott Rosenberg discusses the difference between blogs and comments at his personal blog, Wordyard: Lanny Davis, bile, and the distinction between “blog” and “comments”: “The simple distinction between the proprietor of a site — the ‘blogger’ — and the poster of comments is being forgotten or deliberately ignored here to score a political point.… In open online environments, it simply makes no sense to hold the publisher/blogger/site owner responsible for every opinion, attitude and flame that visitors post. If that’s where we’re headed, we might as well just shut down the Net and go home.”
    47 USC §230 provides a “safe harbor” for the hosts of online forums (such as blog comment pages), so that the publishers are not considered the publisher or speaker of comments posted by unrelated third parties. Of course, although the law exempts site owners from liability, it does not prevent unwitting or unscrupulous commentators from attributing to a site owner the words of an unrelated comment poster.
    Previously: Information Literacy

  • Labels v. LimeWire


    Major record labels filed a law suit in the Southern District of NY against P2P file sharing company LimeWire: Arista Records LLC v. LimeWire LLC, 06-CV-5936.

    “he very design and promotion of LimeWire show that Defendants know (actually as well as constructively) of the massive infringement of Plaintiffs’ copyrights occurring via LimeWire. Defendants’ knowledge and intent are apparant in other respects as well. For example, Defendants make it easy for a user to donload and install LimeWire even after indicating that he/she ‘intend[s] to use LimeWire for copyright infringement.’ Following a perfunctory refusal by Defendant’s web site, the user simply navigates back to the prior page, changes his/her answer, and is allowed to continue with the download.

    The complaint establishes 5 theories of liability:

    1. Inducement of Copyright Infringement
      > Defendants have induced and continue to induce infringement by, for example, aiming to satisfy a known source of demand for copyright infringement, including the market comprising users of other infringing services that were shut down or compelled to block access to Plaintiffs’ copyrighted works, such as Napster, Grokster, and Kazaa.

    2. Contributory Copyright Infringement
      > Defendants are liable as contributory infringers for the copyright infringement committed via LimeWire software and services. Defendants have knowledge of the massive infringement that has occurred and continues to occur through LimeWire, and Defendants have caused, enabled, facilitated, and materially contributed to that infringement.

    3. Vicarious Copyright Infringement

    Defendants are liable as vicarious infringers for the copyright infringement committed via LimeWire software and services. At all times relevant to this action, Defendants (i) have had the right and ability to control and/or supervise the infringing conduct of LimeWire users, and (ii) have had a direct financial interest in, and derived substantial financial benefit from, the infringements of Plaintiffs’ copyrighted sound recordings via LimeWire.

    1. Common Law Copyright Infringement of Pre-1972 Recordings
    2. Unfair Competition as to Pre-1972 Recordings

    William Patry, The Patry Copyright Blog: RIAA v. LimeWire:

    We are in a new era and this complaint reflects that era.
    I happen to think the new era sucks, but it is here and we had best come to grips with it. The LimeWire case is likely to provide the inducement for that waking up. Aside from what I regard as the Supreme Court’s insitutional irresponsibility, my objection to the Grokster opinion (which is not a defense of Grokster the company), is that it only added to the conceptual morass begun with Sony by creating a new, third category of third-party liability, and without any perceived need for it by the parties, Congress, or anyone else. It was, I believe, merely a way to paper over the court’s inability to do the job it took upon itself: determine how to apply Sony to the Internet. When the Court shirked that responsbility, it apparently felt it too had to something to show it was tough on pirates (you’re not alone Mr. Attorney General!), hence the inducement theory.

  • Giant Robot Imprisons Parked Cars in Hoboken


    Yes, it’s New Jersey. No, it’s not the plot from a recent Aqua Teen Hunger Force episode. This is actually a software license contract dispute.
    Seriously.
    Hoboken has a parking garage that uses a robotic elevator/conveyor system to park cars more efficiently than the typical garage layout. But, the software that runs the intelligent system was licensed to the company managing the garage, not to the owners of the garage.
    Wired News reports: Giant Robot Imprisons Parked Cars: “In the course of a contract dispute, the city of Hoboken had police escort the Robotic employees from the premises just a few days before the contract between both parties was set to expire. What the city didn’t understand or perhaps concern itself with, is that they sent the company packing with its manuals and the intellectual property rights to the software that made the giant robotic parking structure work.”

  • More Reality TV Law


    Here’s a student note published in the Vanderbilt Journal of Entertainment and Technology Law: J. Matthew Sharp, NOTE: The Reality of Reality Television: Understanding the Unique Nature of the Reality Genre in Copyright Infringement Cases, 8 Vanderbilt J. of Entertainment and Technology Law 177 (Winter 2005). It discusses The Simpsons, reality tv and copyright.
    PHOSITA®’s Laura Woods uses TESS to figure out the next great reality TV hit: Reality TV junkie: “What do intellectual property attorneys do in their spare time?  On this Friday, I have decided to let you in on one of my hobbies –  looking up future TV reality show names on the United States Patent and Trademark Office website.  See, an interesting little fact unknown to the rest of the world is that production companies usually like to file trademarks on the TV reality show names long before they air on TV.”
    Previously: Reality TV and the Law

  • links for 2006-08-08


    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/politics">politics</a> <a href="http://del.icio.us/andrewraff/tv">tv</a> <a href="http://del.icio.us/andrewraff/funny">funny</a> <a href="http://del.icio.us/andrewraff/truthiness">truthiness</a>)
      </div>
      
    • <div class="delicious-extended">
        Go Franklin!
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/tv">tv</a>)
      </div>
      
  • links for 2006-08-04


    • <div class="delicious-extended">
        Brilliant Snakes on a Plane promotion
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/snakesonaplane">snakesonaplane</a> <a href="http://del.icio.us/andrewraff/marketing">marketing</a>)
      </div>
      
    • <div class="delicious-extended">
        Browse the web, but look like you&#8217;re working in Word 2003
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/procrastination">procrastination</a>)
      </div>
      
  • Wikiality


    On Monday’s Colbert Report, Stephen discussed the Wikipedia process in The Wørd segment (“Wikiality”):

    Last week, The New Yorker published an article on Wikipedia: Know it All: Can Wikipedia conquer expertise? “Wikipedia remains a lumpy work in progress. The entries can read as though they had been written by a seventh grader: clarity and concision are lacking; the facts may be sturdy, but the connective tissue is either anemic or absent; and citation is hit or miss.”
    The New Yorker article goes to the information literacy critique of Wikipedia. On a macro level, Wikipedia has generally good rate of accuracy (at least if we were thinking of it as a baseball batting average.) But Wikipedia has a far lower level of accuracy for any individual fact.
    At Freedom to Tinker, David Robinson contemplates: The New Yorker Covers Wikipedia “When reading Wikipedia, one has to react to surprising claims by entertaining the possibility that they might not be true. The less plausible a claim sounds, the more skepticism one must have when considering it.”
    The Onion’s take is (as usual) dead on: Wikipedia Celebrates 750 Years Of American Independence: “Wikipedia, the online, reader-edited encyclopedia, honored the 750th anniversary of American independence on July 25 with a special featured section on its main page Tuesday.”
    Marshall Poe, in The Atlantic Monthly, thinks that the hive mind works well: The Hive: “Can thousands of Wikipedians be wrong? How an attempt to build an online encyclopedia touched off history’s biggest experiment in collaborative knowledge.”
    ikkyu2, a neurologist and contributor to Wikipedia articles on neurology cogently discusses Wikipedia’s expert problem: What’s Wrong with Wikipedia: “I still like the Wikipedia, but not as an encyclopedia. It’s just an enjoyable, relaxing way to fool around and waste some time; enjoyable for its own sake, but not useful as a finished product. I would never recommend it to my patients nor to anyone else as a source of reliable information.”
    Windy City Mike: Why I Quit Wikipedia “The problem is: Wikipedia believes truth derives from consensus. It doesn’t. Pablum derives from consensus; popular belief derives from consensus. And if you’re lucky, the least offensive common denominator of the truth derives from consensus.…Wikipedia articles do not represent truth; they represent popular consensus.”
    Anil Dash looks at Wikipedia through the spectrum of community governance: Antipedia: “The real issue is that Wikipedia is a not-so-small community of people, facing the same challenges of governance, accountability, and policing that any community this size would face. I can’t help but think that most of these issues arise because Wikipedia essentially runs with the equivalent of a Declaration of Independence but no Constitution.”
    Previously: The Problem with Wikipedia (Apr. 19)
    Wikipedia and Authority (Dec. 19, 2005)
    Wikipedia Woes (Dec. 16, 2005)

  • links for 2006-08-03


    • <div class="delicious-extended">
        Vail buys wind power credits
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/energy,">energy,</a> <a href="http://del.icio.us/andrewraff/ski">ski</a>)
      </div>
      
    • <div class="delicious-extended">
        Photos of New York in triple digit heat
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/nycisreallyfuckinghot">nycisreallyfuckinghot</a> <a href="http://del.icio.us/andrewraff/photography">photography</a>)
      </div>
      
    • <div class="delicious-extended">
        Dated infrastructure in the city
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/nyc">nyc</a>)
      </div>
      
  • The Anti-Science Coalition


    A post at How Appealing today is titled “Evolution Foes Lose Their Edge on Kansas Board.
    Why not call them foes of science?

  • Helping or hurting your cause?


    If there was ever a reason for why a corporate-controlled internet might not be such a bad idea, it is this video from “internet celebrities” Tron Guy, Leslie Hall and Peter Pan… If it was the Star Wars kid and Mahir, then you might have something.
    Is anyone who matters going to care about net neutrality if a non-neutral, discriminatory internet means simply that Tron Guy, Goatse or the latest All Your Bases Are Belong to Us mashup might take longer to load?
    Does “God Save the Internet” by “The Broadband” (Note: not the excellent NYC band Broadband) fall on the lame side of the spectrum of creative advocacy?

  • links for 2006-08-02


    • <div class="delicious-extended">
        Urban centers are warmer than surrounding suburban and rural areas
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/nycisreallyfuckinghot">nycisreallyfuckinghot</a>)
      </div>
      
  • links for 2006-07-29


    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/customerservice">customerservice</a> <a href="http://del.icio.us/andrewraff/air">air</a> <a href="http://del.icio.us/andrewraff/travel">travel</a>)
      </div>
      
  • Grosso v. Miramax applied


    NY Times: Lawyer Is Upping the Ante in Claims of Idea Theft in Hollywood: “The latest in a long line of gadflies who contend that it’s their job to keep the studios honest, Mr. Marder has spent the last two years capitalizing on having won a federal appeals court decision that makes it easier for writers who pitch an idea or circulate a script to make a claim of theft stick.”
    This Times article discusses the effect of the 9th Circuit’s ruling in Grosso v. Miramax (2004).
    The Patry Copyright Blog: Grosso Mondo: Bad Ideas Never Die: “Bad Ideas never die; no I’m not talking about the proposal to extend protection to fashion designs, but to protecting ideas themselves.”

  • Sports racers and copyright


    In today’s The Show, Ze Frank discusses consumer-created media and copyright: “When someone paints a smiley face on their nuts and takes footage of them bouncing around, they’re usually not thinking about copyright. But in the last few months, consumer created video has become all the rage – and those dancing nuts might actually have value.”

  • links for 2006-07-27


    • <div class="delicious-extended">
        Now THAT&#8217;s rock and roll
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/music">music</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/food">food</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/brooklyn">brooklyn</a> <a href="http://del.icio.us/andrewraff/gowanus">gowanus</a>)
      </div>
      
    • <div class="delicious-extended">
        With some kind of star system
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/food">food</a> <a href="http://del.icio.us/andrewraff/nyc">nyc</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/wikipedia">wikipedia</a> <a href="http://del.icio.us/andrewraff/theonion">theonion</a>)
      </div>
      
    • <div class="delicious-extended">
        The laugh track in MASH
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/tv">tv</a>)
      </div>
      
    • <div class="delicious-extended">
        The crash of the baseball card market
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/baseballcard">baseballcard</a> <a href="http://del.icio.us/andrewraff/economics">economics</a>)
      </div>
      
    • <div class="delicious-extended">
        Is this from a lost episode of Yacht Rock?
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/steelydan">steelydan</a>)
      </div>
      
  • Reality TV and the Law


    The only summer reality tv show to capture my interest has been Rock Star: Supernova, which could be considered Mark Burnett’s take on American Idol. Fortunately, Burnett’s version of the talent competition format is much better than Idol’s. First, the judges (Tommy Lee, Jason Newsted and Gilby Clarke who are forming the band “Supernova”) have a personal interest in seeing who wins the competition, because the winner will be fronting their band. Secondly, the contestants are encouraged to rearrange and reinterpret their songs with the aid of the House Band. Unfortunately, none of the members of Supernova nor associate judge Dave Navarro are able to criticize the contestants as well as Idol’s Simon Cowell. But I digress.
    Supernova is also the name of a California band that formed in 1989 and released its major label (Atlantic) debut album, Ages 3 and Up, in 1995. Among the uses made in commerce of the Supernova brand, the band’s song Chewbacca was used by Kevin Smith on the Clerks soundtrack and by the 1997 MTV Movie Awards, where MTV and Carrie Fischer awarded Chewbacca (Peter Mayhew) the award our favorite Wookie never received at the end of Star Wars.
    Supernova: Chewbacca (iTunes link).
    Supernova (founded in 1989) filed a lawsuit in the federal district court for the Southern District of California against Mark Burnett Productions, CBS Broadcasting, Rockstar Entertainment Inc., JMPB Inc., as well as Tommy Lee, Jason Newsted and Gilby Clarke. Here’s the complaint: Supernova From Cynot3, LLC v. Mark Burnett Productions, Inc.
    The plaintiffs claim:

    1. Willful Trademark Infringement
    2. False Designation of Origin (§43(a) of the Lanham Act)
    3. Intentional Interference with Prospective Economic Advantage
      The plaintiffs seek:
    4. Declaratory Judgment that Defendants are Not Entitled to Registration of the Marks SUPERNOVA and ROCK STAR: SUPERNOVA
    5. Injunctive relief
    6. Damages (including treble damages for willful infringement, punitive damages and attorney fees)
      MTV reports: Supernova Sue ‘Rock Star: Supernova’ Producers, Bandmembers: “The lawsuit, filed in federal court in San Diego, names Mark Burnett Productions, Rockstar Entertainment Inc. and CBS Broadcasting as defendants, along with Tommy Lee, Jason Newsted and Gilby Clarke — the three future members of the group this season’s ‘Rock Star’ is supposed to spawn and endow with a lead singer. After someone’s chosen to front the band, the foursome will eventually record and release fresh material before touring the nation, all under the Supernova moniker.”
      In other reality TV legal news, 43(B)log reports on a California contract case of Reality TV jurisprudence: “The network and producers tried to compel arbitration pursuant to a release agreement executed by the siblings (some of whom were minors) prior to the broadcast. The court found the arbitration clause unconscionable and thus unenforceable.”
  • Keywords in Commerce?


    Eric Goldman, Technology & Law Marketing Blog: Search Engine Liability for Selling Keywords Redux–800-JR Cigar v. GoTo.com: “this case reinforces the completely unsettled nature of keyword purchases and trademark law. Combined with the other two search keyword cases this year that reached directly opposite results to each other (Edina Realty and Merck v. Mediplan), there really is no way of predicting how the next case is going to come out. In some ways, the law applicable to search engines selling keywords has not advanced in any meaningful way from 2000 when this case was first filed.”

  • Neutral Policy


    CDT: Focused Internet Neutrality Legislation Warranted To Protect Open Internet: “In the absence of legislated safeguards, there is a real risk that today’s network operators could choose not to retain the core elements of Internet neutrality. This risk, and the potential consequences, are simply too great to take no action. Once new, non-neutral networks and business arrangements have been put in place, overturning them is likely to be extremely difficult. Legislation is warranted to ensure that neutrality will continue to be factored into network architecture and business plans from the start.”
    Full CDT report: Preserving the Essential Internet
    Daniel Weitzner, MIT: The Neutral Internet: “The debate thus far, however, has proceeded on the mistaken assumption that this is an either/or choice; that we have to choose between a non-discriminatory, slow, insecure network or a potentially discriminatory, high-speed, cleaner Internet tied together with other broadband services. This paper argues that it is possible to preserve the neutral, non-discriminatory essence of the Internet, without sacrificing future growth of new Internet services and other broadband infrastructure.”
    NewsForge: Today’s cell phone system argues for retaining network neutrality: “It turns out that we have a privately owned and controlled network all around us, one that closely mirrors the technical functionality of the Internet, but where there has never been a requirement for net neutrality: the US cellular phone network.”
    Sen. Ron Wyden (D-OR) pledges to hold any telecom bill that does not protect a neutral internet: Wyden Blocks Telecom Legislation Over Ineffective Net Neutrality Provision: “The bill makes a number of major changes in the country`s telecommunications law but there is one provision that is nothing more than a license to discriminate. Without a clear policy preserving the neutrality of the Internet and without tough sanctions against those who would discriminate, the Internet will be forever changed for the worse. This one provision threatens to divide the Internet into technology `haves” and `have nots.” This one provision concentrates even more power in the hands of the special interests that own the pipelines to the Internet.”
    And finally, a modest proposal for broadband policy from Andy Kessler in The Weekly Standard: Give Me Bandwidth… No one to root for in the net neutrality debate: “Telcos and cable companies have no choice but to lobby for legislation that bars neutrality. Because without the ability to extract money from the webbies for the use of their not-so-fast Alexander Graham Bell-era wires (forget that you and I already overpay for this), AT&T or Verizon might not have any business model going forward. With no real competition, they’d rather keep U.S. telecommunications in the Flintstone era and overcharge for calls to Grandma than upgrade their networks. Since 1998, telecommunications companies have outspent computer and Internet firms on politicians $231 million to $71 million, just to keep the status quo.”

  • ABA Report on Presiidental Signing Statements


    Today, the American Bar Association released a “blue-ribbon panel” report on the harm that Presidential Signing Statements are doing to separation of powers and the constitutional republic: “The American Bar Association opposes, as contrary to the rule of law and our constitutional system of separation of powers, the issuance of presidential signing statements that claim the authority or state the intention to disregard or decline to enforce all or part of a law the President has signed, or to interpret such a law in a manner inconsistent with the clear intent of Congress”
    New York Times: Legal Group Faults Bush for Ignoring Parts of Bills: “In a comprehensive report, a bipartisan 11-member panel of the bar association said Mr. Bush had used such ‘signing statements’ far more than his predecessors, raising constitutional objections to more than 800 provisions in more than 100 laws on the ground that they infringed on his prerogatives.”
    Lyle Denniston, SCOTUSblog: Analysis: ABA, the courts and the presidency:

    A task force of the American Bar Association is urging Congress to give the Supreme Court and lower federal courts the power to judge the constitutionality of a president’s public statements of how new laws will be enforced — apparently, before a president ever takes action to carry out such a statement. For the first time in history, it appears, the courts would have the authority to review presidential intentions, as opposed to fully formed or final actions. That is perhaps the boldest (though least explained) of the recommendations that the task force made on Monday in a new report that is sharply critical of presidential “signing statements” — the official utterances of presidents when they sign a new piece of legislation into law, putting their spin on meaning.

    Marty Lederman, Balkinization: ABA Task Force Report on Presidential Signing Statements: “But I am a bit surprised by the Report’s central conclusion, which is that the President may not refuse to enforce statutes that he deems unconstitutional.”
    William Patry: ABA and Signing Statements: “This is a serious issue on its own, but it is also a window into a systemic crisis in our country: a President who is contemptuous of the Constitution, the rule of law, and anything and anybody who stands in the way of what he wants to do. Within the Administration, these steps are the actualization of a ‘unitary executive’ theory. The term ‘unitary’ is quite telling, since it replaces three with one. Most people would call the result of a unitary form of government a dictatorship.”

  • links for 2006-07-25


    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/web2.0">web2.0</a>)
      </div>
      
    • <div class="delicious-extended">
        The Dreyfus Affair
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/law">law</a> <a href="http://del.icio.us/andrewraff/cheeseeatingsurrendermonkeys">cheeseeatingsurrendermonkeys</a>)
      </div>
      
    • <div class="delicious-extended">
        &#8220;The most important place to London is New York and to New York is London and Tokyo&#8221;
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/nyc">nyc</a> <a href="http://del.icio.us/andrewraff/cities">cities</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/nyc">nyc</a> <a href="http://del.icio.us/andrewraff/tv">tv</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/music">music</a> <a href="http://del.icio.us/andrewraff/blogging">blogging</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/scholarship">scholarship</a> <a href="http://del.icio.us/andrewraff/internet">internet</a>)
      </div>
      
    • <div class="delicious-extended">
        South Park creators address MPAA ratings board notes
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/movies">movies</a> <a href="http://del.icio.us/andrewraff/ratings">ratings</a>)
      </div>
      
    • <div class="delicious-extended">
        A blog about plagarism
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/plagarism">plagarism</a> <a href="http://del.icio.us/andrewraff/blog">blog</a>)
      </div>
      
    • <div class="delicious-extended">
        How MLB&#8217;s tv blackout rules stifle its online video offerings
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/baseball">baseball</a> <a href="http://del.icio.us/andrewraff/contract">contract</a> <a href="http://del.icio.us/andrewraff/tv">tv</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/dating">dating</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/food">food</a> <a href="http://del.icio.us/andrewraff/restaurants">restaurants</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/law">law</a> <a href="http://del.icio.us/andrewraff/informationaddiction">informationaddiction</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/nyc">nyc</a> <a href="http://del.icio.us/andrewraff/water">water</a>)
      </div>
      
    • <div class="delicious-extended">
        1000 pages of light reading
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/nyc">nyc</a> <a href="http://del.icio.us/andrewraff/brooklyn">brooklyn</a>)
      </div>
      
    • <div class="delicious-extended">
        How usage fees subsidize hotel rates
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/economics">economics</a>)
      </div>
      
  • TiVo Genericide?


    Matt Haughey, PVRBlog: Quit saying “tivo” when it isn’t a TiVo: “I know I’m being a bit of a stickler here, but last week on Pimp My Ride, they opened the show by saying they’d stick hi-def TiVo into a guy’s van. I watched closely knowing that’s no easy task and unsurprisingly, even though you hear the word ‘TiVo’ in the episode about half a dozen times, it most definitely wasn’t TiVo.”
    Haughey concludes, “I know on the one hand it’s a testament to how great a product/service is when people use it as a generic term but in the case of TiVo it seems to be leading to a lot of customer confusion.”

  • links for 2006-07-24


    • <div class="delicious-extended">
        from the TTABlog songbook
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/trademark">trademark</a> <a href="http://del.icio.us/andrewraff/funny">funny</a>)
      </div>
      
  • links for 2006-07-23


    • <div class="delicious-extended">
        Hilarious mashup as imagined by Dwight Schrute
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/tv">tv</a> <a href="http://del.icio.us/andrewraff/funny">funny</a>)
      </div>
      
  • links for 2006-07-20


    • <div class="delicious-extended">
        Well, not that REM…
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/music">music</a> <a href="http://del.icio.us/andrewraff/wired">wired</a>)
      </div>
      
  • links for 2006-07-19


  • Copyright Fraud and Misuse


    Two law review articles of interest:
    Jason Mazzone, Copyfraud: “Copyfraud is everywhere. False copyright notices appear on modern reprints of Shakespeare’s plays, Beethoven’s piano scores, greeting card versions of Monet’s Water Lilies, and even the U.S. Constitution. Archives claim blanket copyright in everything in their collections. Vendors of microfilmed versions of historical newspapers assert copyright ownership. These false copyright claims, which are often accompanied by threatened litigation for reproducing a work without the owner’s permission, result in users seeking licenses and paying fees to reproduce works that are free for everyone to use.”
    Brett Frischmann , Daniel Moylan, The Evolving Doctrine of Copyright Misuse: “Copyright misuse is a common law defense to copyright infringement. In contrast with defenses addressing the nature of copyrighted material or the defendant’s conduct, copyright misuse focuses on the plaintiff’s conduct and determines whether the plaintiff is entitled to enforce her rights. This alternative focus orients misuse differently. Copyright misuse regulates copyright owners’ use of their rights, polices the boundaries set by Congress in the copyright statute, and protects important public interests. ”

  • MySpace Follow-up


    New York Times: Senator

  • links for 2006-07-15


    • <div class="delicious-extended">
        See what episodes were submitted
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/tv">tv</a>)
      </div>
      
  • Psst


    Wired News: MySpace Kills Internet Tube Song: “After hearing Sen. Ted Stevens’ now infamous description of the internet as a “series of tubes,” Andrew Raff sang the senator’s words over a folksy ditty and anonymously posted it to MySpace.com, where about 2,500 people listened to the tune, thanks to a link from one of the net’s top blogs.”
    More details on the other side
    Update (7/17): Holy $^!&– the New York Times: Senator

  • links for 2006-07-14


    • <div class="delicious-extended">
        Old-style brand loyalty
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/apple">apple</a> <a href="http://del.icio.us/andrewraff/powrbook">powrbook</a> <a href="http://del.icio.us/andrewraff/hack">hack</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/barexam">barexam</a>)
      </div>
      
  • A series of tubes: the song: the story


    On Saturday, I read about Sen. Stevens “The internet is a series of tubes” statement, picked up my guitar and recorded a song based on the speech. I signed the “Ted Stevens Internet Fan Club” up on MySpace and posted the track there to stream and then sent an email to BoingBoing, where Cory posted a link. Over the next two days, more than 2,500 people followed that link. (I posted anonymously because, frankly, the track doesn’t sound good. Marginally funny, but only marginally.)
    Tuesday morning, I received an email telling me that MySpace cancelled the Ted Stevens Internet Fan Club, because it received a complaint:

    Hello,
    MySpace has deleted your profile because we received a credible complaint of your violation of the MySpace Terms of Services.
    Prohibited activity includes, but is not limited to:
    -Any automated use of the system, such as using scripts and/or bots to add friends, send messages, etc.
    -For band and filmmaker profiles, MySpace prohibits sexually suggestive imagery or any other unfair, misleading or deceptive content intended to draw traffic to the profile.
    -MySpace also investigates credible complaints of copyright/trademark infringement and will delete any materials that infringe upon the intellectual property rights of third parties.
    For a more thorough list of prohibited content/activity, please refer to the MySpace Terms of Service located at the bottom of MySpace.com.
    If we delete your account, it cannot be reinstated.
    Thank you,
    MySpace.com

    Now, I’m not sure which of those activities the TSIFC page engaged in but the terms of use agreement allows MySpace to summarily delete an account without cause.

    MySpace.com reserves the right, in its sole discretion, to reject, refuse to post or remove any posting (including private messages) by you, or to restrict, suspend, or terminate your access to all or any part of the MySpace Services at any time, for any or no reason, with or without prior notice, and without liability.

    Even though federal government works can not be protected by copyright (§105), another part of the Copyright Act– the §512 safe harbor– gives an internet host a compelling justification to take down any potentially infringing material.
    Fortunately, there are plenty of other options to host and/or stream media. Today, MySpace is simply one of a plethora of free choices and we use it knowing its limitations and agreeing to its terms.
    But in the brave new world of a discriminatory internet, it could be possible for internet providers to make it difficult or expensive for individuals to publish media. Allowing network owners to discriminate against certain speakers or distributors of speech could make it more difficult for individual creators to disseminate expressions of ideas. No, the internet is not a truck, but the goal of the anti-neutrality proponents is to turn the internet into something like the cable TV system.
    Thanks to Boing Boing, David Isenberg, Public Knowledge, and 27B Stroke 6, among others for linking.
    For the latest actually useful discussion of network neutrality and discrimination policy, here are two recent pieces. From Ed Felten, Nuts and Bolts of Network Neutrality: “The Internet consists of a set of end-user computers connected by infrastructure that carries data between those computers. This infrastructure is basically a set of routers (think: metal boxes with electronics inside) connected by links (think: long wires). Packets of data get passed from one router to another, via links. A packet is forwarded from router to router, until it arrives at its destination.”
    In the National Journal, Drew Clark writes: The Tangled Net Of ‘Net Neutrality’: “Net neutrality is about the rules of the road for the information superhighway — and whether, some day, traveling in the fast lane will require paying a toll.”
    A little further down the slope, the question is whether the internet will continue to be a medium fostering speech and creativity by individuals or will Congress allow large corporations to turn it into a one-way distribution network for the benefit of those few companies.
    Update (6:06 pm)
    Of all the days to be offline more than usual…
    Public Knowledge picked up this story: Ted Stevens Parody Song Pulled From Fox-Owned Web Site “The mystery of what happened to the ‘Ted Stevens Internet Fan Club’ song that had been posted to MySpace.com, but disappeared after three days, has been solved.”
    That led to Wired News coverage: MySpace Kills Internet Tube Song.
    And finally, via Washington Post media reporter Frank Ahrens, MySpace spokesman Jeff Berman says that the song was “incorrectly deleted” and that the song is back up, which it, in fact, is. (Apologies to the English language for that last sentence.)
    What’s the lesson here? Well, if you want customer service, have a reporter from a major national media outlet contact the company. There may be some anecdotal lesson about copyright and contract law in here somewhere, too…

  • links for 2006-07-13


    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/nyc">nyc</a>)
      </div>
      
    • <div class="delicious-extended">
        Free sources and the rise of alternatives to the Lexis-West duopoloy
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/law">law</a> <a href="http://del.icio.us/andrewraff/research">research</a>)
      </div>
      
  • YouTubing


    With the volume of infringing material posted to YouTube, why hasn’t it attracted a lawsuit? At the Hollywood Reporter, Esq., Fred Von Lohmann discusses YouTube’s potential liability under copyright law:

    Fortunately, YouTube has an important legal shield that was not available to the old Napster: the so-called “online service provider safe harbors” created by Congress as part of the DMCA. One provision, Section 512(c), was designed to protect commercial Web-hosting services, which feared they might be held responsible for the posting habits of their customers.

    YouTube reminds me a lot of the original Napster in its heyday. Not so much because of the massive copyright infringement, but how it has made it easy for collectors and archivists to share media that is not widely distributed. With Napster P2P, there existed what seemed to be a critical mass of copies of rare live recordings and out of print or otherwise unavailable recordings that were interesting cultural artifacts.
    Although with Napster, the rare and out of print material was traded next to the day’s Top 40 material. Von Lohmann thinks that YouTube’s limitations act as a filter that keep it as part of “clip culture,” rather than the home of rampant piracy.
    If not for YouTube, would it be this easy to watch the evolution of Mahna Mahna from Sesame Street:

    to The Muppet Show:

    to The Office (UK):

    Is there a business for media that exists on the fringes of copyright? Do copyright owners care as much about these clips as the amateur uploaders? Should the copyright owners care?

  • Clean Flicks


    Creating and distributing edited versions of films to “sanitize” the films to make them more “family-friendly” constitutes copyright infringement as a matter of law under the §106(1) right of reproduction and 106(3) right of distribution. The court finds that these works are not transformative and thus can not be considered unauthorized derivative works, but are only mere reproductions. By casting these butchered copies as mere copies and not derivative works, the court never directly addresses the moral rights question.
    Courtesy of Joe Gratz: Clean Flicks of Colorado v. Soderbergh (02-cv-01662-RPM, D. Colo. 7/6/06)
    Compare Gilliam v. Am. Broadcasting Co., 538 F.2d 14 (2d Cir. 1975) (Where the Lanham Act protects moral rights of creators.)
    William Patry: As Dirty as We Wanna Be

    There really isn’t a paradox, because altering something doesn’t make it automatically transformative or fair use: if I crop off the edges of a fabric design to make it fit better for my textile machines, I have altered the original, but hardly “transformed it.” The family friendly folks had a stronger case than that, but it can’t be said that they provided any new insights or perspectives on the works and that is what Judge Leval meant by transformative. Still, the case highlights once again, the square peg in the round hole problem that is rapidly overtaking fair use analysis.

    William McGeveran, Info/Law: Bowdlerization as Fair Use: “There is little doubt that the companies infringed on copyright – they copied the movies, distributed them, and at least arguably created derivative works from them. The real heart of the case (other than some side arguments that get dealt with quickly) is the fair use defense they raised. Unfortunately, the decision’s reasoning about the factors considered under the fair use doctrine is somewhat weak.”
    William McGeveran, Info/Law: Fair Use: Rickety?: “We may be heading for a crisis point where fair use cannot respond to all these different applications, from file-swapping to parody to reverse engineering and so forth. The problem is that I am not sure what the alternative could be. Congress is ill-suited to devise specific statutory exemptions for these sorts of unpredictable issues.”
    John Ottaviani, Technology & Marketing Law Blog: Court Nix Clean Flicks: “The entertainment world has given us yet another example as to why one should be very wary of creating or investing in a business model built on the foundation that its activities are legitimate under the ‘fair use’ exception to the U.S. copyright laws.”
    Randy Picker, The University of Chicago Law School Faculty Blog: CleanFlicks and Digital Rights Management: “Last Thursday, a federal district court judge ruled that CleanFlicks violated U.S. copyright law when it edited movies for sex, violence and language. CleanFlicks sought to claim protection under ‘fair use’ but the court rejected that claim. The case is interesting in the way that it ties into the issue of digital rights management (posts here and here) and the question of how we will allocate control between content creators and content users.”
    Marci Hamilton, Findlaw: A Court Rules That Privately Editing Films for Content Violates Studios’ Copyright The Decision in Clean Flicks v. Steven Soderbergh and Its Cultural Context: “This case was about as straightforward a copyright case as there can be, and the court’s determination is plainly correct – as I will explain. The case is far more interesting, actually, as a study in the interaction between religious (or moral) entities and the rule of law.”
    For the purposes of fair use, it should make sense to think of a transformative use as a non-substitutionary use. Where the use simply substitutes for the original work, there is no transformative use. If the edits were done as commentary on the amount f violence in movies– and not to meet some demand for people who want to watch popular movies but without objectionable parts– there is a stronger transformative use argument.

  • Copyright Act, in verse


    Yehuda Berlinger: The U.S. Copyright code, in verse

    §102
    Copyright is for writings,
    Music, dance, drama,
    Movies, buildings everywhere
    Even Alabama

    Not particularly precise, but especially clever.

  • links for 2006-07-08


    • <div class="delicious-extended">
        Including Riverside, Central and Prospect
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/nyc">nyc</a> <a href="http://del.icio.us/andrewraff/wifi">wifi</a>)
      </div>
      
    • <div class="delicious-extended">
        Animated Al and Bender promote An Inconvenient Truth
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/futurama">futurama</a> <a href="http://del.icio.us/andrewraff/algore">algore</a>)
      </div>
      
  • links for 2006-07-07


  • One Year After <i>Grokster</i>


    Last week marked the one year anniversary of the Supreme Court’s ruling in MGM v. Grokster. Eric Goldman looks at the aftermath: Happy (?) Anniversary, Grokster v. MGM: “So, in the past year since Grokster, what has changed? Arguably, nothing. People still get digital content through a combination of paid offerings and free file sharing, which continues to be a major online activity. Content owners are still suing file sharers and demanding new laws from Congress. Entrepreneurs are still looking for ways to mediate relationships between content owners and consumers.”
    The Seattle Times looks back on the past year and reports Illegal file sharing showing no letup: “But the ruling hasn’t stopped the lawsuits and acrimony between the two sides. The Recording Industry Association of America (RIAA) continues to sue tech companies. And in the past year, it filed some 6,000 suits against individuals it says are stealing material.”

  • links for 2006-07-01


    • <div class="delicious-extended">
        Jack FM is the radio equivalent of the Bush Admin
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/radio">radio</a>)
      </div>
      
  • NYC is not bike friendly


    Since I’ve started biking around the city this spring, I’ve been struck by the abject inadequacy of NYC’s bike lanes. There are two main problems:

    1. Bike lanes are not physically separated from the street. Generally, the bike lanes are between parked cars and moving traffic and are frequently obstructed by cars or trucks double-parked across the bike lane. Cars are free to wander into the bike lane. Additionally, car doors may be opening into the bike lane with little or no warning.
      There is a better way. Streets Blog has some photos of how some more cyclist-friendly cities offer bike lanes: This is What a Bike-Friendly City Looks Like. Bicycle lanes should be physically separated from the street by standard height curbs.
    2. There is no network of bike lanes. Even though there are a few separated bicycle paths (Greenways), such as the overcrowded path along the Hudson River in Manhattan and on the Manhattan Bridge, these greenways and bike lanes are not connected with each other. Coming into Manhattan, the Manhattan Bridge just dumps cyclists out on Canal St. (The Brooklyn side does have better access to/from bike lanes.) It is not uncommon for cyclists to just end up cycling with traffic after a bike lane ends.
  • DRM and Copyright’s fuzzy bounds


    Last week, Wendy Seltzer (Brooklyn Law) and Fritz Attaway (MPAA) debate DRM at the WSJ: ‘DRM’ Protects Downloads, But Does It Stifle Innovation?. The difference in opinions is about how end users relate to copyrightable works. The strong copyright/pro-DRM view is that once is a work is fixed, it is inviolably fixed in that particular arrangement unless the copyright owner decides to offer a different version. The argument against DRM is that copyright law allows individuals to use a particular copy of a work in any manner they want– such as cutting up a book and stapling the pages together out of order– but DRM makes it impossible to engage in these uses that are permissible under copyright.
    The copyright maximalists are concerned about indiscriminate redistribution. The anti-copyright advocates are concerned with restrictions on lawful use. It is difficult to distinguish between the uses necessary for each end result, so to prevent indiscriminate redistribution constricts the ability to use lawfully acquired material. But the digital formats that allow users to remix and repurpose lawfully acquired copies in non-infringing manners also allow for indiscriminate redistribution.
    A technological system can restrict the ability to make copies. The law can be fuzzier, because the boundaries between infringement, fair use, and non-infringing use are not clearly delineated– context is crucial.

  • links for 2006-06-28


    • <div class="delicious-extended">
        If web forums critiqued the masters…
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/photography">photography</a> <a href="http://del.icio.us/andrewraff/funny">funny</a>)
      </div>
      
    • <div class="delicious-extended">
        NYC rises to #10
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/economics">economics</a>)
      </div>
      
  • links for 2006-06-24


    • <div class="delicious-extended">
        Confirmed by John DiMaggio
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/futurama">futurama</a> <a href="http://del.icio.us/andrewraff/tv">tv</a>)
      </div>
      
  • links for 2006-06-23


    • <div class="delicious-extended">
        Mac + Shack = automatic del.icio.us
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/osx">osx</a> <a href="http://del.icio.us/andrewraff/shakeshack">shakeshack</a>)
      </div>
      
  • links for 2006-06-22


    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/radiohead">radiohead</a> <a href="http://del.icio.us/andrewraff/music">music</a>)
      </div>
      
  • links for 2006-06-21


  • links for 2006-06-19


  • links for 2006-06-17


  • Fair Use Network


    The Free Expression Policy Project at NYU’s Brennan Center launched the: Fair Use Network: “The Fair Use Network was created because of the many questions that artists, writers, and others have about ‘IP’ issues. Whether you are trying to understand your own copyright or trademark rights, or are a ‘user’ of materials created by others, the information here will help you understand the system — and especially its free-expression safeguards.”

  • links for 2006-06-16


  • Net Neutrality Miscellany


    Today, the Senate Judiciary Committee held hearings on telecommunications legislation and network neutrality: Reconsidering Our Communications Laws: Ensuring Competition and Innovation. The key issue discussed at the hearings was the question of whether the broadband internet access market is a free, competitive market. However, the hearings did not discuss the issue of whether the broadband internet access available in the US is competitive with the internet access markets in other countries.
    Here are some links collected recently:
    Network World: Debate: Network neutrality: “The U.S. Senate this week is expected to debate network neutrality. What do you think? Scott Cleland, chairman of NETcompetition.org, which represents telecom and wireless companies and David Isenberg, a fellow at Harvard’s Berkman Center for Internet and Society are online this week to discuss, debate and answer your comments.”
    Susan Crawford: From the telco point of view: “What’s all this about ‘consumers’ and ‘content’?  We know that Americans like to post material of their own online.  Almost 50 million of us have already done that, and teenagers have grown up with interactive media — almost 60% of them have created and shared content online. We’re users, not consumers.  You’re dimming our expectations — we don’t expect to be able to upload with ease, and we wish we had the same kind of broadband access as South Korea.”
    The 463 Group: Net Neutrality: What’s Next?: “Feel free to disagree, but the betting types we’ve talked to are guessing that, all near-term Senate machinations aside, nothing gets out of Congress this year and the next Congress will take up the fight along with a host of other big, pending telecom issues (after all, it took many years to get the 1996 Telecom Act passed).”
    Ed Felten, Freedom to Tinker: The Last Mile Bottleneck and Net Neutrality: “For a typical home broadband user, the bottleneck for Internet access today is the ‘last mile’ wire or fiber connecting their home to their Internet Service Provider’s (ISP’s) network. This is true today, and I’m going to assume from here on that it will continue to be true in the future. I should admit up front that this assumption could turn out to be wrong — but if it’s right, it has interesting implications for the network neutrality debate.”
    News.com: Net neutrality: Meet the winner: “As Verizon Communications’ executive vice president for public affairs, policy and communications, Tauke has spent the last few months embroiled in a fiery debate over Net neutrality, the concept that broadband providers must be legally required to treat all content equally.”
    David Isenberg: Welcome to the Stupid Internet: “I looked at “reality.” I saw email, and the Web, and eCommerce, and Mapquest, and blogging, and Instant Messaging, and streaming audio on demand, and multiplayer online games, and many other miracles too numerous to list here, miracles that never arrived via “intelligent” networks.”
    In The Hill, Future of Music Coalition’s Jenny Toomey and Michael Bracy discuss why net neutrality is important for musicians: Indie Rock Revolution, Fueled by Net Neutrality: “To understand the importance of net neutrality for artists, look at the lack of a similar principle in modern commercial radio. When informally polled as to why they sign away their copyrights to major labels, most artists explain that they need to be on a major label in order to have a shot at commercial radio airplay. And, sadly, these artists have a point.”
    Tyler Cowen: Marginal Revolution: Net neutrality, part II: “If the cable and telecom companies had no legally-backed monopoly powers, I would not favor legally enforced net neutrality.  ‘Let the market decide’ would be a good answer.”
    Michael Madison: Net Neutrality Anecdote: “I started to talk about the net neutrality issue. My wife wanted to know which side the Republicans are on and which side the Democrats are on. No: it’s not a traditional partisan issue. It’s partly the present v. the future, and hierarchy v. distributed control, but it’s also money v. money. Could I explain all that in the 20 minutes that we walked around the block? Not really.”
    Lawrence Lessig and Robert W. McChesney in the Washington Post: No Tolls on The Internet: “The protections that guaranteed network neutrality have been law since the birth of the Internet — right up until last year, when the Federal Communications Commission eliminated the rules that kept cable and phone companies from discriminating against content providers. This triggered a wave of announcements from phone company chief executives that they plan to do exactly that.”
    All Things Considered: Network Neutrality Issue Unites Political Foes: “Once again, the old cliche “politics makes strange bedfellows” is proving itself true: The liberal advocacy group Moveon.org is fighting on the same side as the Christian Coalition. That may be the most headline-catching part of an issue with a notably dull name: Network Neutrality.”
    NY Times: Editorial: Wi-Fi and the Cities: “No fewer than 300 cities and towns around the nation have taken wireless Internet access, or Wi-Fi, to the people. San Francisco’s aim is to make the entire city a hot spot, Chicago plans to blanket the city with access, and large parts of Philadelphia are to go wireless soon. But New York, which should be leading the way, is dragging.”

  • Google Trends: IP disciplines


    On Google searches for the 3 intellectual property fields of law, patent law beats out copyright and trademark law. Google Trends: copyright, trademark, patent
    viz.png
    Only in Nashville do searches for copyright outpace those for patent. Even in LA, patent generates more Google searches than copyright.

  • Internet dating and the law


    In Slate, Dahlia Lithwick discusses The shadowy laws of Internet dating: “Some legislators and lawyers are clamoring for something to be done about the great abundance of fraud and heartbreak in the world of cyberlove. But really, how would that differ from trying to regulate what happens on the Love Boat?”

  • Permissions


    At the NYU Comedies of Fair Use conference, Susan Bielstein discussed some of the issues that make it difficult for publishers to obtain copyright clearances: Comedies of Fair Use: The Permissions Maze. Her book, Permissions, A Survival Guide: Blunt Talk about Art as Intellectual Property is now available from the University of Chicago press. Here’s the suggested blurb the publisher emailed:

    Susan M. Bielstein distills decades of experience as an editor of illustrated books for a guide to navigating the treacherous waters of copyright, Permissions, A Survival Guide: Blunt Talk about Art as Intellectual Property. She gives frank advice on how to determine whether an artwork is copyrighted, how to procure a high-quality reproduction, how to use “fair use” to your advantage, and many other issues. Lawrence Lessig calls it “an extraordinarily compelling account of a system gone mad.

    David Pogue relays a story of a permissions problem: a store refused to print digital photographs because the photographs look “too professional”: Picture This: Common Sense: “‘She told me that because of copyright concerns, Target reserves the right not to sell any picture that appears to be professional. She said, ‘Anyone can just download any picture they want, and we’d be liable. I’m sorry, we will not sell you the prints.’”

  • Indecency Update


    Congress recently passed the Broadcast Decency Enforcement Act of 2005 (S.193) which will increase the penalties for broadcasting obscene, indecent or profane language. Licensees who broadcast indecent, profane, or obscene language outside of the 10pm-6am safe harbor will be subject to fines of up to $325,000 for each violation or each day of a continuing violation.
    The Washington Post reports: The Price for On-Air Indecency Goes Up: “The bill, called the Broadcast Decency Enforcement Act, was passed unanimously by the Senate last month and cleared the House by a vote of 379-35. President Bush has vowed to sign the bill into law; it would allow the Federal Communications Commission to powerfully punish over-the-air broadcasters for airing raunchy content.”
    During the first quarter of 2006, the FCC received 275,131 indecency/obscenity/profanity complaints, up from the 44,109 received during the fourth quarter of 2005.
    indecency_comps_2006q1.jpg
    Mediaweek reports that CBS is challenging the validity of many of the filed complaints: CBS Stations: Indecency Complaints Invalid : “Virtually none of those who complained to the Federal Communications Commission about the teen drama Without A Trace actually saw the episode in question, CBS affiliates said as they asked the agency to rescind its proposed record indecency fine of $3.3 million. All of the 4,211 e-mailed complaints came from Web sites operated by the Parents Television Council and the American Family Association, the stations said in a filing on Monday.”
    Finally, the Colbert Report (safely on cable) takes on the indecency regulations: The Word: Great F***ing Idea.

  • links for 2006-06-13


    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/soccer">soccer</a> <a href="http://del.icio.us/andrewraff/names">names</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/tv">tv</a> <a href="http://del.icio.us/andrewraff/entourage">entourage</a>)
      </div>
      
  • links for 2006-06-10


    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/food">food</a> <a href="http://del.icio.us/andrewraff/funny">funny</a>)
      </div>
      
  • links for 2006-06-09


    • <div class="delicious-extended">
        That&#8217;s a lot of equipment. This post is part of a blog from Radiohead&#8217;s monitor engineer.
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/music">music</a> <a href="http://del.icio.us/andrewraff/radiohead">radiohead</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/schadenfraudtastic">schadenfraudtastic</a> <a href="http://del.icio.us/andrewraff/email">email</a>)
      </div>
      
  • The Bored at Work Network on TV


    Like bands, television shows are promoting themselves on MySpace, and not just Fox shows. Entourage has profiles for the show and the characters (Vince, Eric, Turtle, Johnny Drama) But these look like they were done by the HBO online marketing department.
    Compare the myspace sites for The Office: Pam, BJ, Kevin, Angela, Meredith and Roy. (I may have missed some)
    The actors actually maintain the character sites themselves. Like office workers in the real-life Dunder-Mifflins of the world, The Office cast members have computers with internet access at their desks. So, when the show is filming and the characters in the background need to be working, the actors in the background can be surfing the web, updating their MySpace sites, blogging and pretending to work. Just like in real offices. It’s the Bored at Work network on network TV. Well, paid for by network TV.
    Besides an affinity for MySpace, Entourage and The Office have something else in common. Rainn Wilson (Dwight) made a guest appearance on the Entourage episode I watched tonight (I’m catching up with season 2 on DVD). Wilson played the editor of an Ain’t it Cool-like website attending ComiCon. Victory! Oh, and Ari Gold is my F%*$#ing hero.
    Speaking of television, it’s a bleak time for TV. We won’t see new episodes of The Office, Lost or Amazing Race until September. Battlestar Galactica is out of commission until November. The Sopranos ended on Sunday and won’t return until next year. Doctor Who closes out its season on Friday. Aside from Entourage, The Daily Show and Colbert Report, there isn’t much television happening now. Or is there something I’m missing?

  • Schwimmer 0wnz0rs Law Blogs


    The Trademark Blog : Blawg Review #60: Gimme Some Truth: “This is an opportunity for the blawgosphere to assume a leadership position. It can be more than a compendium of firm brochures. Practitioner blogs can provide cool-headed legal analysis of issues such as the Niger Documents, Plame Affair, Torture Memos, NSA issues and Signing Statements, to a broader audience than the prof blogs can reach.”
    Best. Blawg Review. Ever.

  • Cable Bill Phone Spam


    I just received an automated phone call on my home phone with a recorded message telling me that if I am concerned about the high price of cable television to press 1. Pressing 1 would tell Congress to act now on the vote this week to allow competition in the cable market. If I pressed 2, that would indicate that I do not care about cable prices.
    I dialed 0, hoping to find out more information about who sponsored this call and to learn more about the issue. The recording thanked me for my vote and hung up.
    Who is responsible? Most likely the phone company, seeking the ability to provide cable television (and exploiting an existing customer relationship.)
    Aha. Here are a couple of articles from the National Journal’s Telecom Update. Heather Greenfield, As Telecom Bill Debate Heats Up, Firms Spending Big On Advertising: “Telecommunications companies are spending serious green on advertising in recent weeks to alert members of Congress and their staff to what they call a serious cause — a grassroots campaign for lower cable and broadband rates.”
    Drew Clark, McCain ‘A La Carte’ Bill Remains A No-Show: “Sen. John McCain, R-Ariz., failed to introduce legislation that would allow the former regional Bell operating companies to provide cable television service nationally if they offered consumers the option to purchase channels individually — despite earlier indications that he would do so this week.”

  • links for 2006-06-01


    • <div class="delicious-extended">
        Wikipedia on Numbers station
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/numbers">numbers</a> <a href="http://del.icio.us/andrewraff/wikipedia">wikipedia</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/informationaddiction">informationaddiction</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/brooklyn">brooklyn</a> <a href="http://del.icio.us/andrewraff/nyc">nyc</a>)
      </div>
      
    • <div class="delicious-extended">
        Which fish are safest to eat
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/food">food</a>)
      </div>
      
    • <div class="delicious-extended">
        NY bloggers attempt to watch every movie released this summer, from Al Gore to Snakes on a Plane
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/blogging">blogging</a> <a href="http://del.icio.us/andrewraff/movies">movies</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/music">music</a>)
      </div>
      
    • <div class="delicious-extended">
        The Apple-Microsoft rivalry
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/apple">apple</a> <a href="http://del.icio.us/andrewraff/microsoft">microsoft</a>)
      </div>
      
    • <div class="delicious-extended">
        Pitchfork looks at the music recommendation services
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/music">music</a> <a href="http://del.icio.us/andrewraff/web2.0">web2.0</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/food">food</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/contract">contract</a> <a href="http://del.icio.us/andrewraff/law">law</a>)
      </div>
      
    • <div class="delicious-extended">
        Frank Bruni travels the country to review fast food
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/food">food</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/politics">politics</a> <a href="http://del.icio.us/andrewraff/culturewar">culturewar</a>)
      </div>
      
    • <div class="delicious-extended">
        Or, why hockey is more fun to watch than basketball
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/sports">sports</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/nyc">nyc</a> <a href="http://del.icio.us/andrewraff/bike">bike</a>)
      </div>
      
    • <div class="delicious-extended">
        Has aany game really surpassed Tecmo Bowl?
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/videogames">videogames</a> <a href="http://del.icio.us/andrewraff/football">football</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/nyc">nyc</a> <a href="http://del.icio.us/andrewraff/subway">subway</a>)
      </div>
      
    • <div class="delicious-extended">
        But where does it stand in the Vault 100?
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/lawfirm">lawfirm</a> <a href="http://del.icio.us/andrewraff/satire">satire</a>)
      </div>
      
  • Neutrality in the News


    Here is a roundup of some of the more interesting and thoughtful recent articles, posts and audio bits concerning network neutrality policy:
    Michael Grebb, Wired News: Neutral Net? Who Are You Kidding?: “Six months ago, few outside of internet policy wonk circles were aware of the issue. Now, the best-known brands on the net are flexing their lobbying muscles for and against it, and lawmakers have responded with a raft of competing bills. As the debate reaches fever pitch, it seems fair to ask: How neutral is the net right now?”
    Unfortunately, even though neutrality is a critically important facilitator of free speech and democratic dialogue, it is still difficult to explain in succinct talking points. Bob Frankston finds an analogy that helps to make the “net neutrality” question somewhat more tangible and less theoretic: Sidewalks: Paying by the Stroll: “I’ve been immersed in so-called tele-communications issues for a long time but I haven’t posted too much lately because I’m not satisfied with net neutrality and am trying to figure out how to explain that the problem is more fundamental (as in ‘Telecom Phrase’). How come I have to plead for neutrality when we’re talking about infrastructure that we should own?”
    Ben Scott (Free Press), Mark Cooper (Consumer Federation of America) and Jeannine Kenney (Consumers Union): Why Consumers Demand Internet Freedom: Network Neutrality Fact vs. Fiction: “Network Neutrality protections have existed for the entire history of te Internet. opponents of Internet freedom pretend that Network Neutrality protections would mean new, onerous government regulations. But advocates of Network Neutrality are not promoting new regulations. We are preserving tried and tested consumer protections and network operating principles that have made the Internet the greatest engine of economic growth and democratic communication in modern memory.”
    At the WSJ, Mike McCurry (Telecom lobbyist) and Craig Newmark (Founder of Craigslist) debate net neutrality regulation: Should the Net Be Neutral?: “Newmark: Mike says ‘let the current rules govern’ and that’s what we’re trying to do, trying to stop the big guys from changing the rules via the Federal Communications Commission. We’re trying to preserve the level playing field. It’s just fairness. Americans want to play fair, work hard and get ahead. That’s what net neutrality is about.”
    Adam Cohen, NY Times: Why the Democratic Ethic of the World Wide Web May Be About to End: “The World Wide Web is the most democratic mass medium there has ever been. Freedom of the press, as the saying goes, belongs only to those who own one. Radio and television are controlled by those rich enough to buy a broadcast license. But anyone with an Internet-connected computer can reach out to a potential audience of billions.”
    Susan Crawford: Comparative broadband ideas: “How do you increase competition in the U.S. for broadband access?  Right now, we have giants fighting with each other — cable and telephone companies.  Small numbers of these companies control 80%-90% of the market for broadband access.  After the BellSouth merger, AT&T, Verizon, and Comcast alone will control 49% of the market”
    Susan Crawford: The definition of net neutrality: “There are lots of people out there saying ‘we need to treat all VoIP alike, all video alike, and all blogs alike.” For them, that’s network neutrality. That’s not what I hope we’ll end up meaning by net neutrality.’ That would require a heavy-handed regulator enforcing a provider’s determination of what packets are ‘like’ other packets.’ I am not in favor of that approach. I have a different vision.’ I hope, someday, we’ll treat broadband access like the utility it is.’ That would mean separating transport from other activities, and separating access from backbone and backhaul transport.’ That doesn’t require a great deal of discretion to repose in any particular actor.”
    David Isenberg: What’s driving the next telecom law: “Until this decade, law has treated the telephone network as a public accommodation, meaning that non-discriminatory access to the network, known as network neutrality in the current policy debate, was assured. On the Internet, though, non-discriminatory access leads straight to the erosion of the telco/cableco business model by third parties that would not behave as ‘rational competitors.’ This is why telephone companies are fighting fiercely against non-discriminatory access.”
    John Reinan, Star Tribune: Access to the Internet: Is it a right or a privilege?: “Imagine if the Internet were like cable TV. You pay $40 a month to Time Warner or Comcast, and you get a menu of 80 websites to visit. Want to go to a site devoted to Japanese anime cartoons? Sorry, that’s not on the menu. Looking for that crazy blog about the history of matchbook covers? No longer available — or so slow to load it’s not worth your while.
    NPR All Things Considered: Internet Debate: Preserving User Parity: “Should the Internet be divided into fast and slow lanes? That’s the question at the heart of the debate over ‘network neutrality.’ Broadband providers have clashed with Internet and software companies, who are concerned that giving some users preferential treatment for a price effectively shuts out competition.”
    On the Media: Information Toll Road: ” couple of months back, we discussed the prospect that one day the Internet might be split into a fast lane and a slow lane. That’s because the telephone and cable companies that supply us with broadband service believe they’re getting a raw deal. They say that content providers ought to be willing to pay extra for the high-speed delivery that is now available to all, a state of affairs called “network neutrality.” Well, that fateful day may fast be approaching. ”
    Public Radio Exchange: Four Voices from Freedom to Connect The hour consists of excerpts from four talks given at Freedom to Connect in Washington, D.C. on April 3 & 4, 2006: Congressman Rick Boucher (D-VA), Chris Sacca (Google), Former FCC Chairman Michael Powell, Former FCC Chairman Reed Hundt”

  • Senate Approves New F.C.C. Member


    Reuters: Senate Approves New F.C.C. Member: “Mr. McDowell, 42, has been a lawyer for Comptel, a trade association that represents telephone and Internet companies that compete against bigger carriers like AT&T and Verizon Communications.”

  • links for 2006-05-23


  • Podcasting Legal Guide


    A useful Podcasting Legal Guidei: “The main legal issues that you will likely face that are unique to podcasters are related to copyright, publicity rights and trademark issues.”

  • Broadband Here and There


    The New York Times reports on the bundle of communications services offered by a cable television company in Japan: In Japan, a Provider of Cable Ups the Ante: “In addition to a basic television package, he gets a digital phone line and a broadband connection with a top speed of 30 megabits a second, about six times as fast as that offered by most American cable companies. He pays about $130 a month for the three services and some premium channels.”
    Here in NYC, Time Warner offers a bundle of basic cable, digital phone service and internet service for only $99/month. But that is only a 768 kbps internet service. For the same price as the Japanese plan discussed in the Times article– $129.95/month– Time Warner will provide internet access at “speeds of up to 5 Mbps”– 6 times slower than the Japanese competitor. And on the high-speed internet access in NYC, uploads are limited to a paltry 384 kbps. Pity the poor podcaster or videoblogger who can upload her files at less than 10% of the advertised top speed of her connection.
    And Japan is not alone in eclipsing the US. Public Knowledge’s Art Brodsky saw a broadband ad in the London Underground:

    The advertisement on the wall in the subway station was hard to believe — a broadband service with 24 meg download for about $45 per month. That was the good news. Unfortunately, the service isn’t available in the U.S. The ad was on the wall of tube stop in London and the company, Be, www.bethere.co.uk is British. Just to rub it in a little, it gets better. There is also a cheaper option, about $25 per month, which still gets you the 24 mbps download, but with a slower upload speed. This in a city in which a bottle of water will set you back about $2.25.

    How will insulating broadband providers from competition allow the US to compete in the wired world?

  • links for 2006-05-11


  • Good news, everybody!


    I passed the NY bar exam. Boy, am I relieved.
    NYLJ: 46 Percent Pass February Bar Exam. 46%? Ouch. Take that, California.
    Update (5/11): And New Jersey (62% overall passing rate), too! Woohoo!

  • Impact of a discriminatory internet


    The Hill: Finance firms may weigh in on net-neutrality battle: “The financial-services industry is considering coordinated opposition to the ‘net neutrality’ language in the House’s video franchising bill, fearing a financial hit if lawmakers allow phone and cable companies to charge banks more for secure Web service.”
    Besides telecom companies, does anyone else benefit from a non-neutral internet?

  • Your Neutralness


    Earlier today, a producer from the public radio program Open Source called me to discuss net neutrality. Because they could get actual experts and more interesting speakers, they didn’t need me (but it was nice that they got all the way down the list to think of me!)
    Open Source: Net Neutrality, May 4, 2006.
    After talking briefly and disjointedly about network neutrality, I think I clarified some points in my own mind.
    Why not regulate? The case against neutrality regulation:

    1. Regulations may be burdensome– and may serve to make internet access more expensive, discourage investment and keep the US part of the internet stuck in 2005 while the rest of the world develops.
    2. A discriminatory network allows certain services to have priority. When downloading a file, it doesn’t really matter whether the bits arrive at the client in the proper order, so long as they eventually all arrive and end up in the correct order. When using VoIP or streaming a movie, it matters that the bits arrive in the correct order and in a timely fashion. Allowing ISPs to discriminate makes the internet feel faster without having to invest money in expensive bandwidth.
    3. By not regulating internet services, internet service providers are free to develop the most innovative services possible.
    4. A discriminatory internet is excellent for cable and telecom companies. Not requiring neutrality will allow telecom and cable companies to extract the full potential value from their networks. If you were running an ISP, which would you prefer– all-you-can eat pricing or a system that charges premium prices for premium features?

    Why is Net Neutrality Important? The case for neutrality:

    1. Neutrality advances the overall usefulness of the internet quicker. Because broadband internet service providers can compete only on bandwidth, the more bandwidth that is available the more advanced services can be created. Instead of deploying only high-revenue services, broadband providers will have to compete on bandwidth and reliability.
    2. A neutral internet promotes free speech. Publishing to a discriminatory internet could be more like deploying a new cable television network and require negotiating a carriage agreement with all major end-user internet service providers. A non-neutral internet looks more like the mobile phone system, which feels expensive.
    3. A neutral internet is excellent for everyone who sends data over the internet. In a discriminatory internet, publishers (which includes not just Yahoo, Google and Microsoft, but also your local newspaper, the neighborhood association, and state, federal and local governments) have to pay not only to connect to the internet and for bandwidth, but could also need to pay a connection fee (protection money) to be able to send data to each of the major local internet providers.
    4. A neutral internet promotes creativity and free speech. Instead of pigeon-holing services into particular tiers, it allows innovators to develop new services and ways of sharing information.
    5. A neutral internet is cheaper. A preferential, proprietary internet requires more expensive routers that move preferred packets into an HOV lane. As bandwidth gets cheaper and cheaper, it is probably cheaper and more cost effective for the individuals, small businesses and large companies who use the internet to pay for wider information superhighways than adding an HOV lane to the existing networks.
    6. Regulation may be necessary because the broadband internet services market is not a classically free market. Individuals generally have the option of choosing service from their local telephone company or local cable company. Where a market failure exists, regulation prevents entrenched interests from exerting undue market power. See e.g. the entire body of antitrust law.
    7. A non-neutral internet would be more like Minitel than like the internet we know and love today.

    Like railroads and shipping lines, the analog telephone system is a common carrier network. One is able to reasonably use the network to call any other person. The common carrier may not deny transmitting a call between two willing participants because of the content of the speech transmitted. The telephone company can not discriminate against a customer who uses the common carrier network to discuss how they dislike the president or the phone company. The telephone company can not discriminate against a customer who uses the network to use a modem to dial a third-party internet service provider or BBS. In a neutral internet, internet service providers must act like common carriers. A non-neutral internet might allow internet providers to prevent users from using encrypted connections to corporate networks or third party VoIP services.

  • Thoughts on Fair Use


    Because of technology, copyright today affects many more people than ever before. Copyright is something that only people with access to copying and distribution equipment have to worry about. but even a $29 cell phone can be used to make and distribute copies worldwide. A $1000 computer hooked up to the internet is an amazingly efficient and powerful copying and distribution machine with worldwide reach. Copyright law has gone from being something esoteric that affects publishers and the mass media to being something that affects the average citizen on a daily basis. It affects the way we not only create culture but engage in normal uses of cultural items and personal records.
    Fair use is not a business model. It is a limited affirmative defense to a charge of copyright infringement. As such, publishers seek to avoid having to rely on fair use. The result is that fair use in practice exists far within the bounds of the law of fair use. It is much cheaper to obtain a license than to go to trial to defend a copyright infringement lawsuit.
    As a result of this calculus, there is a paucity of fair use decisions (especially appellate decisions). Because the actual structure of fair use is entirely a judge-made common law, the fewer decisions available, the less case law support exists for advocating particular interpretations of fair use. What in-house counsel wants to make their fair use case into an expensive test case?
    This creates a feedback loop, where the legal departments of publishers are exceptionally cautious about matters of fair use– with good reason– and will require creators to obtain licenses before publishing any work that incorporates quotes or snippets of other works.
    Among publishers, there exists a permission-based culture where even clear de minimis or fair uses are licensed as a matter of basic risk aversion and sound business practice. This is especially easy because publishers do not bear the cost of obtaining licenses. In the record industry, sample clearances are a recoupable expense and are ultimately borne by the artist, not the label. In publishing, authors bear the cost of obtaining clearances.
    In addition, the publisher gets more revenue for each of these granted licenses. While not necessarily a tremendous amount of revenue, it might be enough to have a measurable impact on revenues.
    A fascinating empirical study would look at the cost of the permission-based culture. It would calculate the cost of licenses obtained by publishing houses, record labels and/or film studios, compare it against the revenues obtained from granting similar licenses and then examine which of those uses might be considered a fair or de minimis use. (If anyone wants to fund this study, drop me a line!)
    The Stanford Copyright & Fair Use Center has an excellent brief summary of fair use cases. One theme that recurred over the course of the conference was the need to fully litigate more fair use cases. Unfortunately, there is little business interest to litigate these cases. Since it is a matter of public interest and First Amendment free speech interests, but not in anyone’s business interests, this is an area where even more public interest non-profit legal services organization would serve the public interest. The Stanford Fair Use Project (which is seeking an executive director) and the Brennan Center Free Expression Policy Project are examples of this kind of public interest organization. But with limited resources, they can only litigate a small number of important test cases each year.
    A legal services organization could offer creators and copyright owners low-cost, heavily subsidized counsel in litigating a greater volume of fair use cases…

  • [Comedies of Fair Use] What is to be done?


    Here are rough notes from the Comedies of Fair Use at NYU panel “What Is To Be Done?” (4/30) with Judge Kozinski, Pat Aufderhide, Susan Bielstein, Carrie McLaren, Lawrence Weschler (moderator)
    Pat Aufderhide
    Although there is a lot of confusion, there are a lot of healthy practices.
    Carrie McLaren
    Solutions sound scary because one solution has to be all-encompassing. Possible to get things done on a smaller scale, both within the system and outside the system.
    Negative publicity is an incredibly powerful tool.
    Receiving a C&D can be used as PR.
    Significant power of distribution networks
    Susan Bielstein
    -Book includes the cost of each clearance in caption, this may end up that license contracts include non-disclosure as to price.
    -We need a central repository of copyright misuse [again, link to mazzone]
    -We need education from attorneys on publishing houses rights& permissions staff [here’s another non-profit type idea]
    we will make a greater commons when we assert the commons. We will have more fair use and free use when we hold these truths to be self-evidence. This has more to do with changing norms than changing the law.
    Kozinski
    There are not enough fair use cases. Kozinski can probably name 3/4 off the top of his head.
    There are lots of cases that get litigated in the first Amendment area, e.g. Nazis in Skokie.
    Too often, these cases arise in a business situation, and you need to make a business decision.
    Authors/publishers need to think of themselves more as a public trust and there’s something to be said for not backing down.
    sometimes you litigate not because it’s the right business thing to do, but it’s the right thing to do.
    these are not just artistic issues, there is a serious undertone of political discourse. Almost all art has a political undertone and everything having to do with expression has a serious political undertone.
    What do you remember from 1984– where’s the beef– which was based on a tm.
    Trademarks are a more important area in terms of political discourse than (c) for two reasons

    1. While on rare occasions books may be widely read commercials get pushed at us with a high-powered hose. [they’re in the public consciousness]
      Example: The word Olympics is owned by the USOC. The USOC gave permission to the Special Olympics, dog Olympics, but not the gay olympics.
      -If you take words out of the political discourse, you hurt the discourse.
      -Mattel v. MCA — another attempt to pull a word out of the discourse for the purpose of avoiding a message that has definite political undertone
      Weschler: To what extent do people who keep sending C&D letters but don’t sue, does that set up a process where those letters can be safely ignored?
      Kozinski: There are many reasons why rightsholders fail to sue. They are very well aware of the publicity risks of suing.
      Audience member: Does undue diligence – failure to protect copyrights – have legal standing?
      Kozinski: getting an injunction is an equitable remedy. With equity, laches and estoppel come into play.
      Bielstein: content providers often don’t want to go to court because they don’t want more fair use decisions. They don’t want a lot of case law that takes the law towards the defendant.
      FEPP is offering pro bono services for recipients of C&D
      Marjorie heinz from FEPP: DMCA takedown notices are more effective than C&D letters.
      Best practices policies attempt to reduce fair use to numbers. It’s not the outer boundary– it’s relatively conservative.
      Best practices for documentary filmmakers is what do (c) owners and practioners deblieve to be fair.
      Kozinski:
      Common law system flexibility is good for free speech. A system that looks at set rules– number of words– [technical] must be avoided. Chaos has its own benefits, chaos has its own flexibility and chaos allows you to develop quickly in a world that is changing.
      Some changes to consider:
      Do away with injunctions in most cases where the issue is transformative use. Any kind of use that adds value, changes value, essentially becomes a derivative work, injunctions should be highly disfavored. Exempt entirely anything non-commercial in nature from injunction. Try to avoid making kids feel guilty about sampling, so long as they are not making money on it.
      Examples of problem of unavailability/out of print problem. Would be glad to buy it and pay for it if it was available. But here, infringement keeps cultural property in circulation.
      Those who assert rights needs to be more assertive. lawyers represent pro bono the cases of those who can’t afford lawyers. This is another area of civil liberties and the civil liberties lawyers ought to understand it and it affects us more than whether the Nazis can march in the streets of Skokie. This affects most people’s rights and ought to be viewed more as a civil liberties issue.
      We’re talking about expression, the very stuff which the First Amendment is made.
  • Neutral Planet


    Tim Wu, Slate: Why You Should Care About Network Neutrality: “Welcome to the fight over ‘network neutrality,’ Washington’s current obsession. The debate centers on whether it is more “neutral” to let consumers reach all Internet content equally or to let providers discriminate if they think they’ll make more money that way.”
    At the Legal Affairs Debate Club, Wu debates Christopher S. Yoo about network neutrality: Keeping The Internet Neutral?: “Whether you browse Wal-Mart’s website or that of your local hardware store, your Internet Service Provider gives your request equal treatment—called ‘network neutrality.’ Networks may soon become less neutral, however, because of proposed regulatory changes and corporate mergers among ISPs which could reduce consumer choice. Neutrality has been seen as beneficial for innovation and for democracy, since a ’tilted’ Internet may shut out independent political voices as well as small entrepreneurs. But neutrality has potential drawbacks. It may discourage innovative new services that require investment by an ISP, for example, and reduce the Internet’s stability and security. Should ISPs be allowed to play favorites among websites and offer non-neutral Internet connections to their subscribers?”
    At the Huffington Post, Mike McCurry (former White House Press Secretary and currrently a lobbyist against regulation) writes: Hostile Commentary and Net Neutrality: “The Internet is not a free public good. It is a bunch of wires and switches and connections and pipes and it is creaky. You all worship at Vince Cerf who has a clear financial interest in the outcome of this debate but you immediately castigate all of us who disagree and impune our motives. I get paid a reasonable but small sum to argue what I believe. How many of the net neuts out there are honest about the financial resources and special interests behind your side of the argument? Do you really believe this is good v. evil or just an honest disagreement about what will make the ‘net flourish and prosper? What do you make of David Farber’s recent caution about the unintended consequences of regulating the Internet?”
    Tim Berners-Lee, the inventor of the WWW discusses the benefits of Neutrality of the Net: “When, seventeen years ago, I designed the Web, I did not have to ask anyone’s permission. The new application rolled out over the existing Internet without modifying it. I tried then, and many people still work very hard still, to make the Web technology, in turn, a universal, neutral, platform. It must not discriminate against particular hardware, software, underlying network, language, culture, disability, or against particular types of data.”
    The Net Neutrality Coalition is another group supporting neutrality– “a broad coalition of consumers, grassroots groups and businesses working together”– and funded by Amazon, eBay, Google, IAC, Microsoft, Yahoo!
    And here is David Isenberg discussing Network Neutrality at Harvard: Network Neutrality Reality

  • Mr. Met


    The Mets may be sucking less this year, but Meet the Mets is still far better than the new Mets song, Our Team, Our Time.

  • [Comedies of Fair Use] The Permissions Maze


    Susan Bielstein (U of Chicago Press):
    As a pubsliher/editor she has come to develop a somewhat inverted view of fair use
    Authors trying to insinuate themselves into the world of high crime– little problems writ large– once authors come to understand that fair use is not an inalienable right, but a legal defense. The doctrine ultimately gets worked out in a court of law, not the editor’s office.

    1. The cost of doing battle is hardly worth it for scholarly editors/authors– the amount of sales/$$ is peanuts. It’s never worth it for the used copyright holders to go to court. What the editors do get are lots of cease & desist letters.
      Publishers want to avoid legal battles if at all possible– even silly ones that they’d easily win.
    2. With the rampant commidifcation of culture, it is now assumed that something that is anything must be worth something. Everything is IP. So, the members of the Fourth and a half estate have become incredibly jumpy. The reason they are so jumpy is that (c) claimants come after publishers, not authors. So publishers are complicit in stretching a system of legal interests into a system of legal overreach.
    3. A system of balance is disappearing– it doesn’t make for good comedy or news. But there’s a need to balance the rights of property owners and the rights of users.
      Don’t expect publishers to take the lead. The authors need to– come up with policies to support fair use and defend that position. Then scholars may have their day in court– they’d probably win.
      Geoff Dyer:
      Kind of hoped that Hemmingway estate would come after him for “sampling” from Hemmingway, e.g:
      “it was raining hard outside”
      “He took a big gulp of coffee.”
      Are they identifiably Hemmingway? [Beyond de minimis and protectable?]
      Authors have to bear the cost of clearances. (in abook of 120 images, attempted to do a fixed rate at $100/image.) But that didn’t work, so there would be a need to negotiate with 120 different institutions/pphotographers. Some were very helpful. Some people, their demands were so excessive.
      The last panel discussed the difference between academic and commercial use. As someone published by a commercial, for-profit company, but whose books have never made publishers any money, but still charged the higher (for-profit) rates.
      Suppressing the desire to whine about the process. Except for his experience with the Diane Arbus estate. The estate asked to see what he wrote. Responded denying permission because of “factual errors”– or interpretations that the setate simply didn’t like.
      Allan Adler:
      The (c) act uses research, scholarly and educational uses as different uses. So, individuals are forced to figure out what the difference is between those uses.
      When we talk about not-for-profit entities, can we really include places like NYU that charges undergrads $40k for tuition? We need to realize that there are for-profit entities that can engage in not-for-profit activities and not-for-profit entities that engage in for profit activities.
      There are no per se fair uses, but the courts and Congress require there is a situational application for the 4 §107 fair use factors. Aren’t there any rules of thumb, a bright-line way of determining what is fair use? Nope. There are likelihoods, but no certainties.
      Harper & Row v. Nation Enters., 471 U.S. 539 (1985)– the most newsworthy aspects of the work and the commercial value already realized in serliazation rights.
      Think of it in terms of the Golden Rule– ask yourself as your are about to make a fair use, would you feel if that use should be compensated are require permission. If people are trying to act reasonably, that’s not such a bad way of thinking of it.
      What about that situation where you think you need permission, but don’t know how to go about finding it. You have a reason to believe the work may still be under copyright, but it might not have been renewed. You may not know if those people did the renewal or if there was a reversion of rights. It’s not the works that have been orphaned, but the uses of those works that have been orphans.
      Earlier this year, the Copyright Office released a report on the orphan works problem.
      Publishers sits at the table not just as owners of copyrighted works, but as users of copyrighted works.
      Problem of embedded works– attempting to license an electronic version of a chapter of a textbook that includes third-party photos/charts that are licensed only for the print version. So, how does a school get these rights if the publisher can’t grant the rights?
      Role of Fair Use norms. See Pierre N. Leval, Toward a Fair Use Standard, 103 Harv. L. Rev. 1105 (1990). If you recast it, then that use can be considered transformative. If it is a mere repackaging or duplication, that simply supercedes the original work.
      Also think about the relationship between contract and copyright. Contracts are a set of rules that only apply to the parties who agree to have their actions bound by the contract. one can easily contract away one’s fair use rights. in a digital context, a license often goes up against the black latter law of copyright.
      James Boyle:
      “I am the person who stands between you and lunch.… Let me lower your expectations before I even begin. ”
      Law here is being pressed into service to deal with a set of concerns for artists which have little to do with the law. Almost all who spoke talked about law as anything other than a second-best situation. (c) law is based on a utilitarian view of production of works and is hostile to the moral rights of authors and creators.
      Law is being used to address a series of deep cultural divides that it may be unable to overcome, or even the ability to state these issues. Fair use isn’t going to solve those issues for you, neither will copyright law as a whole.
      Tradition of copyright law is very different from the tradition in the French tradition (droit de auteur). There are many countries on the WWW.
      If the law could reach decisions quickly and costlessly, it would be very different. Private parties are really setting the bounds of the debate and these parties may not actually be the parties involved. In the film world– it’s the gatekeepers who stand between the filmmaker and distribution who just clear everything and won’t let the filmmaker claim fair use. [The actual level of fair use in action is less than the bounds of the law.] For example– Boyle was thwarted from photocopying his own article for his class by the BU copy room for lack of a written license.
      One of the most important factors: is there a market for the use? An assertion of control over no matter how tiny– can create a market for licensing a small fragment. The difficult thing is, the most prudent thing to do is say that it is fair use. Feedback loop of creating a market for everything. That spiral is largely outside the control of courts and Congress.
      You might imagine that copyright law has no purpose other than full employment for lawyers, but it does have a purpose. Copyright law is being given a bad name by its ridiculous hypertrophy. Copyright law has morphed in all kinds of ways that are stated in the copyright Clause or the intent. Now fair use, which was meant to be a help on certain problems, but now fair use is stuck trying to step in as a check for overreaching (c) owners.
      The ideas within fair use are fundamentally sound. The way the law exists as a philosophy is very good, but the way that Congress and users are extending it. We need to reclaim copyright law– to take it away from something that it used to be (a contract that affected industry and stakeholders– drafted by the reps of the various industries.) It’s not a system that works, either on the books or in practice. Today, copyright law affects more people at more times. Previously, you needed access to a printing press to set off copyright. Today we make copies all the time as part of our daily, everyday work. so more people than just the major stakeholders are affected, and so agreements between the industries is not enough.
      Sometimes where we have situations where the First Amendment comes into conflict with Copyright. For example, a case where Mein Kampf was published in the US in an abridged English translation that omitted some of the worst passages. Senator Cranston published a translation of the entire German work– it was the whole thing, and there was a strong interest showing that it was fair use.
      We’ve put a lot of these issues in the context of freedom of expression. Most other countries don’t have freedom of expression.
      Lawrence Lessig:
      What method might we adopt for resolving what we all see as a real problem?
      One way might be to look at the subjective feelings at the people involved. That way just can’t make sense of the way the system works now. sometimes we’re really attentive to the subjective perspectives, and sometimes we aren’t.
      We should think about what the consequences for creativity of a particular regime. The Woods case radically changed the way that film gets made. Lawyers now create massive books of all references in the film to get E&O insurance. If you’re George Lucas, so what? But if you’re a documentary filmmaker or someone attempting to do cheap distribution, they can’t afford to do all these clearances and can’t distribute without E&O insurance.
      We need to think about what the systemic consequences of a particular system of protecting rights.
  • [Comedies of Fair Use] Art


    I didn’t take notes on the presentations by Joy Garnett and Susan Mieselas. Laura Quilter posted an account of their dispute and some of the implications: comedies & tragedies of fair use: “‘JoyWar’ began when Joy Garnett appropriated a photograph she found on the Internet, and repainted it. Shortly after exhibiting it, she got a cease-and-desist letter from the photographer, Susan Meiselas. Joy’s art rapidly became a cause celebre among Internet artists and activists, who reposted Joy’s art and remixed it with many new works.”
    Here are my rough notes from the rest of the panel:
    Lebeus Woods
    Woods v. Universal City Studios, 920 F. Supp. 62
    -Woods was Unhappy with appropriation of image used in 12 monkeys, because it was commercial for the purpose of making money and involved Bruce Willis.
    -Sought (and obtained) a preliminary injunction.
    Art Spiegelman
    -Short of pure communism, there’s no answer to this debate. That’s something we can discuss at the next conference, otherwise IP is completely divorced from the laws of real property.
    -Mad magazine led the development of the right to parody
    -The first thing learned after loving the (c) was to avoid lawyers at all costs.
    -Again, the length of the lawsuit takes forever.
    -“I figured as a hobby, I’d get involved in the legal system”
    -Eventually needed to switch over to a much less expensive lawyer who got things done
    -On both sides of this all the time.
    Recently, he completed a cover for the forthcoming 2006 edition of Dave Eggers’ Best American Nonrequired Reading. The forward is by Matt Groening. The bottom of the cover art includes a squiggly yellow graphic element. [Spiegelman showed a slide of the cover art, but that is as yet unavailable on the web.] Everyone loved it, except for the publisher, who wanted to remove the image of Bart Simpson’s head. Spiegelman responded: “That’s not Bart Simpson, that’s a graph of US prestige since WWII.”
    Carrie McLaren
    Displayed a number of exmaples from the illegal art exhibit, including
    -Minor Threat / Nike Major Threat side by side
    -Diana Thoneycroft “Mickey, Goofy, Barney”
    -Kieron Dwyer “Lowest Common Demoninator” Comics (sued by Starbucks and settled)
    -Tom Forsythe Food Chain Barbie (Sued by Mattel, the artist won and recovered attorney fees)
    -The law isn’t a great tool for deciding what is or is not derivative art.
    -Don’t see a lot of companies going after fine artists, but going after mediums that are reproducable.
    Joel Wachs (Andy Warhol Foundation)
    -As a foundation that represents an artist who freely borrowed from culture and who was also a savvy businessman himself (“The best art is being good in business”), agrees with most everything said this morning. It’s more about values, in accordance with the values of Warhol. Non-commercial stuff is cool, but go after commercial uses.
    -Warhol left his entire estate to a foundation, which has created a museum in pittsburgh and engaged in his mission to support the visual art.
    -Sale of art and licensing name/images to go into an endowmnet, hose earning are used to support the visual arts. (Next year, plans to give away $10m in grants)
    -Artist and scholar friendly while remaining very business savvy. Respect the creative process (reference Warhol in the making of their art without challenge and without charge and to let scholars use Warhol material without ever questioning the use.) On the other hand, when someone wants to use copyrights for commercial gain and competes with the foundation’s own comemrcial licensing program, then the foundation is aggressive in going after those.
    -Not inconsistent because it is about values.
    -Best example is the use of Campbell soup. The Warhol foundation recently made a lucrative licensing deal to use Warhol’s images of Campbell’s soup to promote Campbell’s soup.
    Panel discussion/audience Q&A
    Mieselas: Decontextualizing the image was the key provocative aspect. It’s taking the historical moment out of context. It grates because it had that particular history and makes it difficult to deal with.
    Wechsler: But what makes it an outrage?
    Miselas: My question was why is this about riot? Problem is about the recontextualization of the concept into something it wasn’t about.
    Spiegelman: Photography is taking things out of the world. What about the fact that the guy was throwing a molotov cocktail in a Pepsi bottle?
    Miselas: To say that photographers simply scoop, it’s deeply insulting. That is at the core of where do things belong and who do they belong to. You stressed how long it takes you to draw things. How long do you think it took me to be there in Nicaragua to get that image?
    Spiegelman: All images requiring taking things out of an understanding of the world.
    Title of this Magritte painting is “Forbidden to reproducing.”
    I’m not reproducing the painting, I’m reproducing a preproduction of the foundation. If you were representing the René Magritte foundation, would you allow this?
    Wachs: Since this is an academic conference, it’s scholarly, we’d allow it. If it was a t-shirt, we’d go after you. For books, it depends based on commercial/non-commercial and the size of the print run. If you used it on the cover, you’d probably be charged for it.
    Audience question: It seems to be the right to fair use (as an artist) stops when you piss off your fellow artists. Is there any other line we’re going to find here. If the artist doesn’t object, you’ve got fair use. What if an artist makes an image that incorporates Warhol art, but then starts selling prints and mugs,
    Wachs; We’d never tell the artist not to create, but would go after them once they commercialize the work (start selling prints, shirts and mugs.) Don’t want to base it on content, but only on commercialism.
    Woods: it’s one thing for an another artist to use it in their drawings, but when its a Hollywood music studio, using it only to make money, then I have a problem with it.
    Audience question: Who decides?
    Woods: It’s a human judgment issue– it’s up to the judgment of the author. If Joy and I had talked about this beforehand, we wouldn’t be here now talking about this. If you don’t think that any conversation is necessary
    Joy: while authors deserve respect, especially from other authors, there is a limit on how much control the author has can exercise over the way that work is interpreted, especially where that work is reportative– bringing information out from a war zone and information that would otherwise not be experienced, they are still just one author framing an event. To me, it seems like an awful lot of control. that event was brought out to the public because it belongs to our common cultural experience and its important to quote it to think about it. Part of my project is provocative– to say that you can’t control your image in the world today. The photographer’s intentions are gone– Susan’s struggle against that is amazing and laudatory. Once the image is out there, you can’t control who uses it or how. It’s wrong to try to impose total control. I was not interested in collaborating. Would I have had to ask permission from all of those authors?
    Woods: That’s why we have law in this country. in my case, I chose to object to a particular use for my work. I wouldn’t choose to object to all uses. I put my work out there. I chose a line and it crossed that line and the law gave me the opportunity to object.
    Kozinski:
    We see authors in court all the time. It’s better when they’re dead. Long dead.
    We had a case a few years ago involving Rick Dees involving a Johnny Mathis tune [sings a bit]
    {moderator: “look out Ashcroft!”}
    Imagine Cervantes was alive today and saw Man of La mancha and have no doubt that if Cervantes was invited to see Robert Goulet, he would have had the same reaction — it’s an abomination.
    It’s not that both sides are right. one side is right and one side is wrong. I think that if you put something out there, it’s no longer yours. You put it out there and it becomes part of our reality. If someone makes money off that, you should get a piece of the action.
    No matter how offended Lebeus was about Bruce Willis sitting in the chair, he didn’t stop the movie– he grabbed the money. The artists can be bought off.
    Echs: The priblems is that he wasn’t asked beforehand. If there is no permisison, then it wouldn’t be made, then it wouldn’t be a problem.

  • [Comedies of Fair Use] Vaidhyanathan, Adler and Hansen


    Siva Vaidhyanathan

    1. Copyright touches more, but protects less than ever before. (see e.g. pirated DVDs on Canal St.)
    2. How night we insure how (c) can protect investment and still protect speech
    3. To what extent can we rely on fair use. Is it the best vehicle for protecting speech when it’s really only an american thing.
      Allan Adler (Assoc. of American Publishers)
      Overclaiming. There’s been a lot of overclaiming about the difficulties that fair use poses to culture and overclaiming about the problems of the public domain.
      In the world of Washington, (c) is synonymous with Hollywood. In terms of political baggage, it carries a lot of negative connotations that makes DC people uncomfortable and spills over into their view of copyright. Publishers are thought of a backwater industry that hasn’t adopted new technology and not as the original reason for copyright. Forget that publishing is a promoter of speech values.
      In DC, we usually think of copyright only in terms of the film (and occasionally record) industry. (c) protects the value of original creative expression. Fair use isn’t merely protecting the convenience of someone who wants to put his cd on his ipod.
      Fair use per se? If all educational uses are free, what happens to the textbook market? Right of access to a particular copy in the format of choice? Where does that come from– Congress has never said that and the courts have explicitly rejected that (Universal v. MP3?) These are interpretations that have no foundation in law, public policy or original intent of copyright law.
      Now we hear about fair use in Congressional hearings about making a copy of a new CD to provide to the 20 people on the x-mas list. They’re not competing with the seller and introducing it into the market– but fair use was never about that, either.
      Lessig talked about a lot of heavy words– consumer, culture. Publishers rely a great deal on fair use.
      Lots of talk about the problems with DMCA, but the DVD wouldn’t exist if not for the DMCA. We have this flood of culture because of all the economic incentives. There is a torrent of creativity because of all the economic value there.
      US can no longer support its economy solely on manufacturing. Most of our jobs are the direct result of IP law. NYC is the capital of book publishing. We’re in a school of journalism. How can you get a job as a journalist without the protection of copyright?
      If some (c) owners go too far in protectionism, it’s not that much of a big deal.
      The anti-copyright movements haven’t taken off, because most Americans really only care about consuming and most people are satisfied by what the marketplace offers. The marketplace allows consumers to make choices. If you ask the gov to step in an regulate, you’re not going to like the results.
      Should Congress rewrite fair use to make it more specific, and all said no. Some because they want to rely on the flexibility to be able to invoke fair use perhaps in some cases where it didn’t fit the original intent of the drafters; others because they don’t want to grant away specific rights.
      Ultimately, fair use is not going to change too much. Our perceptions of it may evolve, but there is no momentum DC to rewrite the law. What we need to start doing is look at these differently to recognize that there is a tremendous diversity of interests involved here. There may be no definite resolution, but the flexible fair use concept seems to work well today (And this flexibility keeps DC lobbyists in business ;)). This will continue to be rewritten as technology advances, while Congress and the courts lag behind the tech. Gap between original intent of the law and the way it works in practice may not be bad.
      Hugh Hansen (Fordham Law)
      There’s really nothing going on in fair use on the international level. People who want more access would love to have it. In the civil law countries, rights are written affirmatively into the law– no flexibility.
      law here is flexible and driven by judges. This is much more protective of free speech than the code countries.
      The controlling mechanism of copyright is in courts, not in COngress.
      The law hasn’t changed as much as the behaviors enabled by technology. New technology reallocates the transaction costs. Technology doesn’t sit on one side of this debate.
      The only people with worse PR than the record industry is the Taliban. We have music publishers who take pride in the fact that they won’t license for the internet. On the other side, Richard Stallman jumps up at a conference and says that everything should be copied. It’s very easy to use anecdotes to get things on your side. Shouldn’t the martin Luther King estate be allowed to refuse to license to skinheads?
      Just grow up and deal with it. Some industries (particularly documentary films) need protection, but generally, the small creators sitting in a small lifeboat in a digital sea don’t really get affected by the law [until they get sued, that is]. But the market generally works pretty well.
      What we tend to do is polarize that all good is on one side, but that’s not really the case. The trouble with smart people– particularly economists– is that they often don’t have any judgment. Publishers are generally adverse to litigation because it’s really expensive.
      Access to information is great. Rejoice in it. There may be problems, but they are not so dramatic that we have to change the whole system.
      Vaidhyanathan (to Lessig): As an academic, you’ve stated that fair use is a distraction from thinking about how (c) works in the perfect world, but as an advocate, you assert fair use as a defense in the Google Library case. Can you envision a better regime for user rights? In ten words.
      Lessig: Is there a tension? my view is that the system is not functioning well, because we are all asking the wrong questions. The academics should look at the bigger picture. But as advocates, we use the tools we ahve available. Those who say that there is no problem out there don’t get all the prospective cases that we do at the Stanford clinic.
      The practical problem is that the middlemen in the process realize that lawyers are expensive and are rational to take a conservative, risk-averse position, so the actual bounds of fair use in practice are less than the extent in the law.
      Hugh talked about the disconnect between non-commercial and commercial uses. Lessig wants the non-commercial uses to be legal. That would change the way we can teach. It’s legal to create something in a classroom that mixes the works of Shakespeare and Hemmingway, but its copyright infringement to create something in the same classroom that mixes the works of George Lucas and Alfred Hitchcock. We should encourage this creativity instead of saying that its criminal, but it won’t be prosecuted.
      Vaidhyanathan (to Adler): Is there an underappreciation of fair use by your clients (the publishers)? Many authors quote other works, but it’s their own publishers who insist on expensive clearances (borne by the author) instead of relying on fair use?
      Adler: Publishing industry is tremendously risk averse. Letters are often written not because of what the publisher thinks, but because of what the authors think. Some authors don’t want their works to be exerpted and taken out of context.
      Maybe the law would be better if people tried to use it more and don’t worry so much about getting sued. Does a film studio or record label really need the publicity that would result from suing a sixth grade class. There are very few federal court decisions on fair use.
      Vaidhyanathan: but there are.
      Adler: There may be lawsuits or demand letters, but not decisions. There are very few decission. If you stand up in court to defend fair use, that’s how revolutionize the law. There’s been no champion for fair use in the court.
      Vaidhyanathan: Should we have moral rights protection here (ala King estate example)? If we had it here, how would that affect fair use?
      Hansen: It’s generally the heirs [link to Miro/Google] who don’t have to work as artists again who assert moral rights.
      Publishers are very conservative. Lessig had the problem when dealing with his publisher. His publisher told him that he couldn’t quote as much of an article by Courtney Love as he wanted to, but he (the He
      The reality is there is a middleman who decides what right you’ll stand up for– it’s a sound business decision.
      Audience Question: Should we establish a statutory rate for fair use quoting? It works well for record labels when dealing with music publishers for recording cover songs. (§115)
      Adler: You could go in that direction if you want to let the trains run on time, but then you’re taking the value off the market.When has Congress ever made a right decision about the market?
      Siva: Some works will be undervalued with a flat price and others will be overvalued. A Paul Simon song is undervalued when its at the same rate as a song by Siva’s cousin.
      Adler: THe public places different values on works by different artists. why should the government come in and say that all works have the same value per content.
      Lessig: It’s ridiculous that you can record a cover song because the record industry has said that it’s central to the vibrant market. But on the other side, taking a sample from a recording is prohibited by the law [6th Cir.] Why does the government intervention that promotes the most creativity?
      Hansen: When parties have been unreasonable, they look to the government to step in and fix the problem. ASCAP v. Girl Scouts. Maybe if (c) owners remain unreasonable, then perhaps we do need government intervention.
      Audience Question: Authors quote pop songs often as epigraphs of a novel. It’s completely normal for an editorial to tell the author to seek a copyright clearance. Do you think that this is an area where the author should stand up to be a champion for fair use? [Sounds like someone is looking for free legal advice…]
      Adler: If the industry colludes to do this all together, that’s an anti-trust problem. But if each publisher does this, it would do something. The GC might say, I have better things to do than bother with this.
  • [Comedies of Fair Use] Lawrence Lessig


    It’s hard to take notes about Lessig’s presentation because he actually uses his slides well– to add context and not merely to duplicate the text of his talk. But this is a blog– where it’s just as good to do something quickly as it is to do it well:
    Testifying before Congress, JP Sousa lamented the development of mechanical music reproduction, which would kill the culture of sitting around and singing popular and traditional songs.
    With analog works, standard, everyday uses by citizens are unregulated (read, etc.). A small sliver of uses that involve copes

    1. regulated uses (distributing mass copies)
    2. fair uses (quoting a book in a review)
    3. free uses (reading, loaning, the everyday uses by individual citizens)
      New digital/internet culture
      Two very different internet cultures evolving.
    4. Read only culture (RO)
      -Extraordinary empowered by these techs to buy and consume culture produced elsewhere. eg: Apple iTunes, pay-per-read ebooks.
      -Offers perfect control over how people consumer– the couch potato culture
    5. The read-write/internet culture (RW)
      -blogger, flickr, 6apart, myspace
      -consumers don’t just consumer, but create and share creativity.
      Examples:
      -anime music videos (redits anime movies to create music videos. I know what we’re doing for our next video…)
      -grey album, bush-blair, bush:hard work. (link to this)
      It is a part of literacy now–
      57% of teenagers created and shared “content” themselves and share it on hte internet. How they speak and think.
      Anyone with a $1500 computer can do this. [just so long as they have 1500 to get a computer.]
      It’s the same kind of speech people engaged in before, just using different tech to facilitiate this kind of speech. Differently empowered speech.
      Freedom to speak.
      Copyright law on the internet serves to promote the vision of the read-only culture on the internet. In the analog world, (c) owners couldn’t control these normal everyday uses.
      If the law controls copies, in the digital world, those normal uses create copies, and so the amount of uses that are regulated by (c) law increase to include most uses.
      DRM tech perfects control of how culture gets consumed– promotes the RO culture.
      The RW culture conflicts with (c) law.
      This culture makes use of copies as part of the normal (non distributive) uses
      But the law presumptively regulates copies, so uses are presumptively illegal and permission is not coming.
      At a fair use conference, Lessig comes out against fair use.
      World with fair use is better than one without.
      But, fair use shifts the debate over the important questions about how culture gets regulated.
      Shifts attention away from free use.
      In a world where every use is a copy, the free uses because presumptively regulated.
      So then, why do we have to justify any freedom to use this.
      It’s a very bad thing that the law regulates as broadly and presumptively as it does.
      Quoting Prof. Litman: in the digital world, (c) law touches everyone and everything.
      Discussion of fair use obscures the fundamental question: “why regulate at all?”
      The second problem with fair use is that it ignores the costs.
      Fair use is expensive. 4 factor balancing test is not too easy. There are no clear simple rules in fair use.
      This is law written for lawyers– complex, uncertain. It’s harmless where it’s big companies that can afford (good for lawyers). When applied just by lawyers, it is decided rationally.
      But it’s not just lawyers in court anymore. It’s any idiot with a computer.
      Lawyers kill markets for creativity because of the uncertainty to the process.
      Difficulty of acquiring rights to uses makes it difficult. e.g. films at Sundance needing to clear music rights. By leaving uncertainty, it drives away creativity (through risk-aversion) and makes it difficult (if not impossible) to sell marginally commercial (non-mass market) creative works.
      See Patry & Posner- Fair Use and Statutory Reform in the Wake of Eldred
      Incentives for (c) owners to overclaim their rights and the costs to creativity– not only the $$, but also prevents release of works by risk-averse creators.
      We tend to focus on the $$ cost and not the threats to free speech.
      Lessig feels blue.
      What solution?
      System of fair use is ridiculous for regulating this kind of speech
      But we live in a culture where to question the foundation of IP law is to be called a communist– IP McCarthyism. Anything other than incremental change is a non-started in DC
      Some ideas to mitigate the problem:
      Documentary Filmmakers’ Statement of Best Practices in Fair Use (previous reference)
      Stanford CIS Fair Use Project
      Free Speech Insurance Cooperative and “fair use” insurance liable claims.
      What we really need is some way of overcoming the insanity of these ways of regulating access to speech.
      (c) law is necessary, but it shouldn’t extend beyond what is necessary (and threates free speech values)
      We need a clear line (an affirmative fair use carve out) and limit the speech regulation to what is necessary and leaving the rest to be free.
      The one thing Lessig agrees with Jack Valenti on is that the cost of the current copyright law is the creation of a generation of criminals. The morality expressed in the use of speech by children in a way that is against the law. Producing a generation of kids look to the law and see the law as an “ass.” And avoid the law and disengage from the idea that the law matters. There is great harm produced by this attitude towards the foundational rule of law in this country. [The broken windows theory of copyright.]
  • Comedies of Fair Use


    I’m here blogging live (on tape) from the Comedies of Fair Use at NYU.
    These posts are written in real time and represent notes, more than polished thoughts. But since there’s no WiFi signal here, you’re getting them on tape delay.

  • Why Oppose Net Neutrality?


    An anti-net-neutrality coalition launched their lobbying site at Hands of the Internet. The best argument on their side: regulation is bad for the internet. THe internet has developed so quickly to what it is today because of the lack of regulation. Any new neutrality regulation will be burdensome and onerous for the pipe owners who will be prevented from making money by such a regulatory scheme.
    The advantage of a non-neutral internet (to broadband service providers, that is) is the ability to offer premium services and not simply internet access. Why compete and speed and reliability when you can compete by offering premium services that cost less to implement and offer more potential value to consumers. Let’s take a quick trip to the sales pitch in the hypothetically non-neutral internet:

    Consumers…

    • Want access to online video? You could download video that with your 5 MB/sec Broadband Basic connection, but for only an additional $7.99/month, you can have FastLane access to video that will let you watch video from our premier content partners (including NBC, Microsoft and MTV) at high-resolution.
    • -Want to connect to your office securely? For only $12.99/month more you can run a secure VPN connection.
    • Want to use VoIP? On our standard connection, all VoIP packets are blocked, but for only $7.99/month, you can make unlimited voice chats through your computer, or for only $11.99/month, you can connect a standard phone and talk for 1000 minutes per month with no long distance charges.
    • Want to download software updates? For an additional $4.99/month, you can use the FTP and BitTorrent protocol on your connection.
    • Instant messaging is free to other CableCo users!* *Note: premium connection fees ($0.10/message) may apply to IMs sent to users of other ISPs.
  • ISPs look enviously at the business of the wireless carriers, who can charge premium rates for access to premium services on their wireless networks, like access to audio/video or news and sports scores. And those wireless networks are resulting in an unprecedented sharing of creative media by individuals. Oh wait, that’s the free internet. The advanced services offered by wireless carriers at advanced prices are rarely used. The NY Times reports: Video Handsets Mostly Just Used as Phones

    Cellphone companies, especially Sprint and Verizon Wireless, have been aggressively promoting mobile video services, which cost an average of $10.70 a month for access to sports, news and weather clips. More than a quarter of cellphones now in use can play such videos. But only 1 percent of wireless subscribers are using their phones to watch them, according to a recent survey by the NPD Group, a market research firm.

    Decisis: “Net Neutrality”, the cable industy, universal Wi-Fi, and the collective wisdom embodied in stock prices: “Now, maybe a bundle-happy, cash-ascendant cable industry and net neutrality coexist happily together and I’m being silly to even post on this, and really there’s just no conceptual connection. . .”
    Will new net neutrality regulation allow the information economy to evolve as freely as it has over the last decade or will such regulation merely freeze the internet in 2006?
    Did the internet develop so well because it was first delivered to households through the common carrier phone lines? Or did the internet develop slower than it would have otherwise because telephone companies were prevented from innovating because of the common carrier regulations?

  • Interesting Miscellany


    Here are some recent links of interest from around the web on various topics:
    Copyright term and the public domain
    Raizel Liebler, LibraryLaw Blog: The Tale of One Bunny, Copyright Statements, & Public Domain: A Cautionary Tail: “This intellectual property cautionary tale starts because I was puzzled by the copyright notice in a historical mystery novel. Published in the United States in 2004, ‘Tale of Hill Top Farm’ by Susan Wittig Albert is based on the life of Beatrix Potter and includes references to many of her famous characters, including Peter Rabbit, his friends, and relations.”
    Photography and Copyright fair use, Trademark fair use, Right of privacy/publicity
    Lien Verbauwhede, WIPO: Legal Pitfalls in Taking or Using Photographs of Copyright Material, Trademarks and People: “Photographers and users of photographs face certain risks when taking and publishing photographs. This article provides an overview of the general legal principles applicable to taking photographs of copyright works, trademarks and people.” (Via I/P Updates.)
    Copyright and search
    Fred von Lohmann, EFF Deep Links: Copyright v. Indexing, Part 1: TorrentSpy: “A prediction: the world of copyright law is about to collide with the world of digital indexing and search, and the collision will be among the most important digital copyright issues of the next several years.”
    Trademark and corporate formation/naming
    Martin Schwimmer, The Trademark Blog: Why Did I Get A Demand Letter If I Was Allowed To Incorporate Under That Name?: “The problem is that a corporate name is the name that the Secretary of State (which oversees incorporation in a state), allocates to a legal entity, after conducting an idential or near-identical search of the name, in that state. The availability of a corporate name means only that there is no other legal entity by that name in that state, and there is no trademark significance to this fact…”
    Copyright, music and mixtapes
    Record store owner Alan Berry in the NY Times on mixtapes: The Tale of the Tapes: ” Illegal products should not be sold. But it’s disingenuous for the recording industry to compare hip-hop mixtapes to a bootleg recording of, say, a Dave Matthews Band concert. After all, mixes aren’t bootlegs at all— they’re advertisements.”

  • Hilden on TV Networks Indecency Challenge


    Julie Hilden, Findlaw’s Writ: Four Major Television Networks Challenge the FCC’s Regulation of Indecency Why Modern Technology Has Made This Always-Dicey Area of Law Obsolete: “In this column, I’ll explain why indecency law has always been on extremely tenuous ground, from a constitutional perspective. I’ll also explain why – thanks to modern technology — the Supreme Court might finally take the networks up on their invitation to make indecency law a historical relic, in order to make way for a more robust information age.”

  • links for 2006-04-25


    • <div class="delicious-extended">
        Pushcart food reviews
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/nyc">nyc</a> <a href="http://del.icio.us/andrewraff/food">food</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/law">law</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/funny">funny</a> <a href="http://del.icio.us/andrewraff/billorights">billorights</a>)
      </div>
      
    • <div class="delicious-extended">
        &#8220;You should probably buy a shredder today&#8221;
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/creditcards">creditcards</a> <a href="http://del.icio.us/andrewraff/privacy">privacy</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/nyc">nyc</a>)
      </div>
      
    • <div class="delicious-extended">
        another take on reasons to abolish the bar exam
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/barexam">barexam</a>)
      </div>
      
    • <div class="delicious-extended">
        Not just HBO shows, but all good television serials (e.g. Arrested Development, Lost, Buffy) may be better on DVD
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/tv">tv</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/music">music</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/music">music</a>)
      </div>
      
    • <div class="delicious-extended">
        If you&#8217;ve been pining for an Arch Deluxe&#8230;
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/food">food</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/food">food</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/maps">maps</a>)
      </div>
      
  • Blogging about conferences about blogging


    Last week, Joe Gratz and David Maizenberg blogged the Blog Law and Blogging for Lawyers Conference. Conference organizer Cathy Kirkman recaps.
    This week, The Berkman Center for Internet & Society at Harvard Law is hosting a symposium on Bloggership: How Blogs Are Transforming Legal Scholarship. The papers that will be presented at the symposium are available at SSRN
    Blogging isn’t the subject, but LawMeme blogged the Access to Knowledge conference at Yale last weekend.
    There’s no conference involved, but John Gruber is taking his excellent and thoughtful Mac-centric blog, Daring Fireball full time. He discusses the Catch-22 of successful blogging: Initiative: “What I’ve concluded, though, is that if I want to make a full-time income from Daring Fireball, I need to just do it full-time. I.e. that it’s not going to work the other way around — to wait for the revenue to burgeon and then start putting full-time effort into it.”

  • Impeachment Redux?


    Elizabeth Holtzman, The Nation: The Impeachment of George W. Bush: “Finally, it has started. People have begun to speak of impeaching President George W. Bush–not in hushed whispers but openly, in newspapers, on the Internet, in ordinary conversations and even in Congress. As a former member of Congress who sat on the House Judiciary Committee during the impeachment proceedings against President Richard Nixon, I believe they are right to do so.”
    Lewis Lapham, Harper’s Magazine: The Case for Impeachment: “That President George W. Bush comes to power with the intention of invading Iraq is a fact not open to dispute. Pleased with the image of himself as a military hero, and having spoken, more than once, about seeking revenge on Saddam Hussein for the tyrant’s alleged attempt to “kill my Dad,” he appoints to high office in his administration a cadre of warrior intellectuals, chief among them Secretary of Defense Donald Rumsfeld, known to be eager for the glories of imperial conquest.”
    Garrison Keillor, Salon.com: Impeach Bush: “But torture is something else. When Americans start pulling people’s fingernails out with pliers and poking lighted cigarettes into their palms, then we need to come back to basic values. Most people agree with this, and in a democracy that puts the torturers in a delicate position. They must make sure to destroy their e-mails and have subordinates who will take the fall. Because it is impossible to keep torture secret. It goes against the American grain and it eats at the conscience of even the most disciplined, and in the end the truth will come out. It is coming out now.”
    Michelle Goldberg, Salon.com : Bush’s impeachable offense: “Yes, the president committed a federal crime by wiretapping Americans, say constitutional scholars, former intelligence officers and politicians. What’s missing is the political will to impeach him.”
    Also in Salon, Constitutional scholars Mark Tushnet, Jack Rakove, Michael J. Gerhardt and Cass Sunstein discuss impeachment in a series of essays: The I-word.
    SCOTUSblog: From a village green…: “By a paper ballot vote of 121 to 29, according to news accounts, the town meeting approved the last item of scheduled business on the agenda, Article 29…’Therefore, the voters of the town of Newfane ask that our representative to the U.S. House of Representatives file articles of impeachment to remove him from office.'”

  • Caching and Copyright


    In Parker v. Google, No. 04 CV 3918 (E.D. Pa. 2006), District Judge R. Barclay Surrick ruled that automatic caching of Usenet posts is neither direct or contributory copyright infringement.

    When an ISP automatically and temporarily stores data without human intervention so that the system can operate and transmit data to its users, the necessary element of volition is missing. The automatic activity of Google’s search engine is analogous. It is clear that Google’s automatic archiving of USENET postings and excerpting of websites in its results to users’ search queries do not include the necessary volitional element to constitute direct copyright infringement.

    William Patry: Parker v. Google: “The direct infringement holding in Parker may be a very welcome harbinger that courts are becoming more realistic about the way the Internet works and moving, finally, away from the misreading of ‘copy’ perpetuated by MAI v. Peak.”
    Kevin Delaney, The Wall St. Journal: Google Wins Copyright Battle; Archiving Issue Is Still Unclear: “Some legal experts said the ruling, issued last week in a case brought by Internet publisher Gordon Roy Parker in U.S. District Court in Philadelphia, could influence judges in other cases pending against Google, potentially bolstering the Internet company’s legal defenses. Those cases include high-profile suits brought last year by writers and publishers and by the Agence France-Presse news agency alleging that Google’s services violate copyright.”

  • Save the Internet


    This weekend, a new lobbying effort started to preserve the public internet (in the public interest): Save the Internet. Members of the coalition behind Save the Internet include Free Press, MoveOn.org, Consumers Union, American Library Association, Common Cause, Center for Digital Democracy, Public Knowledge, Association of Research Libraries, Craig Newmark (Craigslist) and law professors Lawrence Lessig (Stanford), Tim Wu (Columbia), Susan Crawford (Cardozo) and Glenn Reynolds (Tennessee).
    Some reactions:
    Art Brodsky, TPM Cafe: Congress Is Giving Away the Internet, and You Won’t Like Who Gets It: “Don’t look now, but the House Commerce Committee next Wednesday is likely to vote to turn control of the Internet over to AT&T, Verizon, Comcast, Time Warner and what’s left of the telecommunications industry. It will be one of those stories the MSM writes about as “little noticed” because they haven’t covered it.”
    David Weinberger, Joho the Blog: Why Net neutrality matters: “Net neutrality (formerly known as the end-to-end principle) means that the people who provide connections to the Internet don’t get to favor some bits over others. This principle is not only under attack, it’s about to be regulated out of existence. Here’s why it matters…”
    Jeff Jarvis, BuzzMachine: Save the Internet, Indeed: “The age of business models built on scarcity and on keeping your customers from doing what they want to do is over. Now we just have to make sure that Congress doesn’t try to keep it on artificial life support.”
    Michael Froomkin, Discourse.net: On ‘Saving the Internet’: “Regulating ISPs as to how they prioritize and deliver content is I think deeply second-best to true competition in the broadband services market for all sorts of reasons.”
    Elsewhere, Jeff Pulver is hosting a contest for Save the Net Viral Video. In a video, Alex Curtis explains Net Neutrality
    Some more thoughts on net neutrality
    We would not need new legislation to protect the free internet if there was meaningful competition in the broadband access market. In the absence of that competition, the monopoly power wielded by the rapidly consolidating major telephone and cable providers could extort “protection money” in addition to the charge for bandwidth from business that rely on the internet. Regulation can prevent broadband access providers from exercising their monopoly power to harm the public interest.
    Because of the lack of meaningful competition in broadband here in the US, we are falling further and further behind the leading countries in the quantity and quality of our information infrastructure. From Foreign Affairs, May/June 2005: Down to the Wire

    In the first three years of the Bush administration, the United States dropped from 4th to 13th place in global rankings of broadband Internet usage. Today, most U.S. homes can access only “basic” broadband, among the slowest, most expensive, and least reliable in the developed world, and the United States has fallen even further behind in mobile-phone-based Internet access. The lag is arguably the result of the Bush administration’s failure to make a priority of developing these networks. In fact, the United States is the only industrialized state without an explicit national policy for promoting broadband.

    More than enforcing network neutrality, the US needs a real broadband policy. that will encourage– rather than forbid– projects like community and municipal wireless networks, promote competition for broadband and mobile access, and make it possible for businesses, individuals, and the federal, state and local governments to take better advantage of the information age.
    Previously: Three Things About Network Neutrality (Apr. 17, 2006)
    The Broadest of the Bands (Aug. 26, 2005)
    State support for information access (feb. 25, 2005)
    Net Neutrality Reading List (Feb. 28, 2006)
    Brand X (Jun. 27, 2005)

  • links for 2006-04-22


    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/mac">mac</a> <a href="http://del.icio.us/andrewraff/microsoft">microsoft</a>)
      </div>
      
  • The Problem with Wikipedia


    Jason Scott recently gave a talk about The Great Failure of Wikipedia. The audio is available at the Internet Arcive: The Great Failure of Wikipedia (April 8, 2006). Scott uses specific examples to discuss the problems that face Wikipedia. Despite the appearance of veracity and authority, Wikipedia faces significant challenges before it embodies “the availability of the sum
    of human knowledge to everyone on Earth for free.”
    Wikipedia remains a great place to be an information tourist, but falls short as a serious information resource. The anti-expert bias that Scott notes in the Wikipedia editorial process will continue to keep the actual Wikipedia from becoming anything more than a novelty for information professionals.
    In the NY Times, Randall Stross writes: Anonymous Source Is Not the Same as Open Source “Wikipedia, the free online encyclopedia, currently serves up the following: Five billion pages a month. More than 120 languages. In excess of one million English-language articles. And a single nagging epistemological question: Can an article be judged as credible without knowing its author? Wikipedia says yes, but I am unconvinced.”
    At Concurring Opinions, Laura Heymann notes a case in the US Court of Federal Claims that discussed the reliability and admissibility of Wikipedia articles: Concurring Opinions: Wikipedia in the Courts: “In an opinion released in February, the U.S. Court of Federal Claims scolded a special master in a vaccine injury case for sua sponte supplementing the record with ‘medical ‘articles’ on afebrile seizures’ that she located on the Internet.”
    Lore Sjöberg, Wired: The Wikipedia FAQK: “The Wikipedia philosophy can be summed up thusly: ‘Experts are scum.'”
    danah boyd offers some insight on the Wikipedia editorial process: on being notable in Wikipedia: “People wanted “proof” that i was notable; they wanted proof of every aspect of my profile. Then, when people in my field stood up for my entry in the discussion for deletion, they were attacked for not being Wikipedians.”
    Do any readers have academic Lexis/Westlaw or Hein access? Could you run a search to see if any law review articles cite to wikipedia, and if so, how many?
    Previously: Wikipedia Woes, Wikipedia and Authority
    (edited 4/24 to add Concurring Opinions, NYT and Wired links)

  • Tram


    Last night, riders on the Roosevelt Island tram were stranded for more than 12 hours, with the last finally getting evacuated at 4:30 AM. The Times reports: High-Wire Rescue Over East River “A four-minute trip on the Roosevelt Island Tramway turned into a harrowing overnight ordeal as a series of power failures left about 70 people suspended hundreds of feet in the air, forcing a daring rescue over the East River that ended early this morning.”
    The Roosevelt Island tram was built 30 years ago by Von Roll.
    Earlier this month, the tram at Jackson Hole (WY) carried its last skiers before it is retired in September, after 40 years of use. Jackson Hole is seeking funding to construct a new tram.
    Skeptics argue that Jackson Hole retired the tram early in order to secure state funding for its replacement. Jackson Hole president Jerry Blann said, “The Tram is nearing the end of her natural life – she’s a child of the 60’s that’s been going 100% summer and winter and has earned a graceful retirement.”
    Does the Roosevelt Island tram deserve an early retirement? Should it be replaced or is subway service to Roosevelt Island enough?
    Will this make the proposed gondola between lower Manhattan, Brooklyn and Governor’s Island less likely to be built?
    NPR: Jackson Hole Resort’s Tram Retires this Weekend
    NY1: Roosevelt Island Tram To Remain Grounded Pending Full Investigation
    Brooklyn Papers: City, state gonzo for Governors Island gondola
    Press release: Governor Pataki and Mayor Bloomberg Announce Call for Visionary Ideas for the Redevelopment of Governors Island

  • links for 2006-04-20


    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/myspace">myspace</a> <a href="http://del.icio.us/andrewraff/so">so</a>)
      </div>
      
  • links for 2006-04-19


    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/ski">ski</a> <a href="http://del.icio.us/andrewraff/lifts">lifts</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/bike">bike</a> <a href="http://del.icio.us/andrewraff/nyc">nyc</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/nyc">nyc</a> <a href="http://del.icio.us/andrewraff/animation">animation</a>)
      </div>
      
    • <div class="delicious-extended">
        Apr. 30
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/nyc">nyc</a>)
      </div>
      
    • <div class="delicious-extended">
        &#8220;We can get health insurance for all our citizens without raising taxes.&#8221; How about it, Mr. Spitzer?
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/healthinsurance">healthinsurance</a>)
      </div>
      
  • links for 2006-04-18


    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/nyc">nyc</a>)
      </div>
      
  • The F Word


    The NY Times reports that the four television networks are challenging the Constitutionality of the FCC indecency and profanity standards: TV Networks Sue to Challenge F.C.C.’s Indecency Penalties: “With no allies among either the Democrats or the Republicans on the Federal Communications Commission nor any significant ones in Congress, the four broadcast networks, joined by the Hearst-Argyle Television group of stations, embarked late last week on a low-risk strategy of turning to the courts.”
    See also Christopher M. Fairman, Ohio State Moritz College of Law, Fuck: “This Article is as simple and provocative as its title suggests: it explores the legal implications of the word fuck. The intersection of the word fuck and the law is examined in four major areas: First Amendment, broadcast regulation, sexual harassment, and education. The legal implications from the use of fuck vary greatly with the context.”

  • Three Things About Network Neutrality


    Today in Salon.com, Farhad Manjoo has a typically excellent article that frames and discusses why network neutrality is such a critical issue clearly and concisely: The corporate toll on the Internet: “Telecom giant AT&T plans to charge online businesses to speed their services through its DSL lines. Critics say the scheme violates every principle of the Internet, favors deep-pocketed companies, and is bound to limit what we see and hear online.”
    LA Times: Phone, Cable May Charge Dot-Coms That Want to Race Along the Internet: “As Internet traffic starts to clog, the telephone and cable companies that control the nation’s telecommunications networks are considering charging dot-coms such as Google Inc. and Yahoo Inc. extra to make sure their data gets special treatment — zooming along faster and more reliably than anyone else’s.”
    Here are the three key points about why network neutrality is critical to the information age:

    1. A neutral internet is cheaper.
      A preferential, proprietary internet requires more expensive routers that move preferred packets into an HOV lane. As bandwidth gets cheaper and cheaper, it is probably cheaper and more cost effective for the individuals, small businesses and large companies who use the internet to pay for wider information superhighways than adding an HOV lane to the existing networks. Unlike with real highways, creating more bandwidth does not take away from existing real property. Wheres there is a fixed amount of land available, the world of networks is not zero-sum.
    2. Internet access has monopolistic characteristics.
      Consumers may have the choice of access through a cable provider or a telephone (DSL or fiber) provider. Currently, the internet access market generally relies on incumbent wireline infrastructure. Satellite has enough drawbacks that it is an acceptable substitute for other broadband in remote areas. Broadband over power lines may exist as a third option, but again, it relies upon the local power monopoly. Wired access may in fact be a natural monopoly and as such needs to be regulated. A free market in internet access may not be competitive.
    3. Neutrality promotes free speech
      The threat of a non-neutral internet is that monopolistic local access providers could charge a premium for major content and service providers to connect to their network. If Google wants to reach its customers who use Verizon, AT&T and Time Warner customers over a non-neutral internet, Google could have to pay a connection fee to Verizon and to AT&T and to Time Warner in addition to the fees it pays to its own internet access provider. Tony Soprano would be proud. And this wouldn’t just affect Google, or Apple or Microsoft. It would affect Homestar Runner, YouTube, Typepad, the Internet Archive, the New York Times and everyone who is sending bits of information to the internet at large.

    Network neutrality is not just a question of telecommunications policy, but a question of the freedom of speech.

  • links for 2006-04-14


    • <div class="delicious-extended">
        &#8220;A funny story: Once, these five rabbis talked all night, then it was morning&#8221;
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/passover">passover</a> <a href="http://del.icio.us/andrewraff/seder">seder</a> <a href="http://del.icio.us/andrewraff/judiasm">judiasm</a>)
      </div>
      
  • links for 2006-04-12


    • <div class="delicious-extended">
        The most meta blog post EVAR
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/meta">meta</a> <a href="http://del.icio.us/andrewraff/blogging">blogging</a>)
      </div>
      
    • <div class="delicious-extended">
        Renu may cause a fungal infection. Great.
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/contactlenses">contactlenses</a> <a href="http://del.icio.us/andrewraff/eyes">eyes</a> <a href="http://del.icio.us/andrewraff/infection">infection</a>)
      </div>
      
  • Little Orphan Works


    Since I doubt I will get around to re-recording the problematic and no longer current podcast anytime soon, here are the related links about the Copyright Office Report on Orphan Works.

    This Report addresses the issue of “orphan works,” a term used to describe the situation where the owner of a copyrighted work cannot be identified and located by someone who wishes to make use of the work in a manner that requires permission of the copyright owner. Even where the user has made a reasonably diligent effort to find the owner, if the owner is not found, the user faces uncertainty – she cannot determine whether or under what conditions the owner would permit use. Where the proposed use goes beyond an exemption or limitation to copyright, the user cannot reduce the risk of copyright liability for such use, because there is always a possibility, however remote, that a copyright owner could bring an infringement action after that use has begun.

    Brennan Center, Free Expression Policy Project: A Big Step Forward on “Orphan Works”: “Without doubt, there will be much discussion and debate over the Copyright Office’s proposal once it is introduced in Congress. If enacted, it will represent a big improvement over the current situation, and will enable many worthy orphans to find new homes.”
    Cathy Kirkman, Silicon Valley Media Law Blog: Copyright Office reports on orphaned works: “This proposal seems like a reasonable step to create some flexibility in the system, in light of the confluence of an extended copyright term with no formalities to maintain copyright interests and the fact that copyrights are regularly implicated through today’s digital uses.”
    Joe Gratz: Copyright Office Issues Orphan Works Recommendations “After an initial look at the proposed statute, it appears to strike a desirable balance between lessening the risk to users of orphan works and providing appropriate compensation to resurfacing copyright holders. ”
    Eric Goldman, Technology & Marketing Law Blog: Orphan Works Report Released: “My initial reaction is that there is a lot to commend this proposal. It addresses one of the big problems of copyright law–the across-the-board strict liability standard–by providing a more robust defense for those trying to do the right thing. (The current defense of “innocent infringement” offers little comfort to secondary users–there’s still a lot of money on the table in an infringement claim).”
    Photo District News: Photo Groups Lobby To Protect Copyright “Orphans”: “Some photographer groups, however, see this as a nightmare proposal that will blast a huge hole in copyright law. They envision companies trolling the Internet for unclaimed images to resell.”
    Jerry Brito and Bridget Dooling, An Orphan Works Affirmative Defense
    to Copyright Infringement Actions
    , 12 Mich. Telecomm. Tech. L. Rev. 75
    (2005): “There might be a simple solution to the orphan works problem that respects the rights of copyright owners while freeing up works for which the rightsholders cannot be found. If a would-be user of a copyrighted work completes a reasonable search in good faith and fails to find the rightsholder, the user should be able to use the work. If she is later sued, she should be able to defend in court by showing that she diligently did her best to find the copyright owner.”

  • links for 2006-04-11


    • <div class="delicious-extended">
        Mmmm&#8230; 64 slices of American cheese&#8230;
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/ny">ny</a> <a href="http://del.icio.us/andrewraff/cheese">cheese</a>)
      </div>
      
    • <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/brooklyn">brooklyn</a> <a href="http://del.icio.us/andrewraff/boroughhall">boroughhall</a> <a href="http://del.icio.us/andrewraff/art">art</a>)
      </div>
      
    • <div class="delicious-extended">
        This is great
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/mets">mets</a> <a href="http://del.icio.us/andrewraff/rbibaseball">rbibaseball</a>)
      </div>
      
    • <div class="delicious-extended">
        Get there on time, or else
      </div>
      
      <div class="delicious-tags">
        (tags: <a href="http://del.icio.us/andrewraff/nyc">nyc</a> <a href="http://del.icio.us/andrewraff/classicalmusic">classicalmusic</a> <a href="http://del.icio.us/andrewraff/opera">opera</a>)
      </div>
      
  • Some links on network neutrality


    Susan Crawford: FCC/Congress; rules/no rules: “Now, in the substrate neutrality debate (still looking for a better term — maybe we should give up and go back to ‘information superhighway’ ideas — how about ‘open roads’?) I’ve come to believe that someone, some government actor, has to get involved.  This is a big shift, and it’s happening (for me, at least) because there isn’t any real competition in the market for unfettered internet access.  Indeed, there’s no competition at all in that marketplace.  All the big guys believe that they should own and control and prioritize.”
    Erick Schonfeld, B2Day: Powell Warns Net Neutrologists Not to Be Naive: “Former FCC chairman Michael Powell is up on the stage at the Freedom to Connect conference right now, and he warns the tech elite crowd here not to be naive about the dangers of asking Congress for legislation on Net Neutrality.”
    Dana Blankenhorn, ZDNet Open Source: Is the Network Neutrality bill in trouble?: “After a day at the Freedom2Connect conference outside Washington, I am afraid that Senator Ron Wyden’s Network Neutrality bill may be going nowhere this year.”
    Martin Geddes, F2C Network Neutrality Speech: “Within the current funding and construction approach to networks, I believe a network neutrality law is a tactical, practical, strategic and philosophical error. It takes us further away from Freedom to Connect.”
    Ed Felten discusses how a non-neutral internet would differ from today’s internet Discrimination, Congestion, and Cooperation: “I’ve been writing lately about the nuts and bolts of network discrimination. Today I want to continue that discussion by talking about how the Internet responds to congestion, and how network discrimination might affect that response.”
    David Weinberger: Why I don’t love my computer any more: “As DRM locks down my machine so that it becomes more like a TV, I’m going to feel more alienated from it.”
    Will the same thing happen if the Internet is balkanized into a series of somewhat connected proprietary network? In the absence of a law requiring network neutrality, will consumers have the market power to demand true internet access?

  • Assorted Reading


    Privacy and Anonymity
    Kevin F. Berry, Law.com: How to Unmask an Anonymous Blogger: “When does it make sense to spend the time and expense necessary to determine the identity of an anonymous blogger who is damaging the company?”
    New York Times: The Theater of the Street, the Subject of the Photograph: “The suit was dismissed last month by a New York State Supreme Court judge who said that the photographer’s right to artistic expression trumped the subject’s privacy rights. But to many artists, the fact that the case went so far is significant.”
    Digital Music and Movies
    At Last, Movies to Keep Arrive on the Internet – New York Times: “Six major studios plan to begin selling movies over the Internet today that buyers can download and keep for watching at any time.…New movies will cost about $20 to $30 to download”
    John Gruber, Daring Fireball: The iPod Juggernaut: “In short, and I mean this in the nicest way possible, Apple’s iPod competitors are totally fucked.”
    MP3 Insider: The truth about your battery life. It takes more processing power to play tracks with DRM. That processing power shortens the battery life of portable digital music players. “The Archos Gmini 402 Camcorder maxed out at 11 hours, but with DRM tracks, it played for less than 9 hours. The iRiver U10, with an astounding life of about 32 hours, came in at about 27 hours playing subscription tracks. Even the iPod, playing back only FairPlay AAC tracks, underperformed MP3s by about 8 percent.”
    British Court Hears Apple v. Apple and ‘Le Freak’: “In a clash of cultural icons, the Beatles’ record company, Apple Corps, wants Apple Computer to stop using its familiar logo, in the shape of an apple with a bite out of it, on the iTunes Music Store. Apple Corps contends that the use of the logo infringes on a 1991 agreement, which it says barred Apple Computer from using the logo in connection with the sale of music.”
    Copyright
    Creative Commons Canada: Dutch Court upholds Creative Commons licence: “Photographs made available on flickr.com under a Creative Commons Attribution-Noncommercial-Sharealike license may not be reproduced in a weekly magazine without the author’s permission.”
    Raymond Nimmer: Can I download it to try out the music?: “No, not unless the copyright owner permitted or invited that. The idea that downloading a file is permitted because it is so easy on Internet is simply wrong. Downloading is copying and infringement. Indeed, it can have massive adverse effects on copyright owners.”
    Slate: The Dan Brown Code: “Dan Brown, author of the mega-selling The Da Vinci Code, has brought forth his most thrilling piece of writing to date: a court document. Brown, who is being sued for copyright infringement in London by the authors of Holy Blood, Holy Grail, filed a 69-page witness statement with the British courts back in December.… In its textures—it is at turns snotty, contemplative, and disarmingly personal—it is clear Brown intended the brief less as a legal defense than as a literary memoir.”
    DRM
    Silicon Valley Media Law Blog: Materials from talk on DRM: law and technology
    Mark Cuban: Digital Rights Management – The coming collateral damage: “Unfortunately for content owners, digital rights/copy protection schemes have always proven crackable. No matter how smart the good guys think their programmers are, the bad guys have programmers that are just as smart. More importantly, the good guys have to build the perfect protection scheme, impenatrable by any of infinite number of possible attacks.”

  • Smithsonian & Showtime Agreement


    The NY Times reports on an deal between the Smithsonian Institution and Showtime: Smithsonian Agreement Angers Filmmakers: “On March 9, Showtime and the Smithsonian announced the creation of Smithsonian Networks, a joint venture to develop television programming. Under the agreement, the joint venture has the right of first refusal to commercial documentaries that rely heavily on Smithsonian collections or staff. Those works would first have to be offered to Smithsonian on Demand, the cable channel that is expected to be the venture’s first programming service.”
    The Patry Copyright Blog, with insightful comments from Fred von Lohmann and Joshua Wattles: Smithsonian Showtime Agreement: “The Smithsonian is not, as I understand it, attempting to exercise any copyright interests. It status on that score is a bit murky, although it is clear that suits against it have to be brought in the Claims Court not in federal district court. Instead, the issue centers on restrictions on access to the physical objects.”

  • In 2005, Music Went Digital


    The RIAA released year-end statistics for the US recorded music market. The NY Times reports: Music Industry’s Sales Post Their Sixth Year of Decline: “In the United States, overall shipments of music products, including CD’s and digital albums and singles combined, fell 3.9 percent last year.”
    According to the RIAA, physical unit sales dropped by 8% from 2004 and revenues from those sales dropped by 7.9%. In contrast, digital sales increased by 166.2% in terms of unit sales and 174.5% in revenue. The overall net effect was that total unit sales grew by 35.9% from 2004 and revenues declined by six tenths of one percent.
    At The Long Tail blog, Chris Anderson discusses the effect of the digital distribution market (and uses snazzy charts): Music Industry: Is digital making up the difference?: “In revenue terms the industry did about as well last year as it did before, and it’s worth noting that the margins on digital distribution are considerably higher because there are no physical goods to manufacture and ship. So 2005 may have been more profitable than 2004 (it certainly was for Warner Music Group). Who knew?”
    For the entire world, IFPI also released its 2005 year-end report: Digital formats continue to drive the global music market “Record company trade revenues from digital sales globally nearly tripled in value, from $400 million to $US 1.1 billion in 2005. The total number of digital single tracks downloaded online or to mobile phones rose to 470 million units, up from 160 million in 2004. The US, Japan, UK, Germany and France are the top five digital markets. In general, countries with a greater percentage of digital sales are the strongest markets for music sales overall.”
    The Silicon Valley Media Law Blog reports that PROs ASCAP and BMI also saw significant growth in new media revenue: PROs see leap in new media revenues: “Public performance rights organizations saw marked increases in new media revenues in 2005, according to their reported financial results.”
    Pitchfork interviewed attorney Steve Gordon about file sharing, copyright law, the record industry and PROs: Live at the Witch Trials: “I think the culture of the labels have been unable to adapt to the impact that new technology, particularly the web, has had on the recorded music. The labels, for many years, combined two basic characters– Ivy League-trained lawyers and savvy music business types with “ears.” Sometimes one executive was both– Clive Davis, for instance. But the one culture that was never present were techies. They are there now. But they do not call the shots. The Sony DRM debacle shows they still have no clue.”

  • Rumors


    The rumors of this blog’s demise have been greatly exaggerated. It’s just pining for the fjords.
    Instead of posting Linky Links, I’ve been playing around with del.icio.us for now.

  • IPTelligentsia Podcast: Satisfying the 21st Century Consumer (Part 2/2)


    Last week, the House Committee on Energy and Commerce Subcommittee on Commerce, Trade, and Consumer Protection held hearings on Digital Content and Enabling Technology: Satisfying the 21st Century Consumer. This is the second half of the podcast about these hearings, focusing in on fair use, DRM/TPM and anti-circumvention.
    IPTelligentsia Podcast: Satisfying the 21st Century Consumer (Part 2/2) (24:14, 22MB MP3).
    Related:
    Freedom to Tinker: Bernard Lang Reports on the Proposed French DRM Law
    Open Media Commons
    Eliot Van Buskirk, Wired News: Reasons to Love Open Source DRM
    Timothy B. Lee, Cato Institute: Circumventing Competition: The Perverse Consequences of the Digital Millennium Copyright Act
    David Pogue, NY Times: review of Slingbox
    Consumer Electronics Assoc: CEA Praises Digital Technology Hearing; Urges Congress to Resist Content Industry Pleas for Technology Mandates; Increased U.S. Jobs and Employment Thanks to Tech Innovation
    Broadcasting & Cable: Alternate TV Takes the Hill
    Previously: IPTelligentsia Podcast: Satisfying the 21st Century Consumer (Part 1)

  • F2C


    The Freedom to Connect conference about the future of the internet is happening down in the metro DC area today and tomorrow.
    Bloggers are on the scene, including David Weinberger.
    The conference organizers are streaming audio, too.

  • IPtelligentsia Podcast: Fair Use Hearings


    Yesterday, the House Committee on Energy and Commerce Subcommittee on Commerce, Trade, and Consumer Protection held hearings on Digital Content and Enabling Technology: Satisfying the 21st Century Consumer.
    Today’s podcast discusses the content of those hearings: IPtelligentsia Podcast: House Fair Use Hearings (29:13 MP3)
    I apologize in advance for the poor quality– technical problems (a bad microphone cable, I think) made it difficult to record, and as a result the presentation is less polished than usual. But this is the blogosphere, where timeliness reigns supreme.

  • Are Indecency Regulations Obsolete?


    The Authority to Regulate Indecency

    Broadcasting is an area where the government has a greater interest in regulating indecent speech than in other media. In FCC v. Pacifica Foundation, the Supreme Court upheld the Commission’s authority to prohibit indecent speech in the broadcast media and to punish broadcast licensees who air indecency. Two unique characteristics of broadcast allow the FCC to regulate indecent speech broadcasts, “pervasive presence” in the airwaves and its “unique accessibility” to children. These characteristics were balanced against the idea that indecent speech falls “at the periphery of First Amendment concerns.”
    Protecting children from inadvertent exposure to indecent speech represented the sort of interest that would allow the regulation of broadcast indecency. Both “the content and context of speech” are “critical elements” of the First Amendment analysis. Broadcast represents a pervasive presence in the household. The Court based its reasoning on a nuisance rationale under which “context is all-important.” Among the factors to be considered include the time of day of the broadcast, and how the content of the program will affect the composition of the audience. In contrast, the Supreme Court declined to extend the authority to regulate indecency to cable television and the internet because these media are not so pervasive. Citizens must make a conscious choice to subscribe to cable or to visit an internet location, while broadcast television permeates the airwaves and requires no subscription to view.
    Because it is possible to prevent minors from accessing indecency on cable television, the internet, and for telephony, the Court has applied strict scrutiny and struck down regulations on indecent speech in those media. These media lack the same sort of pervasive push into the home as broadcast and must be evaluated under strict scrutiny. The availability of channel-blocking or internet filtering technology provides a “feasible and effective means” of furthering its compelling interests, which is less restrictive to speech than a ban based on time-channeling. Filtering and blocking make it possible to exclude certain individuals from access. Justice Powell noted that broadcast lacked that power to exclude a discrete part of its audience and must rely on time channeling to achieve similar results, where protected speech is available, but not readily accessible to minors.
    Even with broadcast, an outright ban on indecency is impermissible under the First Amendment. Action for Children’s Television v. FCC. However, in order to target regulations of indecency to the times when children would be watching television or listening to the radio, a “time-channeling” approach is a “narrowly-tailored” regulation. A prohibition on indecent broadcasts outside of a 10 P.M. to 6 AM “safe harbor,” was found to be an acceptable balance of the First Amendment interests of adults with the public interest in preventing the broadcast of indecent speech to children. While other media are not regulated for indecency, the D.C. Circuit continued to single out broadcast for unique treatment, allowing that “radio and television broadcasts may properly be subject to different– and often more restrictive– regulation than is permissible for other media under the First Amendment.” Broadcast remains an anomaly within the Court’s First Amendment jurisprudence as the only field where government regulation of indecent, rather than obscene, speech is tolerated.
    As part of its delegated authority to regulate broadcasting, the FCC has the specific authority to regulate the broadcast of “obscene, indecent, or profane language.” The FCC’s authority to regulate indecency relies on the statutory authority in 18 USC §1464, which criminalizes the broadcast of “obscene, indecent, or profane language by means of radio communication.”
    The FCC Regulations prohibit licensees from broadcasting obscene material at all times and from broadcasting indecent material during the “safe harbor” period between 6 a.m. and 10 p.m. 47 C.F.R. §73.3999. In order to qualify as indecent, material must describe or depict sexual or excretory organs or activities and the broadcast must be patently offensive as measured by contemporary community standards for the broadcast medium.

    Does technology obsolete indecency regulations?

    In Pacifica, the Court justified regulating indecency on broadcast because of the unique characteristics of the broadcast medium, its “pervasive presence” in the airwaves and its “unique accessibility” to children. Today, however, the technological and media environment is sufficiently different that these circumstances may not justify limiting indecent speech on broadcast more than on cable television, satellite television, satellite radio, or the internet.
    Nearly 90% of all households in the US have access to television through cable or satellite. For the vast majority of Americans, broadcast stations are just part of the televised content available. Cable and Satellite are not subject to indecency regulation because they are subscription services (one is less likely to unwittingly experience an indecent cablecast in their house than an indecent broadcast) and because they allow subscribers to filter out channels showing indecent content.
    The V-chip allows television viewers to filter out content that may be indecent. Section 551 of the Telecommunications Act of 1996 encouraged the broadcast and cable industry to “establish voluntary rules for rating programming that contains sexual, violent or other indecent material about which parents should be informed before it is displayed to children,” and to voluntarily broadcast signals containing these ratings. Televisions equipped with the v-chip allow parents to block undesirable programming at the time it enters the home.
    All televisions sold in the US since Jan. 1, 2000 are equipped with the V-chip. Initially, parents were enthusiastic about the prospect of the v-chip. A 1999 Kaiser family foundation survey found that 77% of parents surveyed would use the v-chip to block shows they didn’t want their children to watch. Yet, in 2004, usage of the V-chip stands at fewer than 15% of households, even though 74% have a v-chip equipped television. Researchers from the Annenberg Public Policy Center gave V-chip equipped television sets to families in Philadelphia and instructed the families on how to use the v-chip. After one year, only 30% of the families ever tried using the V-chip and only 8% of the families used the blocking feature regularly.
    The FCC is preparing to transition broadcast television from conventional analog television to new digital technology sometime during the 21st century. DTV transition requires new sets or digital tuner converter equipment that will have the V-chip. At that point, all televisions capable of receiving broadcast television will have the V-chip and it will be as easy to filter broadcast television, as it is to filter cable television. Additionally, digital multicasting will ameliorate spectrum scarcity and allow broadcasters to increase the number of channels of content. Multicasting will also allow broadcasters to offer detailed metadata about the programs on subchannels. This data may include detailed information about potentially indecent content.
    These new technological developments in broadcast offer arguments that the the special circumstances that justify regulating broadcast indecency may no longer exist.
    In the 2004 Super Bowl Halftime Show Forfeiture Order, the Commission notes that the Supreme Court “expressly recognized in Reno the ‘special justifications for regulation of the broadcast media.'” The Commission finds that the availability of the V-Chip does not change the need for broadcast indecency regulations, because the V-chip “cannot be utilized to block sporting events such as the Super Bowl because sporting events are not rated.” In a footnote, the Commission agrees that the V-chip is an important protection outside the context of exempt programming, “but it does not eliminate the need for enforcing [the] indecency rule or undermine the constitutionality of that rule.”
    However, the mere fact that sports and commercials are unrated under the V-chip scheme might not protect broadcast indecency regulations. Wouldn’t the least restrictive means of regulating speech be to require that commercials and sports programming are rated by the V-chip and then letting individual parents decide what programming can enter their houses?
    If a court can find that sufficient safeguards exist to protect children from indecent content on broadcast television, then the First Amendment may prohibit indecency regulation. However, broadcasters may always be subject to greater obligations than cable and internet video distributors. Under the “public trustee” model of spectrum rights, broadcasters do obtain a broadcast licensee and the rights to valuable spectrum from the public and should have some obligation to serve the public. The safe harbor does serve a public policy by making a pragmatic decision to offer parents a set of “safe” channels that children can watch without concerns about indecency.

  • Chilling Effects from Broadcast Indecency Regulations?


    The most recent FCC rulings on broadcast indecency caused the WB to edit a new show. The NY Times reports: WB Censors Its Own Drama for Fear of F.C.C. Fines

    The pilot episode of “The Bedford Diaries,” which concerns a group of college students attending a class on human sexuality, had already been accepted by WB’s standards department. After the F.C.C. decision last week to issue millions of dollars in fines against broadcast stations, the network’s chairman, Garth Ancier, contacted Mr. Fontana and asked him to edit a number of specific scenes out of the show, including one that depicted two girls in a bar kissing on a dare and another of a girl unbuttoning her jeans.

    The network’s standards and practices department previously cleared the show to air, believing that it would not run afoul of the indecency regulations.
    Even if networks do not edit shows because of indecency regulations often, the constraints imposed by the indecency framework do affect the creative content of television. In some cases, these constraints compel writers to find alternative means of expression.
    Battlestar Galactica uses the made-up word “frack” as an all-purpose expletive. The super-cheesy original Battlestar Galactica series, with Lorne Greene, invented the fracking expletive (along with, um, especially creative measures for time and currency.) As a result, though, dialogue on Galactica has its own particular tone and rhythm. If it used the normal English equivalents, the show might sound more like The Sopranos, just with the Jersey accents toned down a bit. Salon.com’s Video Dog has a compilation of clips incorporating the word: Motherfracker!
    In another way, writers can build on the fact that networks will bleep the worst language. In a first-season episode of Arrested Development, Bringing Up Buster, the writers sent Buster on a 10-second long tirade, where we hear “cause I’m an uptight…[bleeeeeeeeep]…Buster…[bleeeeeeeep]… you old horny slut!” The video shows only the other characters’ (Michael, GOB and Lindsay) horrified reactions. The result is more offensive than anything the writers could think up, because those 10 seconds are filled with the foulest language each viewer can imagine, and that language may be different for each imagination.

  • Broadcast Indecency Regulation: The Profanity Standard


    In Complaints Regarding Various Television Broadcasts Between February 2, 2002 and March 8, 2005 (FCC 06-17, Mar. 15, 2006), the FCC discussed the standard used for determining when broadcasters violate the prohibition on broadcast profanity. The broadcast of “obscene, indecent, or profane language by means of radio communication” is prohibited. 18 USC

  • Broadcast Indecency Regulation: The Indecency Standard


    Last week, the FCC released its latest three rulings concerning indecency regulations:

    1. Complaints Regarding Various Television Broadcasts Between February 2, 2002 and March 8, 2005. (FCC 06-17, Mar. 15, 2006)
    2. Complaints Against Various Television Licensees Concerning their December 31, 2004 Broadcast of the Program “Without A Trace” (FCC 06-18, Mar. 15, 2006)
    3. Complaints Against Various Television Licensees concerning their February 1, 2004 Broadcast of the Super Bowl XXXVIII Halftime Show (FCC 06-19, Mar. 15, 2006)

    With the Omnibus Order, the FCC has attempted to provide broadcasters some guidelines about the scope of the indecency and profanity standards as well as the formula the Commission uses to assess forfeitures. The Commission proposed forfeitures for six programs. Furthermore, the Commission found an additional four broadcasts indecent and/or profane, but declined to propose a forfeiture because those broadcasts occurred between the initial Golden Globe ruling, which indicated that a single, exclamatory use of the word “fucking” would not violate indeceny regulations, and the subsequent ruling that reversed that decision.
    The Golden Globes Rulings
    During the “Golden Globes Awards” broadcast in January 2003, U2 singer Bono uttered the phrase “this is really fucking brilliant” while accepting an award. In response to complaints, the FCC Enforcement Bureau ruled that such a use– a single use of the word as an intensifier– does not rise to the level of indecency. Golden Globes I. This decision was consistent with previous FCC rulings, but led to a vocal critique of this approach to indecency by those members of the public and members of Congress who support stringent regulations on broadcast indecency.
    The Commissioners reevaluated the ruling and used the opportunity to reevaluate the Commission’s entire approach to isolated or fleeting broadcasts. The Commission decided that even a single utterance of certain words can make a broadcaster liable for violating indecency regulations. Golden Globes II “While prior Commission and staff action have indicated that isolated or fleeting broadcasts of the ‘F-Word’ such as that here are not indecent or would not be acted upon, consistent with our decision today we conclude that any such interpretation is no longer good law.”
    While prior indecency rulings found that isolated and accidental uses of an expletive were not worth sanctioning, under the Golden Globes II standard, a single use of the “f-word” may be considered indecent, because it is “one of the most vulgar, graphic and explicit descriptions of sexual activity in the English language” and its use “invariably invokes a coarse sexual image.”
    The FCC stopped short of declaring any utterance of “fuck” to be per se indecent. Rather, the Commission based its ruling on a “reasonable expectation” test, made possible by the current technologies available to broadcasters. If a broadcast licensee should have a reasonable expectation of a live broadcast containing indecent or profane speech, the licensee is required to take measures to ensure that a single instance of indecent or profane language does not reach the public airwaves. In addition to finding that the Golden Globes broadcast violated the prohibition on broadcast indecency, the Commission ruled that the broadcast of Bono’s statement also ran afoul of the prohibition on broadcast profanity.
    This post will discuss only the standard for determining what speech is indecent and not on the other part of the ruling– where the Commission discusses the forfeiture procedure. Writers and performers, not just broadcasters, are affected by these rules. The standard for indecency has significant implications for whether broadcast can be a medium for discussion of serious issues as well as a direct effect on the form and content of creative works not only intended for broadcast, but that may be repurposed and end up on broadcast at some point in the future.

    The Indecency Standard

    In order to be subject to indecency regulation, the subject material must fall within the scope of indecent content. That is, the material must “describe or depict sexual or excretory organs or activities in terms patently offensive as measured by contemporary community standards for the broadcast medium.”
    Violence
    Broadcast violence may be disturbing and offensive, but it can not be indecent, because the Commission’s definition of indecency extends to sexual and excretory organs and activities. The Commission dismisses a complaint about an episode of “Medium,” where, during a therapist session between a husband and wife, “the husband stands up and faces the wife… pulls out a gun from his waist and shoots his wife in the face” can not be indecent, because there is no description or depiction of sexual activities.
    So, the most violent scenes from, say, The Sopranos could be broadcast without the threat of indecency fine, so long as the scenes do not contain sexual content or foul language, while a less disturbing and even comic scene could give rise to indecency liability for the broadcaster because of language or the depiction of sexual organs or activities.
    Single Use Standard
    With the omnibus order, the Commission affirms the Golden Globes II rule that a single use of the word “Fuck” is sufficient to be both indecent and profane. The Commission expands the rule, holding that “a single use of the word ‘shit’ and its variants” is both indecent and profane.
    Because of the “core meaning of the ‘F-Word,’ any use of that word inherently has a sexual connotation and falls within the first prong of [the Commission’s] indecency definition.” Because the core meaning of the word shit (and its derivatives) refers to excretory activities, using this same logic, any use of the word falls within the scope of the indecency definition.
    Patently offensive
    The second prong of the indecency determination is whether the material is patently offensive by contemporary community standards. In determining whether material is patently offensive, the Commission considers “the full context in which the material appeared is critically important.” Three factors are cited as the most significant:

    1. the explicitness or graphic nature of the description
    2. whether the material dwells on or repeats at length descriptions of sexual or excretory organs or acticities; and
    3. whether the material panders to, titillates, or shocks the audience

    These three factors are not exclusive. The Commission may take into account other relevant considerations. A broadcast does not have to include all three factors to be found indecent. A single inherently sexual or excretory word (e.g. fuck or shit) or brief image may give rise to indecency liability without dwelling on that word or image.
    Language
    With some exceptions, almost any use of the words “fuck” or “shit” will make broadcasters liable for violating indecency standards. The Commission found public broadcaster KCSM violated indecency regulations by airing part of Martin Scorsese’s “The Blues: Godfathers and Sons.” The Commission found that the use of repeated foul language was not necessary to express any particular viewpoint of an interview subject in the documentary. Instead, the repeated use of “vulgar, explicit, graphic” language is actionably indecent.
    The Commission found uses of the word “shit” and its derivatives– including “bullshit,” “bullshitter,” and “owl shit”– to be actionably indecent.
    Where the broadcaster has knowledge concerning the use of the foul word, the broadcaster must take reasonable steps to prevent the broadcast of that word. Based on the Golden Globes II ruling, an exclamatory use of “vulgar sexual and excretory terms” during a live broadcast is actionable indecency. A broadcaster can avoid the indecency violation by simply “airing the show on a delay sufficient to ensure that all offending words are blocked.” Children are apparently very likely to watch the broadcast of an awards show, so broadcasters are required to make efforts to avoid airing even spontaneous outbursts of indecency.
    The Commission did not propose forfeitures for the Fox broadcasts of the 2002 and 2003 Billboard Music Awards because broadcasters were not on notice that such content would violate indecency standards. These broadcasts occurred after the Commission ruled that an exclamatory use of “fuck” was not indecent, but before the Commission overruled its earlier decision in the Golden Globes II ruling.

    Nicole Ritchie in 2003: “Have you ever tried to get cow shit out of a Prada purse? It’s not so fucking simple.”
    Cher in 2002: “People have been telling me I’m on the way out every year, right? So fuck ’em.”

    A single use of the word “fuck” is not, however, indecent where the use is not part of the primary expression of the broadcast. Where the word appears on the side of a train, out of focus and in the background, that use is not graphic or explicit. The Commission found that a broadcast of “The Amazing Race” which contained this scene for three seconds was not indecent, because the image is not patently offensive.
    tar_breedingandbreeding.jpg
    Even numerous and repeated uses of foul language may not be indecent. The Commission received “numerous complaints” about a 2004 episode of “The Oprah Winfrey Show” that focused on the movie “Thirteen,” teenage sexual practices and slang. The Commission found that the lengthy discussion and explanation of terms like “a tossed salad” was not indecent. The language was in the context of a segment “The Secret Language of Teens” with an educational purpose (teaching parents about the otherwise innocuous language teens use to describe explicit sexual acts) and not to pander, shock or titillate.
    The use of words that are not derived from “fuck” and “shit” will generally not violate the indecency standard. “Hell,” “bitch,” “slutty” and “damn” do not refer to sexual or excretory organs or activity and are outside the subject matter scope of indecency. “Dick,” “dickhead,” “ass,” “up yours,” “my ass is huge,” “wiping his ass,” “fire her ass,” and “pissed off” are not sufficiently vulgar, graphic or explicit to support a finding of patent offensiveness.
    Depiction of Sexual Activities
    Even where nudity is obscured by pixellation or clothing, on-screen depictions of sexual activity may be sufficiently graphic to be indecent.
    An episode of “The Surreal Life 2,” included a 10 minute sequence depicting a pool party that Ron Jeremy, “a veteran actor in pornographic movies,” threw for “twenty of his friends in the pornographic movie industry.” Even though nudity was obscured by pixilation, it is “unmistakable that partygoers are exposing and discussing sexual organs as well as participating in sexual activities” in the full context of the scene, which dwells on sexual organs activities and panders to, titillates and shocks the audience.
    “Close-up shots of thong-clad buttocks, breasts and crotches, as well as females fondling their breasts, buttocks and genital areas while they dance, gyrate, and fondle one another in a sexually suggestive manner” in a Spanish-language music video are indecent because they are explicit and graphic, repeated, pandering and titillating.
    While female cartoon characters dancing in lingerie falls within the subject matter of the indecency standard, a Simpsons episode containing such images is not indecent. The episode is not sufficiently graphic and explicit. “No cartoon character is shown completely nude, and there are no clear depictions of physical contact involving the cartoon character’s sexual organs in the scene.”
    Where only a mere insinuation of sex is shown, as in a 2005 episode of “Alias” or a commercial for Golden Phoenix Hotel & Casino, such insinuation is not sufficiently graphic and explicit to be considered indecent. Broadcasting a fully-clothed football player who pretends to “moon” the crowd after scoring a touchdown is not graphic or explicit. The celebration is not dwelled upon and the broadcast and is not indecent.
    The Spanish language movie “Con El Corazón En La Mano,” is found indecent, because it depicts “a woman being savagely attacked and raped in a public restroom.” Even though the participants remain clothed, the sexual nature of the scene is unmistakable. The intensity, length and violent nature of the scene make it shocking and disturbing enough to be indecent.
    Depiction of Sexual Organs
    The Commission finds indecent a 15 minute segment of the “Fernando Hidalgo Show” (a Spanish-language talk show) featuring and dwelling upon a female guest wearing “an open-front dress, with her nipples covered, but her breasts otherwise fully exposed.” This segment is indecent because of the length of the segment and the fact that the camera angles and zooms focus on the guest’s breasts in order to shock, pander to and titillate the audience. A comedic purpose does not negate a finding of indecency.
    Even a brief display of a breast may give rise to indecency liability, if such a display is part of a performance which “discusses or simulates sexual activities” in order to pander to, titillate and shock the viewing audience.
    An episode of “Will and Grace” includes a number of scenes where various characters “appear to touch Grace’s breast area.” Because it is “primarily to enhance her appearance during her date rather to elicit a sexual response,” this broadcast is neither graphic nor explicit and therefore not indecent.
    Non-sexual references to or displays of sexual organs are not indecent if they do not shock, pander or titillate.
    Grabbing a man’s genitals to perform a hernia check or to help the man hit the nigh notes while singing the national anthem is not indecent. (It may not be funny, either, but that is, fortunately, outside the scope of the Commission’s jurisdiction.) When not used to shock, pander or titillate, repeated uses of the word “penis” and euphemisms for that word are not indecent when discussing the organ in the absence of explicit or graphic descriptions or depictions.
    The brief display in “The Today Show” of a man’s penis during news footage of a rescue from a flood is not indecent. The overall focus of the scene was on the rescue attempt. The Today Show scene is neither explicit nor graphic and does not dwell upon the images of a sexual organ. This may be distinguished from In re: Young Broadcasting of San Fransisco, where a broadcast featuring “Puppetry of the Penis” was ruled indecent, because that segment focused and dwelled on the performers’ genitalia.

  • Programming Notes


    Why has this blog sucked more than usual lately? A few reasons. Mainly, getting back into searching for a job after the bar exam redux is difficult. I realized that I turned a year older and am much less of an adult than I thought I’d be at this point in my life.
    I recorded a podcast about the House Judiciary Committee hearing on Orphan Works and then realized that everything I said was incomprehensible, because I had been using a bad microphone cable. Oops.
    But also, because I have been working on a few different nascent web and law projects. In addition to a lot of time getting reacquainted with Movable Type, I have a legal pad full of outlines and notes for writing a book version of this site, with everything that the blog lacks– organization, a thesis and structure. Not necessarily groundbreaking, but it could be mildly interesting.
    On with the show and out with the programming notes

  • Miscellaneous Reading


    Tomas A. Lipinski, ASIS&T Bulletin: The Legal Landscape After MGM v. Grokster: Part 2, Understanding the Impact on Innovation: ” Will the ‘inducement’ rule created by the Supreme Court in Grokster stifle development of Internet technology or other copyright-related technologies? Will the Groskter rule prove more restrictive than the Sony ‘substantial noninfringing uses’ rule?”
    In the BU Journal of Science and Technology, Andrew E. Jankowich discusses the relationship between virtual worlds and “real world” law, focusing on the role of property in virtual worlds and the “cross-border problem”– that is, how virtual worlds deal with the fact that their denizens are citizens of real world states: Property and Democracy in Virtual Worlds.
    Waxy.org’s Andy Baio received a cease and desist letter from Bill Cosby: “Because it takes so little effort to threaten a small web-based artist (or the blogger who hosts their work), the Net is constantly targeted regardless of just cause. Justin Roiland, creator of House of Cosbys, and Channel 101 were forced to remove House of Cosbys because they couldn’t afford the possibility of an actual lawsuit. But I can, and I’m not backing down unless ordered by the court. This is free speech and creative freedom, and even though it’s just one guy’s goofy labor of love, that’s worth fighting for, dammit.”
    Tower Records will start a podcast service, according to Forbes: Take My Music, Please: “The 90-store chain plans to open a new online service this summer that lets consumers create their own podcasts–audio and video shows designed to be downloaded onto a computer or portable media player–using a catalog of some 6,000 songs, which Tower will provide free of charge.”
    The NY Times reports: New York Is Sued by U.S. on Delay of Vote System:

    The Justice Department sued New York State on Wednesday for failing to overhaul its election system and replace its aging voting machines. It is the first lawsuit the federal government has filed to force a state to comply with the voting guidelines enacted by Congress after the 2000 election debacle.

    Related: Help America Vote Act of 2002
    The Wall St. Journal’s Lee Gomes learns how to create “original content” for the web: Our Columnist Creates Web ‘Original Content’ But Is in for a Surprise:

    There is a new and insidious threat to the World Wide Web: a slowly rising tide of “original content” on Internet sites that is at best worthless, and at worst possibly even dangerously inaccurate.

    This is yet another reminder of how important it is to teach information literacy and critical reading/research skills in schools (and to adults, too.)

  • Generation MySpace


    Social networking behemoth MySpace is the latest trend gone bad.
    Daily Show correspondent Demetri Martin reported on MySpace and interviewed NYU communications professor Siva “Dr. Smallbeard” Vaidhyanathan. Martin’s final analysis:

    Upside: Great way to meet people all over the world.
    Downside: They’re full of sexual preditors.
    Upside: They’re full of sexual prey.

    The Daily Show: Trendspotting: Social Networking
    LibraryTechtonics Social networking and Treos on The Daily Show
    Newsweek: ‘Predator’s Playground’?: “MySpace and similar sites like Xanga are extremely popular among teens and young adults who post profiles, photos and blogs—often chock-full of revealing personal details for all the world (including predators) to see. ”
    Wired News: Scenes From the MySpace Backlash: “In recent weeks newspapers from the San Francisco Chronicle to the Rutland Herald have pressed out stories — often on the front page — with headlines like ‘Online Danger Zone’ and ‘The Trouble With MySpace.’ An NBC Dateline show in January colored MySpace ‘a cyber secret teenagers keep from tech-challenged parents.'”
    NY Times: Pirro Attacks a Web Site as a Threat to Youths: “Jeanine F. Pirro, the Republican candidate for attorney general, has begun an attack on MySpace.com, the Internet social network for teenagers and young adults, saying that it represents a threat to child safety.”
    Social networking researcher Danah Boyd analyzes why teens use sites like MySpace: Identity Production in a Networked Culture: Why Youth Heart MySpace:

    While youth are influenced by the media’s version of 20somethings, they rarely have an opportunity to engage with them directly. Just as teens are hanging out on MySpace, scenesters, porn divas and creature of the night are using MySpace to gather and socialize in the way that 20somethings do. They see the space as theirs and are not imagining that their acts are consumed by teens; they are certainly not targeted at youth. Of course, there _are_ adults who want to approach teens and MySpace allows them to access youth communities without being visible, much to the chagrin of parents. Likewise, there are teens who seek the attentions of adults, for both positive and problematic reasons.

  • NSA Warrantless Electronic Surveillance Reading List


    Here are some links discussing the Constitutionality of the Bush Administration’s warrantless electronic surveillance program as well as related issues:
    Congressional Research Service: Presidential Authority to Conduct Warrantless Electronic Surveillance to Gather Foreign Intelligence Information: “This memorandum lays out a general framework for analyzing the constitutional and statutory issues raised by the NSA electronic surveillance activity. It then outlines the legal framework regulating electronic surveillance by the government, explores ambiguities in those statutes that could provide exceptions for the NSA intelligence-gathering operation at issue, and addresses the arguments that the President possesses inherent authority to order the operations or that Congress has provided such authority.”
    US Department of Justice: Legal Authorities Supporting the Activities of The National Security Agency Described by the President: “As the President has explained, since shortly after the attacks of September 11, 2001, he has authorized the National Security Agency (“NSA”) to intercept international communications into and out of the United States of persons linked to al Qaeda or related terrorist organizations. The purpose of these intercepts is to establish an early warning system to detect and prevent another catastrophic terrorist attack on the United States. ”
    Morton H. Halperin (Open Society Institute/Center for American Progress) and Jerry Berman (Center for Democracy & Technology): A Legal Analysis of the NSA Warrantless Surveillance Program : “The government’s defense of the NSA program rests on both a claim of inherent powers and a claim of statutory authorization. This memorandum examines these arguments and concludes that they lack serious merit. It also explains why the administration’s end-run around FISA has not served the national security interests of the country and has undermined the civil liberties of the American people.”
    Peter Swire, Center for American Progress: Legal FAQs on NSA Wiretaps: “Based on the facts available to date, the wiretap program appears to be clearly illegal.”
    Orin Kerr: Legal Analysis of the NSA Domestic Surveillance Program: “Although it hinges somewhat on technical details we don’t know, it seems that the program was probably constitutional but probably violated the federal law known as the Foreign Intelligence Surveillance Act. My answer is extra-cautious for two reasons. First, there is some wiggle room in FISA, depending on technical details we don’t know of how the surveillance was done. Second, there is at least a colorable argument — if, I think in the end, an unpersuasive one — that the surveillance was authorized by the Authorization to Use Miltary Force as construed in the Hamdi opinion.”
    All Volokh Conspiracy posts on Warrantless Wiretapping
    A group of prominent Constitutional Law professors wrote a letter to key members of Congress: “Although the program’s secrecy prevents us from being privy to all of its details, the Justice Department’s defense of what it concedes was secret and warrantless electronic surveillance of persons within the United States fails to identify any plausible legal authority for such surveillance. Accordingly the program appears on its face to violate existing law. ”
    John Markoff, The New York Times: Taking Spying to Higher Level, Agencies Look for More Ways to Mine Data: “A small group of National Security Agency officials slipped into Silicon Valley on one of the agency’s periodic technology shopping expeditions this month. On the wish list, according to several venture capitalists who met with the officials, were an array of technologies that underlie the fierce debate over the Bush administration’s anti-terrorist eavesdropping program: computerized systems that reveal connections between seemingly innocuous and unrelated pieces of information.”
    Matthew Segal, FindLaw’s Writ: Why the Bush Administration’s Legal Stance on “Don’t Ask, Don’t Tell” Undermines Its Legal Stance on the NSA’s Warrantless Wiretapping: ” If Bush truly believed that he had both the legal power and the obligation to make security the country’s first priority, he would have attempted to scrap ‘Don’t ask, don’t tell.'”
    Yesterday, the Senate Judiciary Committee held a hearing: Wartime Executive Power and the NSA’s Surveillance Authority II
    Marty Lederman discusses a bill introduced into the Senate by Judiciary Committee Chair Arlen Specter: Mother of Mercy, Is This the End of FISA?!* “This bill would appear to do absolutely nothing to address whether the current and ongoing program(s) is (are) permisisble under current law — that is to say, it would not seek to facilitate judicial review of the AUMF and Article II arguments on which the Administration is relying.”
    AP: Lawsuit Alleges Illegal Wiretaps by NSA: “Civil rights attorneys have sued the National Security Agency, claiming it illegally wiretapped conversations between the leaders of an Islamic charity that had been accused of aiding Muslim militants and two of its lawyers.”
    More links are available through the Wikipedia entry: NSA Warrantless Surveillance Controversy

  • The Simpsons and the First Amendment


    The McCormick Tribune Freedom Museum released a study that more Americans can name the 5 members of TV’s Simpsons family than can name the 5 rights enumerated in the First Amendment: Americans’ Awareness of First Amendment Freedoms

    The five essential freedoms contained in the First Amendment are freedom of religion, speech, the press, assembly, and to petition the government for redress of grievances.… Although 72% were able to name at least one of these rights correctly, this fell to only 28% who could name two or more, only 8% who could name three or more, only 2 percent who could name four or five. Remarkably, only one person of the 1,000 interviewed was able to correctly name all five freedoms.
    Although unaided recall of the five First Amendment freedoms drops off quickly after freedom of speech, this is not the case for some aspects of popular culture. The TV cartoon show “The Simpsons” has five main characters that Americans remember much more readily. While only one in a thousand were able to name
    all five freedoms contained in the First Amendment, one out of five Americans can name all five of the Simpson characters.

    The Chicago Tribune interviewed Columbia Law Prof. Michael Dorf for its report on the survey: About those 1st Amendment rights, Doh!: “‘It’s obvious what should happen here,’ Dorf said. The Constitution ‘should be featured in an episode of `The Simpsons.””
    While The Simpsons may have never done an episode focusing on the right to petition the Government for greivances, any discussion of the show and Constitutional Law together has to mention The Amendment Song (From episode 3F16, “The Day the Violence Died”):

    I’m an amendment-to-be, yes an amendment-to-be,
    And I’m hoping that they’ll ratify me.
    There’s a lot of flag-burners,
    Who have got too much freedom,
    I want to make it legal
    For policemen to beat’em.
    ‘Cause there’s limits to our liberties,
    At least I hope and pray that there are,
    ‘Cause those liberal freaks go too far.

    Audio: [The Amendment Song][4] (2.1 MB .M4A)
    (via [How Appealing][5])

    [4]: www.iptablog.org/podcast/1… The Day The Violence Died (Medley).m4a [5]: http://legalaffairs.org/howappealing/030106.html#011732

  • Some TV Notes


    TV may not be so bad for you. The NY Times reports: Study Finds Test Scores Not Lowered by Television: “Does television rot children’s brains? A new study by two economists from the University of Chicago taps into a trove of data from the 1960’s to argue that when it comes to academic test scores, parents can let children watch TV without fear of future harm.”
    Arrested Development
    The season 3 finale certainly felt like a final series finale. If the show is over, it went out well. The final four episodes were packed full of the running jokes that make the show such a joy to watch (and probably make the show difficult to get in to.)
    Slate’s Troy Patterson found these same characteristics made the finale less than enjoyable for him: Farewell to the Bluths: “Where the show had a wide dada streak, the last four episodes of its third season bristled with dadaist hostility toward its audience, or perhaps its nonaudience, and toward TV itself, as if to say, “Screw you, too.””
    In the NY Times, Alessandra Stanley: A Quick End to the Cult Series That Lived Up to Its Name: “The Bluths are deliciously self-centered and absurd, the dialogue is quick and corrosively funny, and yet “Arrested Development” is not addictive. It is possible to fully enjoy one episode and not feel compelled to see what happens next.”
    Page Six reports that Showtime has picked up AD for a 26 episode order.
    Battlestar Galactica
    I haven’t watched the latest episode (“Downloaded”) yet, but this second half of season 2 has gone by incredibly quickly– perhaps because the middle few episodes (articularly “Black Market”) were weaker than the norm. Fortunaely, there is a lot on the table for these final 3 episodes.
    Showrunner Ron Moore’s podcasts are worthwhile to listen to, as he discusses the decisions that the writers and producers made for each episode and for his take on what works and what doesn’t work.
    Lost
    Lost is starting to lose me. We haven’t learned anything new about any of our core characters. Each Jack flashback episode seems to reveal that he is even emptier than he seems. Fortauntely, the last two shows (Sawyer-centric and Sayid-centric) were better than before. The problem with Lost is that the questions are more interesting than the answers, but leaving only questions without answers is going to be very unsatisfying.
    One of the Museum of Television and Radio bloggers agrees: Living in the Land of Lost

    Of course, Lost is not perfect. There are holes, big holes, and season 2 is paling in comparison to season 1. Some stories are redundant at best (enough about Jack and his troubled soul – conflicted by just about every human relationship he has), while others are totally unbelievable at worst (that the plane full of smuggled heroin – that, ironically enough, Charlie is addicted to – was loaded by Mr. Eko back in Nigeria, and contains the body of his brother too. Phew! Come on already!). And for as many interesting characters that have been developed, there are equally as many unlikable, one-dimensional ones (um…Ana Lucia, please go away. Now, please!).

    The Sopranos
    The Sopranos are coming back! The Sopranos are coming back! The grandaddy of character and arc heavy serial dramas paved the way for shows like Lost, Galactica and even Arrested Development. But The Sopranos is bigger than any of its followers. And it’s set in New Jersey!
    The Sopranos Google Map highlights key locations in NY and NJ where last season’s key developments occurred.

  • Pro Bloggers and Prof Bloggers


    The Pro Bloggers
    New York Magazine: Blogs to Riches – The Haves and Have-Nots of the Blogging Boom: “By all appearances, the blog boom is the most democratized revolution in media ever. Starting a blog is ridiculously cheap; indeed, blogging software and hosting can be had for free online. There are also easy-to-use ad services that, for a small fee, will place advertisements from major corporations on blogs, then mail the blogger his profits. Blogging, therefore, should be the purest meritocracy there is. It doesn’t matter if you’re a nobody from the sticks or a well-connected Harvard grad. If you launch a witty blog in a sexy niche, if you’re good at scrounging for news nuggets, and if you’re dedicated enough to post around the clock—well, there’s nothing separating you from the big successful bloggers, right?”
    The key, of course, is not to start up in an already saturated niche, but to find a new niche.
    Wired News: How to Almost Live on Blogging: “There are people who make a living blogging, but if you’re going to do it on your own, you darn well better have a ton of traffic. There are 10 million lonely bloggers and people probably only read a few thousand. If you’re going to make serious money off this, it’s a serious time commitment.”
    Daniel Gross, Slate: Twilight of the Blogs Are they over as a business? “As a cultural phenomenon, blogs are in their gangly adolescence. Every day, thousands of people around the world launch their blogs on LiveJournal or the Iranian equivalent. But as businesses, blogs may have peaked. There are troubling signs—akin to the 1999 warnings about the Internet bubble—that suggest blogs have just hit their top.”
    We may be in the middle of the blog bubble. But saying that blogs are over as business tools is like saying that the internet is over. A publisher must simply have a raise d’être beyond simply posting frequently in reverse chronological order to create a business.
    Jason Fry, The Wall Street Journal: Blog Epitaphs? Get Me Rewrite: “Maybe you’ve heard: Blogs are a vanishing fad — this year’s digital Pet Rock. Or a business bubble about to pop. Or a sucker’s bet for new-media fame seekers.”
    Don’t forget that a large number– if not the vast majority– of blogs are not intended to be part of the media, but simply to be a way to connect to friends and family or to keep track of info for future personal use.
    The Prof Bloggers
    National Law Journal: Blogging law profs assault ivory tower “An increasing number of law professors are using blogs-online journals or newsletters-to break free from traditional modes of legal scholarship. With an immediacy and ability to reach millions of readers, blogs are proving an attractive vehicle among legal scholars for spouting and sharing ideas. ”
    James Edward Maule: In Defense of Law Blogging: Part Two: “From my vantage point, it appears that the so-called traditionalists are beginning to sense the threat to their way of academic life that blogs, and technology generally, pose. Understandably, they seem concerned that the foundations of the think/write/publish routine to which they are accustomed and with which they are comfortable are beginning to crumble. The irony is that the approach held so dear by traditionalists probably isn’t old enough to qualify as a tradition.”
    Rick Garnett, Prawfsblawg: Scholarship or Cyber Chit-Chat?
    “Look, of course it is true that most blogging looks a lot more like ‘chit chat’ than like ‘scholarship.’ But isn’t there a pretty big chunk of middle ground here? My sense is that — at least in the law-blogger world — a fair bit of what gets blogged and blogged about does ‘have [something] to do with scholarship’: People blog about what others are writing about, about what they are writing about, about what they plan to write about, or what they tried to write about.”

  • Net Neutrality Reading List


    If telecom and cable companies have their way, a new Telecommunications Act will allow them to create preferred tiers of service. The cable and telecom companies argue that this is the only way to make voice over IP and streaming media services sufficiently reliable to compete with traditional telephony and broadcast/cable/satellite.
    Allowing preferential treatment will end the democratic experiment of the internet. Publishing online lowers the barriers to entry and promotes both creativity and free speech. A tiered internet service favors established interests over individuals. Such a plan could make it difficult for individuals to engage in broadcasting or publishing rather than simple communication.
    This issue means more for the future of the internet than the price. It could affect the way that networks are linked together. To make the public interested in this issue before legislation passes, I fear that the proponents of network neutrality need to find a better term than the technically accurate, but un-sexy “network neutrality” to gain substantial public support. Perhaps “the freedom to connect”?
    Here are some links about the fight over the future of internet access in the US.
    In the NY Times, Randall Stross writes: Hey, Baby Bells: Information Still Wants to Be Free – New York Times: “For one thing, the occasional need for a preferential fast lane for streaming video – that is, moving pictures displayed as fast as they arrive, rather than downloaded first and played from memory – exists in the United States only because our standard broadband speeds are so slow. Were we ever to become a nation with networks supporting gigabit service, streaming video would not require special handling.”
    Lawrence Lessig: the fiction zone that DC has become “Broadband is infrastructure — like highways, if not railroads. If you rely upon “markets” alone to provide infrastructure, you’ll get less of it, and at a higher price. (See, e.g., the United States, today.)”
    Susan Crawford: Rhetorical legerdemain “But it has finally become clear to me that the telephone companies are planning to ensure that subscribers never see “the Internet” at all over these high-speed connections. Instead, subscribers will see the “broadband video” offerings of the network owner, to which particular paying web sites and paying VoIP services have been added. They’ll be able to access “information derived from the Internet,” in the words of the bill, but not the internet itself. Only those willing to pay for slower access speeds (and perhaps willing to pay more for these slower speeds than for the high-speed access) will be seeing “the Internet.””
    Susan Crawford: Framing: “The debates over the future of the internet should begin (although they hardly ever do) by answering the question What Is The Internet?”
    Adam Pennenberg, Slate: Internet Freeloaders: Should Google have to pay for the bandwidth it consumes? “If the telcos and cable companies get their way, we’ll have a Balkanized Web. Content providers who can afford to pay for premium service will market superior products to consumers with fast connections. Everyone else will make do with second-class companies at second-class speeds.”
    Preston Gralla, Networking Pipeline: Google: We Won’t Pay Broadband Cyberextortion: “The BellSouths and Verizons of the world should focus on offering better services at lower prices — not trying to fine-tune the Tony Soprano business model. That’s been tried already, by a company you may have heard of, called Enron. And look where it got them.”
    Ed Felten: How Would Two-Tier Internet Work? “I should say up front that although the two-tier network is sometimes explained as if there were two tiers of network infrastructure, the obvious and efficient implementation in practice would be to have a single fast network, and to impose deliberate delay or bandwidth throttling on non-preferred traffic.”
    Daniel Berninger: Net Neutrality Not An Optional Feature of Internet: “The Internet does not exist without net neutrality. Consider the misleading assertion that tinkering with network neutrality simply amounts to adding class of service as in the case of air travel or HOV lanes on highways. Network neutrality refers to the uses of the Internet not the quality of access. There already exists an infinite range of classes of service as regards Internet access. End users pay for what they get regarding the performance and capacity of Internet access. Internet content and service providers like Google, Amazon, and Vonage already pay for access to the Internet.”
    Paul Riismandel, Media Geek: The Future of the Internet Is on the Table: “I think the very ability for independent media makers to continue to use the internet to easily and inexpensively distribute their works is in jeopardy. AT&T and Verizon want to charge content providers for the data they send to their customers’ computers, even though content makers, like me, already pay for our own internet access in addition to the fees to host our content on servers.”
    Net Freedom Now!
    Jef Chester, The Nation: The End of the Internet? ” If we permit the Internet to become a medium designed primarily to serve the interests of marketing and personal consumption, rather than global civic-related communications, we will face the political consequences for decades to come.”
    Virtual Karma: Dad, What Was Internet? “Wait. I’m all confused here. We paid for our end of the bandwidth and the websites paid at their end. So who is getting a free ride here?”
    AP: Building the Internet Toll Road: “On the internet, the traffic cops are blind — they don’t look at the data they’re directing, and they don’t give preferential treatment.”
    Christopher Stern, The Bergen Record: Roadblocks on the super- highway: “The changes may sound subtle, but make no mistake: The telecommunications companies’ proposals have the potential, within just a few years, to alter the flow of commerce and information — and your personal experience — on the Internet. For the first time, the companies that own the equipment that delivers the Internet to your office, cubicle, den and dorm room could, for a price, give one company priority on their networks over another.”

  • Practice makes perfect


    Some thoughts relevant for considering career choices:
    Ron Baker, the [non]billable hour: Attorneys Aren’t Knowledge Workers: “When you consider the metrics used by most firms to measure their team members, they all come from the Industrial Revolution’s command-and-control hierarchies (realization, utilization, billable hours, etc).”
    Douglas Rushkoff: Fun AT Work vs Fun AS Work: “By making the “fun” at work extraneous – external and unrelated – to the boring and dull work that people are actually doing, it only exacerbates the problem. It’s like giving kids dessert as a “reward” for finishing the main part of the meal. Why do they need a reward? Because the main meal tastes terrible!”
    Jill’s Notebook: After the law firm “After working for the law firm, I learned that it might be wise to be wary of organizations bottom-heavy with young, energetic people and run by a few older people with a lot of money and/or power.”

  • Quick Hits


    Here are some links of interest from the last few weeks:
    Digital Audio Insider: “Digital Audio Insider is a blog about online music distribution (and the listening experience), from the perspective of an indie musician.”
    American Library Association: Digital Rights Management: A Guide for Librarians
    Mediageek: News and views on our media environment. A blog and podcast.
    Wired News: They Saved the Internet’s Soul Looking back on the internet, 10 years after the Communications Decency Act and Reno v. ACLU
    Patently Obvious: PTO Requests Model of Warp Drive Invention
    David Sirlin, Gamasutra: World of Warcraft Teaches the Wrong Things: “1. Investing a lot of time in something is worth more than actual skill. If you invest more time than someone else, you “deserve” rewards. People who invest less time “do not deserve” rewards. This is an absurd lesson that has no connection to anything I do in the real world.”
    John Ottaviani (with Eric Goldman), Technology & Marketing Law Blog: Top Cyberspace IP Cases of 2005
    Gervase Markham in the Times (London): Free software? You can’t just give it away: “I can’t believe that your company would allow people to make money from something that you allow people to have free access to. Is this really the case?”
    AP: Minnesota Public Radio sues Gore-founded Internet TV network: “Minnesota Public Radio is suing an Internet television network co-founded by Al Gore, claiming the network’s alternative and amateur news reports interfere with MPR’s trademark.”
    Yahoo Music Blog: Dave Goldberg to Record Labels: No DRM, Please: “By now you’ve probably seen the news that Yahoo! Music’s General Manager, Dave Goldberg, urged record labels to ease back their insistence on DRM…
    Richard L. Hasen, Slate: Fraud Reform? How efforts to ID voting problems have become a partisan mess. “Unfortunately, election reform is becoming mired in partisan politics, and the resulting rules changes are increasing, rather than decreasing, the chances of future litigation and election meltdown.”
    Rebecca Tushnet, 43(b)log: Richard Epstein on the Google Print Library ProjectPart 1 and Part 2.

  • 47 USC &sect;230 Year-in-Review


    Eric Goldman looks at last year’s cases involving the statutory “safe harbor” protection for web sites sued for user-created content. Technology & Marketing Law Blog: 47 USC 230 Year-in-Review (and Landry-Bell v. Various, Another Defense Win): “So, according to my tally, in 2005 there were 10 defense wins under 230 and 1 plaintiff win. And even the sole plaintiff win wasn’t dispositive–the court refused to grant a motion to dismiss based on the factual allegations, but the 230 defense could still apply after discovery.”

  • Race, now with Amazing


    Hey, the Amazing Race is back. Some running notes on this episode:

    • No mactors. Teams of 2. Red Rocks. It’s real TAR! Represent!
    • “put on some pans, it’s time to dance” Hippie dudes, represent.
    • No clips from Family Edition in the open credits. I guess that the producers didn’t like the Amazing Roadtrip either.
    • “They haven’t been smnoking pot for a while, I guess.”
    • “That’s OK, they’re hot.”
    • The gay guys from Boston are not going to win. [Bingp]
    • Is Lake this race’s Jonathan?
    • The Staten Island girls are definitely from Staten Island (by the accent).
    • The first flight– Denver to Sao Paolothat’s further than any single leg in Family Edition. Hey, this is the real Race.
    • Is it [Spanish] not he same thing [as Portuguese]?” “I thought that was the language of the world.” No, that would be Mirnish.
    • “We’re not seeing it” as they walk directly by the cluebox.
    • “They live like this!” Compared with Kendra (TAR6), positively enlightened.
    • “Is this the most James Bond thing you’ve ever done?” And that’s not the episode title? I guess CBS doesn’t hold rights to Bond.
    • Team Mojo with Mo and Jo t-shirts? Um, no.
    • Interesting– no bunch/anti-bunch in the first leg besides the spoon-fed flights. Is this the first Race ever that didn’t have an overnight stop within the first leg?

    Previously: What happened to the “Amazing”?

  • Perfect 10 v. Google


    In Perfect 10 v. Google, Inc., 04-9484 (C.D. Cal, Feb. 17, 2006), US District Judge A. Howard Matz ruled that “Google’s creation and display of ‘thumbnails’ likely do infringe P10’s copyrights. The Court also concludes, however, that P10 is not likely to succeed on its vicarious and contributory liability theories.”
    The court adopts the “server test” for judging whether a web site infringes on the copyright owner’s display right: Direct linking to an image file does not infringe upon the display right. Serving it from one’s own server does infringe.
    The finds that Google Image Search does not engage in fair use when it creates thumbnail images of P10 files that are freely available on the web, as the result of infringing acts of third parties. Perfect 10 has a commercial interest in thumbnails– it has licensed thumbnails to a mobile phone service. This is the deciding factor in distinguishing Google from Arriba Soft. Kelly, the plaintiff against Arriba Soft, did not have a commercial interest in thumbnail images. Here, because P10 executed a licensing deal to make money off of thumbnail images for a mobile service, that Google’s image search was not fair use, because P10 established that it had commercial interest in thumbnail images.
    In its ruling granting a preliminary injunction, “P10 has established a likelihood of success on the merits that creating and serving thumbnail images does directly infringe P10’s copyrights.”
    In deciding that Google is not contributorily liable for facilitating infringement of P10 images, the court differentiates Google Image Search from Napster, finding that Google only resembles Napster in facilitating searching. Napster also facilitated file transfer from otherwise unaccessible hard drives. Google helps searchers locate “information (text, images, video, newsgroup discussion threads, blogs, academic papers, price information, maps, driving directions) found on the entire, publicly available web.”
    The court ruled that Google is not vicariously liable, because google lacks sufficient control over the web for vicarious liability. “Google does not exercise control over the environment in which it operates– i.e., the web. Google’s ability to link from its search index does not render the linked-to site inaccessible.… If the phrase ‘right and ability to control’ means having substantial input into or authority over the decision to serve or continue serving infringing content, Google lacks such right or ability.”
    William Patry: Google Nudes: “The court’s fair use analysis and its attempt to both follow and distinguish Kelly v. Arriba is disappointing, a bit of a tally up the factors and see who has more (Plaintiff 3, Google 0, a draw on the third factor).”
    William Patry: Google Nudes II: “In considering Google’s use also “consumptive,” I think the court erred significantly, and not only for the reason given yesterday (the markets are different): the harm from cellphone downloading, even if real (I can’t imagine it is), occurs only with English users. I don’t see how that is relevant in a U.S. case.”
    Fred von Lohmann, Electronic Frontier Foundation: Perfect 10 v. Google: More Smooth Than Crunchy: “While you wouldn’t know it from the headlines, I think yesterday’s preliminary injunction ruling against Google will be remembered as a little bad for Google, but a lot good for the Web.”
    John Ottaviani, Technology & Marketing Law Blog: More on Perfect 10 v. Google: “Leave it to the porn industry to make copyright law on the Internet.… It seems like the court took reasonable and defensible positions here in applying 1970’s copyright law to Google’s 21st Century Internet practices. Also, Google is not Napster, but once again we see the risks of basing one’s business, or part of one’s business, on the “fair use” defense. ”
    C.E. Petit, Scrivener’s Error: Cassandra Was Here: “There appear to be four fair-use factors—just not the four specified in § 107. To begin with, the first and fourth factors (broadly, the “commercial necessity” factors) generally get conflated and weighed as at least half of the fair use equation. P10 v Google is an excellent example of this; Judge Matz’s decision is a classic example of counting the same “facts” twice in his analysis of the first and fourth factors. What this basically says is that, with only very rare exceptions, the first and fourth factors will point the same way anyway. It also gets into the “fifth fair use factor”—the one that the Copyright Office’s Orphan Works Report didn’t quite acknowledge was driving the entire inquiry: administrative convenience.”
    Wendy Seltzer: Google Wins Some, Loses Some, in First Round versus Perfect 10: “Yesterday, the California Central District issued an order (local copy) that’s a mixed bag, but gets a lot right in its description of how copyright works on the web.”
    Xenia P. Kobylarz, Law.com: Perfect 10 Racks Up Preliminary Injunction Against Google: “A Los Angeles federal judge ruled Friday that the Internet search engine’s image search feature, which displays thumbnail versions of images found on other Web sites, probably infringed a Web pornographer’s copyrights.”
    LA Times: Google’s image search set back: “If upheld, the judge’s preliminary ruling could throw a kink into the way Mountain View, Calif.-based Google collects and displays photographs in the image portion of its search engine. Lawyers not involved with the case said it would have little effect on Google’s overall business, which generated $6.1 billion in revenue last year.”
    Martin Schwimmer, The Trademark Blog: Perfect 10 Obtains Injunction Against Google’s Use of Thumbnail Images “The thought occurs as I read this section that Google makes this go away by cropping a corner off the thumbnail (or perhaps reproduces thumbs using sepia tone).”
    NY Times: Ruling May Undercut Google in Fight Over Its Book Scan: “Representatives of publishers and authors who have filed lawsuits against Google over its Book Search program said they believed that the decision raised questions about a case that Google had cited in its defense of the Book Search program.”
    Michael Madison: District Judge Scores a Perfect 10: “I read the judge as concluding that the public interest in having free access to Perfect 10’s photos is less than the public interest in having access to Les Kelly’s photos. In other words, Perfect 10 has done more than Les Kelly did to make the photos into mere commodities, but precisely for that reason there is no reason to make them more widely available than they already are.”
    William Patry: Preliminary Injunctions and Affirmative Defenses: “One issue in the Perfect 10 v. Google, Inc. case was whether Perfect 10, in seeking a preliminary injunction, bore the burden not only of establishing a likelihood of success on its prima facie case, but in also establishing it was likely to overcome any affirmative defenses Google asserted, in that case fair use. Judge Matz, following the district court decision in the Dr. Seuss case, held that Perfect 10 did bear that burden. The opinion, however, missed contrary authority, and perhaps most importantly, understandably did not discuss a Supreme Court opinion handed down the same day (February 21) that held to the contrary.”

  • Back


    You may have noticed that as of late, this space has been more empty than usual. I’ve been here (again), here and here. We now return you to your irregularly scheduled posting.
    Next up: employment.

  • New sites of note


    A Brooklyn Law 2L writes MusicBlawg which is, not surprisingly, a blog about music law. Full of pithy analysis.
    David “No, I’m not the serial killer” Berkowitz, one of the web-savviest people I know, now has a blog, Inside the Marketer’s Studio, full of linky, livebloggy and podcasty goodness.
    This blog is going to continue to suck for the immediate future.

  • IPtelligentsia Podcast: Senate Indecency Hearings (Part 2 of 3)


    On Thursday, the Senate Commerce Committee held hearings about regulating indecency on television. Sen. Ted Stevens (R-AK) and some of his colleagues seem intent on curbing broadcast and cablecast indecency by new legislation or some extra-legislative means, notwithstanding the fact that extending such regulations to cable and the internet would violate the First Amendment.
    IPtelligentsia Podcast: Senate Decency Hearings (Part 2 of 3) (20:32 MP3)
    Related links:
    Decency: Full Committee Hearing (witness list and archived webcast)
    FCC v. Pacifica Foundation, 438 U.S. 726 (1978).
    United States v. Playboy Entertainment Group, Inc., 529 U.S. 803 (2000).
    Reno v. Am. Civil Liberties Union, 521 U.S. 844 (1997).
    Sable Communications v. FCC, 492 U.S. 115, 127 (1989).
    Action for Children

  • Bloggers, book deals and gnomes


    Today’s NY Times features a long article about David Lat, the former federal prosecutor who created Article III Groupie– the author of Underneath Their Robes, the only gossip site about federal judges: He Fought the Law. They Both Won.
    In November, Lat publicly revealed that he wrote A3G with an article in The New Yorker by Jeffrey Toobin: Scotus Watch.
    As the Times article recounts, this news caught Lat’s employers at the US Attorney’s office by surprise, and after , Lat quickly took the blog offline.
    End result, Lat joined Nick Denton’s snarky bunch of bloggers at Gawker media as the replacement for Ana Marie Cox at Wonkette: Wonkette’s Sex Change.
    This week, life-at-biglaw blogger Opinionista revealed herself as Melissa Lafsky, who left her law firm job, got some professional photos, and signed with the agent to the bloggers in order to prepare for her big reveal in the New York Observer. Lafsky’s Last Laugh: Secret Legal Blogger Says ‘I’m Opinionista!’. Veracity verdict: Actually a woman, actually a lawyer, actually at a boutique-sized outpost office of a biglaw firm, no actual book deal. Even though this article was in the Observer, Lafsky picked up some A-list press from the Times last year.
    Gawker wonders: “Is there some sort of internerd law that dictates all anonymous bloggers must eventually reveal themselves through a contorted ritual of self-referential blog posts and media publicity? We thought that crap always came after the book deal.”
    All the way back in December 2004 (that’s like seven years ago in internet time!), Jeremy Blachman was profiled in the Times as the author of the Anonymous Lawyer and inked his book deal in March of aught-five.
    Here’s the short lesson:
    Step 1. Write a funny anonymous blog.
    Step 2. ???
    Step 3. Profit.
    See Underpants Gnomes
    Off to write at my anonymous site…

  • IPtelligentsia Podcast: Senate Indecency Hearings (Part 1 of 3)


    This morning, the Senate Commerce Committee held hearings about regulating indecency on television. Sen. Ted Stevens (R-AK) and some of his colleagues seem intent on curbing broadcast and cablecast indecency by new legislation or some extra-legislative means, notwithstanding the fact that extending such regulations to cable and the internet would violate the First Amendment.
    IPtelligentsia Podcast: Senate Decency Hearings (Part 1 of 3) (30:33 MP3)
    Related links:
    Decency: Full Committee Hearing (witness list and archived webcast)
    FCC v. Pacifica Foundation, 438 U.S. 726 (1978).
    United States v. Playboy Entertainment Group, Inc., 529 U.S. 803 (2000).
    Reno v. Am. Civil Liberties Union, 521 U.S. 844 (1997).
    Sable Communications v. FCC, 492 U.S. 115, 127 (1989).
    Action for Children

  • Repairation?


    A new bar opened in the ‘hood recently, but is already closed for repairs, or, well, er:
    Repairation?
    Repairation?

  • Frack


    You can tell that you’ve been watching too much Battlestar Galactica when you actually use “frack” in conversation. (Frack is a word used on the show as an all-purpose expletive, which apparently is sufficiently weird that Sci-Fi Channel standards and practices doesn’t bleep it.)
    This is an example of how the law shapes creativity. In order to avoid broadcasting obscene or indecent language, networks would bleep over offending language. The super-cheesy original Battlestar Galactica series, with Lorne Greene, invented the fracking expletive (along with creative measures of time and currency.) As a result, though, dialogue on Galactica has its own particular tone and rhythm. If it used the normal English equivalents, the show might sound more like The Sopranos, just with the Jersey accents toned down a bit. Salon.com’s Video Dog has a compilation of clips incorporating the word: Motherfracker!
    In another way, writers can build on the fact that networks will bleep the worst language. In a first-season episode of Arrested Development, Bringing Up Buster, the writers sent Buster on a 10-second long tirade, where we hear “cause I’m an uptight…[bleeeeeeeeep]…Buster…[bleeeeeeeep]… you old horny slut!” The video shows only the other characters’ (Michael, GOB and Lindsay) horrified reactions. The result is more offensive than anything the writers could think up, because those 10 seconds are filled with the foulest language each viewer can image, and that language may be different for each imagination.
    Last year, the FCC ruled that bleeps which merely suggest the uttering of indecent speech do not violate the Commission’s prohibition on broadcast indecency. Learn all about it in this IPtelligentsia video blog from last year.

  • Metrocard Gone Mad


    I have a pay-per-ride Metrocard with $11.20 on it. How?